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118,441 Views ā¢ Aug 21, 2021 ā¢ Click to toggle off description
Do you want to learn how to start any edit like feature film and documentary editors do it? Please visit: www.secreteditinghacks.com/
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Dr. Karen Pearlman is a lecturer in screen production at Macquarie University and the author of 'Cutting Rhythms, Intuitive Film Editing' (Focal Press/Taylor & Francis, 2015). Her film 'Woman with an Editing Bench' won the national ATOM award for Best Short Fiction and the Australian Screen Editors Guild award for Best Editing in a short film.
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Views : 118,441
Genre: Film & Animation
Date of upload: Aug 21, 2021 ^^
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RYD date created : 2022-04-09T07:13:43.380483Z
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YouTube Comments - 267 Comments
Top Comments of this video!! :3
One thing to remember about the director walking away with all the credit. Is that he/she also gets all the blame. When I watch a Michael Bay Transformers film. Especially one of the later ones. When I see the editing that is so disjointed and incomprehensible that it becomes a piece of avant garde art... I do not blame the editors. Michael Bay has enough clout to say that he actually wanted it that way. He signed off on it.
244 |
Not gonna lie. that Mary Ann Bernard plot twist at the start really blew my mind. And also put a big smile on my face!
58 |
I think almost every director started as one man band trying to do most of the roles themselves. When editing the footage you really learn what shots you captured work together in the edit. Often times I realized I should ve broken down the Scene into more distinct angles to get a rhythm in the Scene and to emphazise things I wanted the audience to recognize / feel. So yes, directors who edit become better directors.
69 |
There are a lot of directors out there who don't know everything about movie making, but Tarantino certainly isn't one of them. He writes the script and will make sure it's going to be as he wants it to be. If he leaves editing to someone else, that doesn't make the editor any more important. Especially in the case of Tarantino. He's a professional, so he will listen what the editor has to say, but you can't state that a director like him has no view over the material.
Bad directors will not be noticed easily as a bad director if everyone else does their job.
But the best movie makers are still those who have a clear vision for the entire movie.
Basically what I saying is that Tarantino could make his movie with beginner film students, but there's is no way that the best editors out there could do the same. If they were that good, they should be director themselves.
If anything, script writers don't get the credits they deserve.
25 |
Iām an independent filmmaker, I write, shoot and edit my films plus corrections and help from friends. I know how editing feels especially when I know the footages Iāve shot arenāt all well. Editors deserve more credit than they have now.
20 |
When you say edit i feel it talks about working over something already existing, montage feels like a new thing emerges
5 |
Answer: How to create the emotional connection via edit when the footage was not shot with that in mind.
40 |
Answer: how to manipulate human thoughts and emotions through editing. Editors base most decisions on psychology. Would love to learn about why and how certain psychological techniques are used in editing to create a response in the human mind :)
132 |
The amount of knowledge you guys put in a 17min video just goes to show how widely you have studied this industry. Amazing
6 |
Some directors shoot for the editor while some others shoot the film as they imagined it.
9 |
Not surprised that ChloĆ© Zhao edits her own films. I'm a 2nd year at the film program she went to (NYU Graduate Film), and this is how they teach us. At least in the first 2 years we're required to edit the same films we write/direct, and as a result I direct with the assumption that I'm going to edit it. On one hand I do like that level of creative controlābut it can definitely lead to tunnel vision, too, and perhaps an overprotectiveness of the project. I think most students eventually choose to specialize (major respect to ChloĆ© for doing that combination on a feature), but if nothing else being in the editor's shoes gives perspective for a director on how to best work with the editor (or vice versa).
13 |
Really love the idea of the credits roll having every single person's name at once!
1 |
I started out my career as an editor, and slowly after picking up the courage to study in film school and years working in the industry, I've collaborated with many as a director. So this video/edition really hits me. Also, Andrea Arnold's American Honey (2016) for me was my first time seeing a credit roll where they listed "A Film Made By..." followed by her whole team. She was my inspiration for my dissertation on film collaboration! So thank you for this video! Beautiful!
16 |
Yeah but.... In certain most cases, depending on the studio, The editor can spend hours, days, weeks, months on an edit... At the end of the day the director's "DIRECTION" is LAW. If the director says it's not working, than it's not working end of story. The director is ultimately hired to develop his or her vision using the tools and professionals employed. Not all Directors get to choose the contractors used in making the film... But, the ones that have been used as the examples in this particular video most definitely do. So... if an Editor is chosen and hired by a Director wouldn't that ultimately be yet another decision put in play by the Director? If I told three people to gather all the ingredients for a cake and than had another person mix those ingredients together and then had another person turn on the oven and place the cake on the rack; what makes the person who cuts the cake into wedges or squares more of a "Creator/Author.../""CONDUCTOR"", what ever label makes you less self conscious, than those who were involved earlier on? Why would somebody hired by the Director and then told what to do be equal to the Director? Yes they are two different skills, but so are writing and reading. Bottom line, if a Director can edit than let it be. If an editor can direct than let it be.
4 |
My mentor.. Iām so thankful
3 |
Thoroughly enjoyed this video. As I am an aspiring film director I am trying to learn everything from editing to cinematography just so I can have a good idea of how better to direct people. However, this video brings a great point of what directors really must do in order to be good directors. Though it may be helpful if a director knows what they're talking about in a particular field which ultimately allows them to preserve their creative idea, I really enjoyed the idea that directors need to learn to step back and give directions to allow people to perform their craft. I was also quite surprised to see my university lecturer guest starring in this video. Amazing video, glad I'm subscribed !
12 |
Itās been a long time since your last video! Welcome back
2 |
I think you should write about the relationship between editors and audio designers and mixers or/and VFX designers
2 |
I loved this video, as I tend to do with the rest of this channel, but I found the title a bit misleading.
I find myself discussing more and more with friends about how Sally Menke (TarantinoĀ“s former editor who passed after the making of Inglorious Basterds) was the perfect balance for QTĀ“s really long dialogue and action scenes. Tarantino is probably my favorite director, but since Menke died his later films started to feel increasingly long and slighty tedious to watch at times, even though all the good things I love about him are still there (Hateful Eight being the perfect example for this).
When I saw this video popping in my feed I was hoping to get your insight on this subject,. And would love it if you could maybe talk a bit about it in the future if you feel like it.
Thanks for all the great content!
9 |
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18 |