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Video Format : 22 (720p) openh264 ( https://github.com/cisco/openh264) mp4a.40.2 | 44100Hz
Audio Format: ALAC lossless (https://github.com/macosforge/alac)
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Date : 1716377043404 - unknown on Apple WebKit
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6,390,687 Views ⢠Oct 9, 2020 ⢠Click to toggle off description
Listen Now: skynd.lnk.to/columbineID
Website: www.skynd-music.com/
Facebook: www.facebook.com/skynd.music
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Production Company: TallyHo! & UPMI Enterprises LLC.
Executive Producer: Flavio Speglitz
Associate Producer: Agatino Platania
Concept by: TallyHo!
Directed by: Pascal Walder & Manolo Zacate
Director of Photography: Pascal Walder Production Designer: Robin Fessel, Lea Hättenschwiler
Key Styling and Make-up SKYND: Arlette Kobler
Styling Cast: Liliana Pirogov
Cast: Sarah Baumgartner, Nicola Burger, Filippo Scivoli, Leo Thomas
VFX: Luzian Schlatter
VFX: Manoj Shrestha
Colorist: Mustafa Sert
PA/Floor Manager: Daniel Pachalski
Gaffer: Bradley Graham
1st AD: Konstantin Shishkin
1AC/Focus Puller: Caspar Brog
Assistant Camera: Tom Brunner
DIT: Benjamin Dobo
PA: Mira Ăzcan, Phurbu Dolma
Runner: Stephan Eigenmann, Annina Bächli
Views : 6,390,687
Genre: Music
Date of upload: Oct 9, 2020 ^^
Rating : 4.773 (5,559/92,602 LTDR)
RYD date created : 2022-04-09T21:42:15.890043Z
See in json
YouTube Comments - 5,561 Comments
Top Comments of this video!! :3
I have to say the director of this video needs to teach Hollywood what suspense and intensity means. I mean.. insanely intense directing.
3.5K |
The "How many victims is we 'bout to lose" line's double meaning is so powerful. The shooter's wondering who will get away but everyone else is wondering how many people will die.
189 |
I cannot understand how this video hasn't won awards for it's filming and editing. This is Emmy level stuff.
29 |
Discovered SKYND by accident. Best accident I ever made!
1.3K |
The attention to detail in the video is incredible: the studentsâ outfits, the old computers with the box monitors, the projectors, thereâs even a picture of Bill Clinton on the wall in the library thatâs only seen for a brief moment. Director really made it feel like 1999
987 |
Props to this young girl for playing such an incredibly emotional role. It can't be easy to have even a prop gun against your cheek like that.
317 |
And this is art. Thought provoking, not always pretty. This is what meaningful music with a good beat sounds like. First time hearing this band. Love it!
61 |
No one:
Me at 4am: RATATATA RATTATATATA RATATATA RATATATAA
1.6K |
I don't think people understand how much this event impacted the goth/industrial scene at the time due to the blame being put on musical acts in our scene. Many friends suffered violence afterward at the hands of outraged people simply because they were wearing all black in the wrong place around the wrong people. This is a full circle moment for me to see a band who is embraced in our scene depicting this event years later. It's a very emotional experience listening to this and watching this video <3 Thank you Skynd and Father for this gift.
2.9K |
I love how they got 90s fashion correct.
67 |
Girl I do not know how you were able to capture this in such a way that is so real I cry every time did I watch it and I remember what does happen
2 |
This seems like it was based off of the account of a victim who was pulled from under a desk and asked "do you want to die" when she said no he replied "well, it doesnt matter we're all gonna die anyway" he let go of her and let her run out.
738 |
The acting in this one is stunning.
573 |
Who ever that girl is playing the victim is a horror legend in the making! Get this girl a role!
406 |
love how they keep the shooters faces at a distance at all times. works perfectly. really makes you think of their actual faces making you go back in your own memory of them
77 |
I respect the decision to focus on the victims instead of glorifying the killers.
2.2K |
When the young girl turns into Skynd, I imagine that the kid is actually an adult survivor and that the music video is a ptsd flashback. Puts an interesting spin on it.
226 |
Lyrics for whoever needs them:
Public school, battle grounds
Two students, come around like
Loaded soldiers, packing heat
Inside a shotgun, gun click
To the beat, down
We shoot you down
We come around
And when we blow off that trigger, get down
We shoot you down, we come around
The gun goes click, click, click
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Get up, ready, mark, shoot
How many victims is we 'bout to lose?
Get up, ready, mark, shoot
How many victims, how many victims?
Get up, ready, mark, shoot
How many victims is we 'bout to lose?
Get up, ready, mark, shoot
How many victims, how many victims?
No vendetta, seeking fame
Bombs and bullets, it's just a game we play
Baby soldiers, baseball field
Inside a shotgun, gun click
To the beat, down
We shoot you down
We come around
And when we blow off that trigger, get down
We shoot you down, we come around
The gun goes
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Get up, ready, mark, shoot
How many victims is we 'bout to lose?
Get up, ready, mark, shoot
How many victims, how many victims?
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Have fun
Get up, ready, mark, shoot
How many victims is we 'bout to lose?
Get up, ready, mark, shoot
How many victims, how many victims?
Get up, ready, mark, shoot
How many victims is we 'bout to lose?
Get up, ready, mark, shoot
How many victims, how many victims?
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta
Ra-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
Ra-ta-ta-ta-ta-ta
108 |
When I first heard this song I had mixed feelings. But understanding how SKYND writes her songs, the research she does and the respect she has for the victims and their families helped me to see this from her productive and understand her intention. When you see the mindset of the killers through the eyes of the witnesses and other evidence the killers left behind, this song captures that. It's a narrative but it's very immersive. There really was no other direction this song could've gone to encapsulate the fear, panic, chaos and even the mind games of the killers. Really well done.
55 |
@MissDLinx
3 years ago
I remember Columbine, it was awful. Parents blamed everyone from Marilyn Manson to Eminem, and everything from video games to movies like The Crow and The Craft. âDo you believe in God?â thatâs what witnesses said the kids were asked before they were shot. Then 9/11 happened two years later and the world forgot, and nothing was done to solve the root of the problem. The truth is that it wasnât music, or video games, or movies. The truth is that we never got an answer for why a few angry kids killed so many other people. Two years later 9/11 happened and we forgot about the kids at Columbine. We forgot until another shooting happened, or a father sold his daughterâs journal to make a buck. We forgot and when weâre reminded we try to ban guns, and we go on talk shows screaming about the 2nd amendment, all while forgetting that the real reason things like this happen is because we forget about people. We forget about our kids mental health, our own mental health, until the problem becomes so unbearable that someone does something awful, and then we blame everything and everyone else for our own failure, our own blindness and disregard. Then the cycle repeats. This was a good song, remembering that time is painful, but then thatâs the point I suppose.
1.8K |