Views : 3,912,543
Genre: Film & Animation
Date of upload: Nov 16, 2021 ^^
Rating : 4.937 (2,188/135,692 LTDR)
RYD date created : 2022-04-09T21:53:16.350187Z
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Top Comments of this video!! :3
I crafted the two shots at 3:03 & 3:05 and I have to say that the sand screen workflow was a welcome challenge over the usual blue screen/green screen. Special thanks to the Rotoscope department for helping out where keying was impossible. Everyone in the VFX teams knocked it out of the park! Be proud.
Great analysis Thomas, thank you for spreading the magic of our art.
8K |
Dune for me was the only movie I have every watched that made me think "This is fucking epic" And I really am not exaggerating. That scene specifically when the ship emerges from the water I remember just being in awe. And there were plenty of moments like that while watching. Dune has got to be the first movie in 10 years or more where I walked out the cinema planning my return to the same film.
4K |
I worked at Dune as a compositor I wasn't there at the beginning but I joined in the end of it where as I was asked to revisit some of the pre-approved shots. All I'm gonna say is Denis Villeneuve is the first Director who gave notes I want clamped values like in real life recordings. That approach all by itself made me believe in this movie more than any other I worked at.
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One of the reviews of this movie was someone saying that seeing Dune in theatres felt like seeing Star Wars in theatres for the first time. I asked my dad, who saw Star Wars in theatres, and he said he thinks it's even better than Star Wars in the theatres. I gave him my copy of the book. He's hooked.
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The absolute best example of digital cameras being used realistically vs breaking physics is to watch Pacific Rim and Pacific Rim 2 back to back. The first one, directed by Guillermo Del Toro, has very grounded cameras to give the jaegers a sense of scale. They feel massive because the camera stays on the ground where a human would be and looks up at them as they fight the kaiju. You get a very realistic feel for how massive they are. The second film, directed by Steven DeKnight, has those physics defying cameras that swoop around and do moves a real camera could never do. The jaegers and kaiju in the first film feel a lot bigger and heavy and massive. In the second film, it doesn't matter. You could be watching toys on a miniature model city. It takes away all of their scale and size.
1.8K |
@jasonhall10
2 years ago
I was a helicopter pilot for 8 years, and while I was watching the movie I was struck by how realistic the movements of the ornithopters were. They were immediately familiar to me. Makes sense that they filmed actual helicopters doing the maneuvers and then digitally replaced them.
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