Bel Canto Series: I. Origin
Horowitz rates orchestrasđ
Left Hand Technique: Ivry Gitlis
Unusual fingering at the top instead of using the traditional harmonic | Vladimir Spivakov
SPICCATO | David Oistrakh
VIOLIN vs VIOLA | Paganini Caprice No. 24
The Violin Tone Series: Ivry Gitlis
The Violin Tone Series: David Oistrakh
The Violin Tone Series: David Nadien
The Violin Tone Series: Joseph Szigeti
The Violin Tone Series: Efrem Zimbalist
The Violin Tone Series: Jascha Heifetz
The Violin Tone Series: Toscha Seidel
The Violin Tone Series: Manuel Quiroga
The Violin Tone Series: Miron Polyakin
The Violin Tone Series: Mischa Elman
The Violin Tone Series: Ida Haendel
The Violin Tone Series: Josef Hassid
The Violin Tone Series: George Enescu
The Violin Tone Series: Nathan Milstein
The Violin Tone Series: Fritz Kreisler
The Violin Tone Series: Yehudi Menuhin
The Violin Tone Series: Eduard Grach
Shostakovich Op. 57 | 2. Fugue
Should musicians do those things?
RICOCHET | Eduard Grach
Shostakovich Op. 57 with friends
1945 Yampolskyâs Class | EDUARD GRACH
FLYING STACCATO | Busya Goldstein
FLYING STACCATO | Leonid Kogan
FLYING STACCATO | Oistrakh
Heifetz vs Gitlis | Down bow staccato
What should I practice today?
Secret FINGERINGđ¤Ť
If you wanna do that, become a dancer!
WARNING â ď¸âźď¸ Do not joke with VIOLA!
âRussianâ or âFranco-Belgianâ?
How to fix a wolf tone?
Itâs time to switch to CELLO!
Itâs time to switch to CONDUCTING!
Itâs time to switch to VIOLA!
When orchestra went slower than you expectedâŚ
How to change the bow smoothly? | Part 3
How to keep the bow straight?
Would you risk?
How to release tension?
When orchestra went faster than you expectedâŚ
How to practice a scale on G string with feelings | KĂ roly Puka
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