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1,360,086 Views ā¢ Oct 29, 2023 ā¢ Click to toggle off description
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This video contains copyrighted material from the feature films/TV shows listed below. I believe all content used falls under the remits of Fair Use (see below), but if any content owners would like to dispute this I will not hesitate to remove said content. It is not my intent in any way to infringe on their content ownership.
Contact: sceneitmoviereviews@gmail.com
The Social Network
Fight Club
Se7en
Gone Girl
Panic Room
David Fincher
Aaron Sorkin
The Killer
Jesse Eisenberg
Mark Zuckerberg
Andrew Garfield
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As the original material is transformative in nature, uses no more of the original than necessary, and has no negative effect on the market for the original work, the copyright material has been used in accordance with the Fair Use Copyright Disclaimer under section 107 of the Copyright Act (1976):
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for āfair useā for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.
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This video constitutes "Fair Dealing" and does not violate Australian copyright law. As outlined by the Australian Copyright Act of 1968, Division 3 Section 41: "A fair dealing with a literary, dramatic, musical or artistic work, or with an adaptation of a literary, dramatic or musical work, does not constitute an infringement of the copyright in the work if it is for the purpose of criticism or review, whether of that work or of another work, and a sufficient acknowledgment of the work is made." The video is transformative in nature, uses no more of the original than necessary and has no negative effect on the market for the original work.
Views : 1,360,086
Genre: Film & Animation
Date of upload: Oct 29, 2023 ^^
Rating : 4.97 (313/41,445 LTDR)
RYD date created : 2024-05-02T15:24:59.865179Z
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YouTube Comments - 363 Comments
Top Comments of this video!! :3
That bit at the end of Jesse Eisenberg realising he doesn't have anymore dialogue left to do is hilarious
5.7K |
IMHO, The Social Network is Fincherās best movie. And Garfield realising heās been fucked over is easily the best scene.
978 |
when this movie was coming out in theatres, i kind of rolled my eyes at the concept of a facebook movie. i didn't really see much in the way of previews, but went because i was curious and maybe even going just to hate watch. i ended up loving it so much and saw it multiple times. it was obviously not at all what i thought it was going to be. such a great film!
1.1K |
Love your content. It feels like the old DVD days when they would do a documentary on the making of/behind the scenes
1.9K |
The dialogue evokes such strong emotions and layers of complexity you just couldn't wrap your head around the moment you begin analyzing the littlest details of what these actors are attempting to get across to their audiences. Pretty sure they're impactful by all means necessary.
680 |
I'll always say this about movie making: Good writing, good acting, and good directing will beat a movie with a $100B budget any day of the week.
698 |
I've always loved how it seems that Sean is trying to but into the argument, either to protect Mark or more likely for his own ego but Eduardo shuts him down every time. The scene is actually about the final end of a friendship, Sean becomes just an accessory
282 |
This is one of my favorite movies of all time. The cinematic style, the dialogue, the original score. Itās justā¦ so so good
90 |
How did you get all the angles for the scenes?
631 |
What I like about Sorkin's writing is that listening to it makes my brain jump to a level where its neurons are firing faster and more efficiently than is normally required. It's like the very best sunny day after the tastiest caffeinated beverage where suddenly, as the world is coming at me from all angles, I can handle it and even enjoy it 'cause I'm fully alive and engaged and despite the high sensory input, I'm at ease.
3 |
love this analysis. i know directors get final say on the edit, but itās cool how much coverage fincher does and then TRUSTS the editors to do right by him. yes, he has a distinct style that can guide them; yes, the coverage informs the edit; but still ā editing is a lot harder than most people think and includes a lot of nuance that takes true skill to understand and takes talent to flow seamlessly, even with the best director.
145 |
i had no idea that so many of my favorite movies were written by the same guy. that explains why moneyball and tsn are my comfort movies. ive always loved the way sorkin writes dialogue and ive just never put it together that that is the thing that draws me to those films! great video š§”
105 |
That "f@ck you flip-flops" line is one of the greatest in all of movie history.
6 |
The fact that this movie can stand up now and still be so relevant is impressive. It transcends the subjects in a way that this will be forever watchable. Mark Zuckerberg becoming more public has made him so much easier to dislike that you wish he was actually Jesse Eisenberg. What a weird twist of fate that the character in your bio pic is better than yourself.
33 |
Yuhp... Succession has the same vibes. Just a bunch of people talking, to normal people, half of it is gibberish, yet somehow it all works out to be the best series to come out in the last ten years.
175 |
What a treat - not every day that Youtube serves up a top-notch channel with a not-yet-massive audience! Great analysis and discussion, look forward to hearing more from you! (Couldn't agree more, this movie and Few Good Men are two of my all-time favorites; it's because I am a sucker for impeccable dialogue and NO ONE does it like Sorkin. I had to laugh at his brief comment you included about improv, you could practically see his disgust at the idea of anyone improvising his script!)
62 |
Academy voters took the day off when they inexplicably left Andrew off the nominations decisions.
He is just as essential to this movie being seen as one of the best movies of its decade as Jesse is.
17 |
Binging your videos now, and every single one has me grinning. As others have said, youāve captured the same vibe as the DVD featurettes from back in the day. Thank you for filling that niche!
1 |
i've always seen memorability as the foremost hallmark of a good movie. i could have only watched the social network only once and retained a solid memory of the vast majority of its scenes. fincher beautifully encapsulated one of the most intriguing and seminal moments of the information age, and in the process created one of the most rewatchable films i've had the joy of experiencing
23 |
@SceneItReviews
6 months ago
Sorkin is probably the go-to example for this, but who else comes to mind when you think of directors/writers who make dialogue feel that little bit more exciting???
859 |