Views : 5,714,480
Genre: Film & Animation
Date of upload: Nov 9, 2022 ^^
Rating : 4.924 (4,137/212,865 LTDR)
RYD date created : 2024-05-02T20:54:22.762233Z
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Top Comments of this video!! :3
There's a Brazilian movie critic that once said that Florence Pugh is someone that knows herself so well, has such a strong confidence of who she is, that it allows herself to become empty and leave enough space so the character can easily take control, there's no conflict between the real Florence and her roles, you can see when shes fully transformed into another person, she gives everything and i completely agree with that
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Just a tiny add, I wanted to point out this can be done in voice acting as well. I've revisited the Spiderverse movie a few times lately, in hype for the sequel, and something that gets me everytime is Miles' dad trying to tell him about his uncle, you can feel so much of him cracking from below the facade, it's beautiful
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Olivia Colman's character in Fleabag is one of my favourite examples of this kind of acting. She rarely raises her voice. She doesn't need to. Every line, every snarky comment she makes has such venom to it. Certain ways of on-screen communication can only be done in this subtle way. The evil stepmother's judgmental comments hit so much harder because of the subtlety that Colman achieves. Amazing performance
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The hardest and most impressive part about micro expression is not only knowing when to do it, but being able to avoid doing it. You have to be completely comfortable and in the moment, to avoid awkwardness and to not make it seem like you're trying to do it. Body language, posture, facial expressions, we all do them subconsciously. Being able to control them and time them is incredibly difficult, let alone in front of an entire camera crew
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I think it should be said that Adam Driver belongs in that âsubtleâ group for âMarriage Storyâ. The nuance and subtleties of his performance in that film are what make it one of the all time greats. Not the yelling and crying scene; thatâs what can be so easily misinterpreted. Whatâs the achievement is everything he does in the lead up to it. How he somehow made a scene as operatic as that somehow feel earned and organic for his character. Nothing in the editing room can create that. Only a masterful actor crafting a layered, authentic performance.
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An emotional scene where the character's trying NOT to cry and failing will always get me more than a character just freely letting out their emotions. It's just such a human thing to do. One of my favorite portrayals of this is David Tenant playing Crowley in the end of Good omens season 2, when he tries to go through with a love confession even after the plan for it has completely fallen apart in the worst way possible. There's this moment when his voice breaks and he immediately makes this really irritated humming noise, like he's not not only failing to keep his composure but angry at himself for it. That is SO fucking relatable, there is literally nothing more embarrassing and rage inducing then crying in front of someone when you really don't want to
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I loved Yeun's performance in burning. We are introduced to Ben as this charismatic and handsome guy, who irl would be generally well liked. Although at first we can tell that Jong-Su disliking him is because he sees him as a romantic rival, who he believes has a much better chance with Hae-mi than him, as the movie progresses Ben starts to slowly allow Jong-Su to look behind his mask and it turns into a completely different dislike. As the movie moves forward Ben becomes a very sinister and actually kind of terrifying person in the eyes of the viewer while within the fiction he maintains the front of being "good". We can also see a sort of fascination from Ben towards Jong-Su who even though being complicit to Ben's true nature has chosen to continuously remain a silent bystander. Ben is constantly poking Jong-Su to see if he will ever do something aka Jong-Su has become his new favourite toy.
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i'm so glad you brought up Daniel Kaluuya because he was one of the first actors that came to mind for me lol. he's INCREDIBLE at subtle performances, obviously showcased fully in Get Out and Nope. and it's painful to see some people call his acting in those movies "boring" because they expect big emotive expressions of terror in a horror movie and they're completely missing all of the depth that he's giving us in a quieter package.
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@erzarose2082
1 year ago
"It's sad to watch people cry, but it's far sadder to watch people try not to cry." Biggest lesson I've learned as an actor
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