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3,205,406 Views • Premiered May 21, 2020 • Click to toggle off description
Setlist:
00:00:40 Bloom
00:07:07 The Daily Mail
00:11:18 Feral
00:14:41 Little by Little
00:19:56 Codex
00:25:19 Separator
00:31:53 Lotus Flower
00:37:21 Staircase
00:42:35 Morning Mr Magpie
00:48:16 Give Up the Ghost
00:55:11 Supercollider
Produced and Mixed by Nigel Godrich
Directed and Edited by Vern Moen
Sound Engineer: Darrell Thorpe
Recording Assistant: Drew Brown
Directory of Photography: Daniel Landin
Producers: James Chads, Dilly Gent, Nigel Godrich, John Woollcombe
Drums: Clive Deamer
Brass: Noel Langley, Yazz Ahmed, Clare Moss, Trevor Mires, Owen Marshall, Ben Castle, Phil Todd
Follow From The Basement:
YouTube – bit.ly/3bDVfFe
Instagram –www.instagram.com/officialfromthebasement
Follow Radiohead
Facebook – facebook.com/radiohead
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Website – www.radiohead.com/
W.A.S.T.E. - www.wasteheadquarters.com/
Views : 3,205,406
Genre: Music
Date of upload: Premiered May 21, 2020 ^^
Rating : 4.966 (444/51,855 LTDR)
RYD date created : 2022-04-09T21:54:56.329898Z
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YouTube Comments - 2,554 Comments
Top Comments of this video!! :3
I love how this recording elevates TKOL to a 10/10 album.
394 |
Only Radiohead can have two drummers and still need their lead guitarist on the drums as well.
3.5K |
I love the fact that they cloned Phil to play an extra set of drums! that's so innovative!
2.9K |
Clive Deamer (the second drummer, famous for working with Portishead and Robert Plant, among others) said in an interview that Phil Selway called him out of the blue and asked for his help to recreate the songs from TKOL, because they had no idea how to perform them organically without having to use samples and click tracks. Phil then went to Clive's house and played him the album way before it was released. He was baffled by the rhythmic complexity of songs such as "Bloom".
They both spent a week in a studio sorting out each part of each song, with the rest of the band accompanying from a distance and chiming in here and there. The idea was to have Clive only for the From The Basement recording, but those sessions sounded so good that their 2011 schedule expanded: some TV appearances, a couple of New York dates and a surprise gig at Glastonbury Festival. A full world tour then came in 2012.
Clive says this was his trial by fire and one of the defining moments of his career. The band must have enjoyed it as well, because Clive appears in A Moon Shaped Pool (he created some of the drumming parts in "Ful Stop" during the 2012 tour and got to add it to the final recording) and he was also in the 2016/2018 tour.
3.3K |
bloom live is a literal fucking masterpiece
454 |
I've heard people say Radiohead sounds depressing or "whiny". I don't get it. It's deeply comforting and nostalgic, like lullabies for adults.
456 |
I love how Jonny can start playing literally any instrument if it's needed
802 |
There should be a national Radiohead Day where you just have to watch this all day.
284 |
Separator is the Reckoner of The King of the Limbs
176 |
One of the many things I love about this band is ... they take you to some strange places but you're always aware that you're in safe hands.
240 |
Bloom always sounds like it can fall apart at any second live. Adds anxiety to an otherwise majestic song. Love
2.5K |
Thom dancing is the greatest thing on earth
143 |
Jonny playing the drums on Bloom looks exactly like what a guitarist playing the drums looks like in my head
71 |
33:26 colin pulling that face has consistently cracked me up for 10 years now...what a legend
140 |
More I listen to radiohead, more I appreciate Colin. His bass playing is phenomenal.
He’s one of goats!
1.1K |
After Give Up the Ghost: “Please tell me that sounded alright” ...yes, yes it did
84 |
I really love how hard Thom is vibing the entire time.
56 |
This is the definitive version of The Daily Mail. Makes the hairs stand up every time I hear it.
4 |
Damn I wish the Basement version of this Album was on Vinyl.. such a masterpiece.
124 |
@MicahBuzanMUSIC
2 years ago
The King Of Limbs will grow on you, Little by Little.
167 |