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Bon Iver: Full Concert | NPR MUSIC FRONT ROW
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6,656,430 Views • Dec 30, 2016 • Click to toggle off description
On Dec. 4, just before Bon Iver took the stage at Pioneer Works, an old ironworks warehouse turned nonprofit arts and culture space, these prophetic words from Union Army officer Sullivan Ballou echoed off the Civil War-era brick walls:

"Sarah, my love for you is deathless, it seems to bind me to you with mighty cables that nothing but Omnipotence could break; and yet my love of Country comes over me like a strong wind and bears me irresistibly on with all these chains to the battlefield."

A week after writing those lines, Ballou was mortally wounded, dying for a cause in which he firmly believed.

At first, these words struck me as disconnected from the evening's music. Bon Iver's new record, 22, A Million, feels so distant from the Civil War and the words of Sullivan Ballou. But there's a very real kinship between the letter and this band. Believing in what you do is essential to Justin Vernon and the music he creates for Bon Iver, and impermanence and duality are prevailing themes of this album.

So, here in Brooklyn, at Pioneer Works, a space Vernon believes in and actively assists as a member of the Advisory Board, he and his team created a very special evening — a transcendent night of voices masked, faces hidden in darkness and a performance aimed at soul-searching and purpose over pop and stardom.

This music was performed by a powerful big band, with two drummers and a sax ensemble backing upfront processed sounds, like vocal alterations and sampling, alongside electric and acoustic guitars. It was a visionary performance, fit perfectly to brilliant lighting and sound, seemingly executed down to fine detail by a guy in a Tipitina's T-shirt, loose pants and high-tops: unassuming, seemingly uncaring, but most certainly in control.

-Bob Boilen

SET LIST

0:16 10 d E A T h b R E a s T ⚄ ⚄
2:59 33 'GOD'
6:45 Heavenly Father
10:50 29 #Strafford APTS
15:34 Beach Baby
18:33 666 ʇ
23:43 715 - CRΣΣKS
26:20 Calgary
31:01 22 (OVER S∞∞N)
34:44 8 (circle)
40:54 Minnesota, WI
48:13 ___45____
54:15 Creature Fear
1:00:35 00000 Million

MUSICIANS

Justin Vernon: vocals, guitar, keys, processing; Andrew Fitzpatrick: guitar, processing, vocals; Michael Lewis: bass, synth-bass, saxophone, vocals; Sean Carey: drums, keys, vocals; Matt McCaughan: drums, vocals; Nelson Devereaux: saxophone; Stephanie Wieseler: saxophone; Dustin Laurenzi: saxophone; Chris Thompson: saxophone; Cole Pulice: saxophone.

CREW

Michael Brown: production designer; Chris Messina: studio/stage manager.

NPR CREDITS

Director: Colin Marshall; Producers: Colin Marshall, Benjamin Naddaff-Hafrey; Executive Producer: Anya Grundmann; Audio Engineer: Xandy Whitesel (from the Bon Iver crew); Technical Director: Josh Rogosin; Editors: Nickolai Hammar, Cam Robert; Videographers: Nicole Conflenti, Kara Frame, Nickolai Hammar, Claire O'Neill, Chris Parks, Cam Robert, Maia Stern. Special Thanks: Pioneer Works, The Bowery Presents, Jagjaguwar, Middle West, Shore Fire Media, Bon Iver Band & Crew.

NOTE: The audio provided to NPR for "10 d E A T h b R E a s T ⚄ ⚄" includes a brief portion of the audio from a subsequent Pioneer Works concert to correct for a technical error at the Dec. 4 show.
Metadata And Engagement

Views : 6,656,430
Genre: Music
Date of upload: Dec 30, 2016 ^^


Rating : 4.919 (1,277/61,782 LTDR)
RYD date created : 2022-04-09T21:17:49.159376Z
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YouTube Comments - 2,814 Comments

Top Comments of this video!! :3

@nprmusic

9 months ago

Hey Tiny Desk Fans, Check out NPR’s Black Stories, Black Truths – a collection of podcasts hosted by journalists who speak truth to power. Our voices are as varied, nuanced, and dynamic as the Black experience. And stories should never be about us without us. Listen now: www.npr.org/podcasts/510372/black-stories-black-tr…

22 |

@beardedspeed

3 years ago

I'm a trauma nurse. I've had this set on repeat lately trying to get through these days at work. If anyone reads this, please know, you matter.

