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25,932 Views • Oct 13, 2022 • Click to toggle off description
Sin’s practice pivots around the use of speculative fiction within performance, moving image, writing and print, to question the idealised image and the collective gaze. Identifying as mixed race and non-binary, their work creates fantasy narratives, to interrupt normative processes around issues of desire, identification, and objectification. Sin’s use of performance and particularly drag began as a means of deconstructing and challenging misogyny and racism in and outside of the queer community.
Sin Wai Kin is nominated for the Turner Prize 2022. Find out more about the Prize and the exhibition at Tate Liverpool: www.tate.org.uk/whats-on/tate-liverpool/turner-pri…
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Views : 25,932
Genre: Education
Date of upload: Oct 13, 2022 ^^
Rating : 4.825 (37/810 LTDR)
RYD date created : 2023-08-21T16:58:19.740858Z
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YouTube Comments - 50 Comments
Top Comments of this video!! :3
Where can I see the video Sin wai kin is talking about , I saw it at a Liverpool musems and I was just in a trance. I could just watch it over and over and zone out . But I can't find it anywhere.
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Great video Sin Wai Kin! Fabulous artist.
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Brilliant idea made possible by the capacity to explore in and out, a macro and micro perspective combined together inside each one of us. The many logic ways brain can operate, expressed by behavioural pattern could be seen both as therapeutic or empowerment
7 |
Reminds me a tonne of Dorian Electra are they connected or work together?
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Excellent ☘
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Cindy Sherman combine with Yasumasa Morimura?
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Fantastic :)
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We have something in common
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Common tateW
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mind is b l o w n
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Solipsism and Vanity.
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Ciò che ho visto è meraviglioso! Greetings
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They talk and they talk and they talk and they talk and they say absolutely nothing.
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Wow, they're such an impressive artist, love their work, just very honest and touches so close to our relationship to our identities
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I saw a talk by this artist a few years ago and they couldn't really answer any questions about their work or their motivations. I really got the impression that it's more about ego and what will be aesthetically and rhetorically pleasing enough to give them a career, combined with immense navel-gazing narcissism, rather than any legitimate artistic motivation. There's a ton of this vague, pseudo-intellectual performance/video work floating around at the moment, none of which has any intellectual underpinnings or progresses anything other than the artist's career. SWK's work is just the most popular example of this, for now.
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I find a lot of the comments about their art is fully rooted in bigotry, racism and queerphobia and especially by people who aren’t critically thinking about their art because if you were to criticise Sin’s work - you wouldn’t bring their ethnicity or their sexuality or their gender into it. You’d instead look at their actual concept and context of their art.
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2:47 "things that everybody can identify with..." Lol by trying to make the obvious look contrivingly ridiculous? 😅 The thing is, I don't disagree with her thesis that a lot of pop culture identities are constructed by media for commercial gains. But I don't see any merit in her regurgitating those obvious constructions in a new manner. These neither look like critiques, nor as celebrations etc, but just as making weird in order to look like "contemporary art". This is what we have been getting out of the Marxist indoctrination in art colleges, and we are all the worse off for it (do take note of Marxist jargon here, such as "archive", "construct" and "deconstruction (improperly used here; 'deconstruction' doesn't mean breaking things down)
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The Cockettes did this 50 years ago with humor and love and energy —instead this is the self-pitying tantrum of someone who ironically represents the largest majority on the planet, but is touted for the banal trend of diminishing Western culture.
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Intellectual narcissism or cultural Marxism?
Maybe both
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@abigailbraithwaite1829
1 year ago
Saw their work in Dundee in 2020 and I am blown away by how far they've come.
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