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Bon Iver: Full Concert | NPR MUSIC FRONT ROW
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6,650,977 Views • Dec 30, 2016 • Click to toggle off description
On Dec. 4, just before Bon Iver took the stage at Pioneer Works, an old ironworks warehouse turned nonprofit arts and culture space, these prophetic words from Union Army officer Sullivan Ballou echoed off the Civil War-era brick walls:

"Sarah, my love for you is deathless, it seems to bind me to you with mighty cables that nothing but Omnipotence could break; and yet my love of Country comes over me like a strong wind and bears me irresistibly on with all these chains to the battlefield."

A week after writing those lines, Ballou was mortally wounded, dying for a cause in which he firmly believed.

At first, these words struck me as disconnected from the evening's music. Bon Iver's new record, 22, A Million, feels so distant from the Civil War and the words of Sullivan Ballou. But there's a very real kinship between the letter and this band. Believing in what you do is essential to Justin Vernon and the music he creates for Bon Iver, and impermanence and duality are prevailing themes of this album.

So, here in Brooklyn, at Pioneer Works, a space Vernon believes in and actively assists as a member of the Advisory Board, he and his team created a very special evening — a transcendent night of voices masked, faces hidden in darkness and a performance aimed at soul-searching and purpose over pop and stardom.

This music was performed by a powerful big band, with two drummers and a sax ensemble backing upfront processed sounds, like vocal alterations and sampling, alongside electric and acoustic guitars. It was a visionary performance, fit perfectly to brilliant lighting and sound, seemingly executed down to fine detail by a guy in a Tipitina's T-shirt, loose pants and high-tops: unassuming, seemingly uncaring, but most certainly in control.

-Bob Boilen

SET LIST

0:16 10 d E A T h b R E a s T ⚄ ⚄
2:59 33 'GOD'
6:45 Heavenly Father
10:50 29 #Strafford APTS
15:34 Beach Baby
18:33 666 ʇ
23:43 715 - CRΣΣKS
26:20 Calgary
31:01 22 (OVER S∞∞N)
34:44 8 (circle)
40:54 Minnesota, WI
48:13 ___45____
54:15 Creature Fear
1:00:35 00000 Million

MUSICIANS

Justin Vernon: vocals, guitar, keys, processing; Andrew Fitzpatrick: guitar, processing, vocals; Michael Lewis: bass, synth-bass, saxophone, vocals; Sean Carey: drums, keys, vocals; Matt McCaughan: drums, vocals; Nelson Devereaux: saxophone; Stephanie Wieseler: saxophone; Dustin Laurenzi: saxophone; Chris Thompson: saxophone; Cole Pulice: saxophone.

CREW

Michael Brown: production designer; Chris Messina: studio/stage manager.

NPR CREDITS

Director: Colin Marshall; Producers: Colin Marshall, Benjamin Naddaff-Hafrey; Executive Producer: Anya Grundmann; Audio Engineer: Xandy Whitesel (from the Bon Iver crew); Technical Director: Josh Rogosin; Editors: Nickolai Hammar, Cam Robert; Videographers: Nicole Conflenti, Kara Frame, Nickolai Hammar, Claire O'Neill, Chris Parks, Cam Robert, Maia Stern. Special Thanks: Pioneer Works, The Bowery Presents, Jagjaguwar, Middle West, Shore Fire Media, Bon Iver Band & Crew.

NOTE: The audio provided to NPR for "10 d E A T h b R E a s T ⚄ ⚄" includes a brief portion of the audio from a subsequent Pioneer Works concert to correct for a technical error at the Dec. 4 show.
Metadata And Engagement

Views : 6,650,977
Genre: Music
Date of upload: Dec 30, 2016 ^^


Rating : 4.919 (1,276/61,731 LTDR)
RYD date created : 2022-04-09T21:17:49.159376Z
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YouTube Comments - 2,811 Comments

Top Comments of this video!! :3

@nprmusic

9 months ago

Hey Tiny Desk Fans, Check out NPR’s Black Stories, Black Truths – a collection of podcasts hosted by journalists who speak truth to power. Our voices are as varied, nuanced, and dynamic as the Black experience. And stories should never be about us without us. Listen now: www.npr.org/podcasts/510372/black-stories-black-tr…

21 |

@beardedspeed

3 years ago

I'm a trauma nurse. I've had this set on repeat lately trying to get through these days at work. If anyone reads this, please know, you matter.

2.4K |

@mathildeb2710

6 years ago

I love the comments section of Bon Iver videos because it's like, FINALLY, people who get it! I love you all.

357 |

@spencershattuck5707

6 years ago

I legit watch this 3 times a week

1.6K |

@stephengibson1813

5 years ago

this version of 33 'GOD' may be the best piece of music in recent memory

587 |

@jakewelch.design

7 years ago

I feel like attending a Bon Iver concert would be a spiritual experience

1.4K |

@andystover1013

7 years ago

So much credit to whoever mixed the audio. They did an incredible job

2.8K |

@cocoberryslim1027

3 years ago

I legit got YouTube red so I can listen to this with no ads

33 |

@markmcarthy596

3 months ago

I’ve been reading the comments tonight, nearly 7 since I left mine . Oh man, 7 years went by in a lightning ⚡️ flash. Take this from a 61 year old-enjoy today, squeeze every ounce of enjoyment out of it

5 |

@stevenrschnettler

7 years ago

This is one of the best recorded live shows I've ever seen. The audio production, the lights, the videos behind the band, the band itself! I could go on. Perfect performance. Thank you NPR.

803 |

@marcus474

1 year ago

My dad died yesterday, and for some reason this concert has been helping me. Thank you for making such beautiful music for those of us in pain.

246 |

@mckamy4711

1 year ago

I used to listen to Bon Iver on late night car rides home when I was 14. I am 22 now, and it still brings me such peace.

56 |

@jordanberezin2621

3 years ago

Who's here in 2020 and still feeling it?

874 |

@lr4221

6 years ago

0:16 Loud noises 2:59 "better fold my clothes" 6:45 Tears 10:50 stoner song 15:34 Blood banks companion 18:33 down to hell 23:43 no music autontune 26:20 "ooo ooo ooooh" 31:01 Opening track 34:44 2 circles = 8 40:54 Minnesota (with beeping noises) 48:13 Jazz music but with you crying 54:15 Creature Fear (but its loud at the end) 1:00:35 Closer

729 |

@sinton09

7 years ago

Justin Vernon seems to understand how to communicate emotions involved within certain moments in life that people feel but don't really know how to describe, or even realise they feel it. But he does it with more than just words, in the song 45 there are only about 3/4 different sentences, yet a million emotions are communicated. It's like he's tapped into something different. He's a genius.

751 |

@thomasmclaughlin2063

4 years ago

As a drummer i was always taught to not show emotion when you play. "Don't pull faces, just look serious" I love seeing professional drummers just feeling the music. Just to feel what they play and show it. Fantastic performance. One of my all time favourites.

159 |

@ElliotIddon18

4 years ago

From 5:30 , only Bon Iver could turn ‘but I gotta fold my clothes’ into the sickest drop, actually breathtaking

370 |

@RINGCHASING

7 years ago

The dude on drums plays with so much raw emotion

142 |

@chriss8792

7 years ago

the amount of emotion he puts in 715 creeks is just beautiful

43 |

@AndrewLavers

2 years ago

5:46 Only Bon Iver could make a line as simple as ‘well I better fold my clothes’ sound like the best lyric ever created.

95 |

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