2.4K |

@stephengibson1813

5 years ago

this version of 33 'GOD' may be the best piece of music in recent memory

590 |

@mathildeb2710

6 years ago

I love the comments section of Bon Iver videos because it's like, FINALLY, people who get it! I love you all.

358 |

@jordanberezin2621

4 years ago

Who's here in 2020 and still feeling it?

875 |

@jakewelch.design

7 years ago

I feel like attending a Bon Iver concert would be a spiritual experience

1.4K |

@andystover1013

7 years ago

So much credit to whoever mixed the audio. They did an incredible job

2.8K |

@spencershattuck5707

6 years ago

I legit watch this 3 times a week

1.6K |

@Rafa-rr7xy

4 years ago

0:16 10 d E A T h b R E a s T ⚄ ⚄ 2:59 33 'GOD' 6:45 Heavenly Father 10:50 29 #Strafford APTS 15:34 Beach Baby 18:33 666 ʇ 23:43 715 - CRΣΣKS 26:20 Calgary 31:01 22 (OVER S∞∞N) 34:44 8 (circle) 40:54 Minnesota, WI 48:13 ___45____ 54:15 Creature Fear 1:00:35 00000 Million

974 |

@sinton09

7 years ago

Justin Vernon seems to understand how to communicate emotions involved within certain moments in life that people feel but don't really know how to describe, or even realise they feel it. But he does it with more than just words, in the song 45 there are only about 3/4 different sentences, yet a million emotions are communicated. It's like he's tapped into something different. He's a genius.

751 |

@royalyawns7245

7 years ago

53:46 "I don't know about the whole tradition of 'leaving the stage and coming back' thing. So, we're gonna literally play two more songs and then we're all gonna be okay, and we're gonna be really happy, and we're gonna love each other, and we're gonna go take care of each other and the whole other, all the shit that's going on." -Justin Vernon

138 |

@ElliotIddon18

4 years ago

From 5:30 , only Bon Iver could turn ‘but I gotta fold my clothes’ into the sickest drop, actually breathtaking

370 |

@cocoberryslim1027

3 years ago

I legit got YouTube red so I can listen to this with no ads

33 |

@stevenrschnettler

7 years ago

This is one of the best recorded live shows I've ever seen. The audio production, the lights, the videos behind the band, the band itself! I could go on. Perfect performance. Thank you NPR.

803 |

@RINGCHASING

7 years ago

The dude on drums plays with so much raw emotion

142 |

@mckamy4711

1 year ago

I used to listen to Bon Iver on late night car rides home when I was 14. I am 22 now, and it still brings me such peace.

56 |

@marcus474

1 year ago

My dad died yesterday, and for some reason this concert has been helping me. Thank you for making such beautiful music for those of us in pain.

246 |

@ryanmoorman7799

7 years ago

this is why i personally think "22, a million" is the best album justin and co have released thus far. there is so much fucking emotion that is perfectly translated with the glitches and vocal effects and sampling. i cried listening to both the album and this live performance. they keep outdoing themselves. aoty, 2016.

586 |

@MRSCARCULTURE

5 years ago

Who wants to join my crusade to find a way to have this performance pressed to vinyl or cd. The sound quality is spectacular and Id love to have a physical copy of this for my collection. Just me??

200 |

@delfinavecchiet6703

5 years ago

I WANT A TATTOO OF THIS VIDEO

819 |

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