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6,557 Views • Jan 19, 2024 • Click to toggle off description
40 Bonus minutes of Practice Sessions. 6 sessions going over chords, arpeggios, pentatonics, practice approaches, mindsets and final touches. Chart / Bonus Chart / Fast and Slow Backing Tracks Included!
Sessions 1 and 2: www.patreon.com/posts/96807280
Sessions 3 and 4: www.patreon.com/posts/96807577
Sessions 5 and 6: www.patreon.com/posts/96807775
🌟Here is how to Navigate My Patreon Practice Sessions, just in case you are interested!
vimeo.com/731166602
🔴Here is the link for the CHART ONLY $3.49 bit.ly/47XoIHv
6 pages, showing the chord progression, the Master Music Formula layout. Chord shapes in video, Arpeggios and Pentatonics, and Chromatic Maps. Also include A Major NeverLost Pentatonic and options for soloing over the AGD. Instant Download and Emailed right to you. Hope You Enjoy!
00:00 Intro
01:30 Studying chord progression
02:30 Using simple scales to jam
07:02 Zooming in on Chords
11:21 Jerry’s arpeggios and pentatonics
16:25 Jerry’s chromatics
20:16 More Jerry Human elements
22:00 The AGD soloing options
23:58 My favorite Jerry approach and wrap up
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#jerrygarcia #Deal #gratefuldead
Views : 6,557
Genre: Education
Date of upload: Jan 19, 2024 ^^
Rating : 4.948 (5/378 LTDR)
RYD date created : 2024-02-02T00:22:50.022079Z
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YouTube Comments - 79 Comments
Top Comments of this video!! :3
This one was a journey -but,man I’m glad I came along for the ride
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I’ve loved playing this song for over 40 years. It always sounds fresh and I so much enjoy teaching other musicians the nuances of it. Though I’m not the teacher you are. Great job Ian.
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Love jerrys shirt...good taste!!
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I am sooooo thrilled you took the plunge on this one. Can’t wait to get into it. Thank you Ian
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I've always loved your lessons and have been following them for years. However, I've always taken dispersed ideas and snippets, and never followed anything systematically. This time, I'm going to do it. No matter how long it takes. I have the feeling that by doing this step-by-step (starting with really learning each chord arpeggio and pentatonic in that position) will unlock a lot of Jerry's playing beyond Deal. THANKS!
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Ian, this is fantastic. Like so many of your videos, you are providing a lesson that is truly practical because you are explaining the WHY, and not just the HOW.
I already experienced two major “aha!” moments on watching the video once. But they’re probably not where you’d expect.
The first is when I realized that “Deal” is the name of a SONG. (OK I’m the first to admit that I’m not a huge Grateful Dead fan and thus not very familiar with their music.) 😊
The second is when you described the key change from A to D in the last line of the chord progression, when you noted that D major has the same notes as A Mixolydian. I already knew that, but it suddenly struck me that this knowledge is very powerful for song COMPOSITION. The G major chord is not simply a “borrowed chord” and the switch to the key of D is significant because D is the previous key (from A) in the circle of fifths. That means (according to the relationships of subsequent keys in the circle of fifths) that the difference when moving from the key of D to the key of A is to raise the G (the 7th) to G#. Which means that to go from A to D (ie, A Mixolydian), you LOWER the 7th — take the G# and make it a G. I already knew that the difference between Ionian and Mixolydian is a flatted 7th, but this illustrated that what you’re actually doing is moving the “parent major key” back one step in the circle of fifths. Understanding how the modes relate to the circle of fifths is a very practical tool for composing songs of greater complexity. In other words, there’s a good reason why key changes work in songs.
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I never really grasped García and the Dead. But I do respect immensely their approach to music.
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The timing couldn’t have been better for this lesson! I’m newish to the Dead and I have a jam coming up this weekend and Deal is one of the many Dead songs we will do. This one has more non diatonic chords so it will be nice to see your approach!! Thanks
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Wow! Speechless. Thanks a lot!!
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Love the formula. Great stuff Stitch. Please keep it up.
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Wow, phenomenal look at an intense song- thank you! 🎉
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This is gold!
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You're sounding great Stich! So good to see another Dead / Jerry video =)
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I’ve always played that 2nd F#m after the A as an F# Major….resolves a bit better into the B
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Such a great tune ! I'm looking forward to watching this video in its' entirety!!
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Great Lesson! Thanks Stich ✌
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I learned very basic music theory in high school, but never put the effort in to really learn much. It was this channel that taught me how to play guitar. I am forever thankful Ian. Thank you so very much 🙏
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Great lessons as always
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Loved it.
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@StichMethodGuitar
3 months ago
READ THIS! READ THIS! Ok so two things. First, I have no idea what I was thinking when I filmed this. The second F# is actually played as a MAJOR chord, not a minor. Which is how I usually play it, but for some YouTube reason, my brain shut off and I said and played minor. How does this affect your soloing? Well in one world it doesn't. Putting the F#m arpeggios and pentatonic over the Major is perfectly fine and Jerry does it ALL the time. On the other hand, you can also add the F#Major arpeggios to the riff if you like and it will add a great flavor. My bad on this.. I beg for your mercy. Secondly, there is a discrepancy of whether or not it is an A Played after that F# or an E. Now, all of the research I did, I did see this come into play, but I looked at Jerry's soloing and saw more A chord tones than E so, I went with the A. I am human and could be totally wrong. If I am, no worries at all, all of the soloing techniques in this video will work, you just want to put in E arpeggios and pentatonics at that moment and you are all good. It's a doozy of a song, and it got me good. Hope you all still enjoy the video and the concepts. Rock on, Stich
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