Views : 3,856,975
Genre: Education
Date of upload: Feb 6, 2020 ^^
Rating : 4.959 (2,314/220,957 LTDR)
RYD date created : 2022-03-17T09:03:48.341624Z
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Top Comments of this video!! :3
There's a hopelessness in this painting that makes my heart hurt. To my understanding, jesters often had the job of breaking bad news to their lord. The partiers dance, oblivious to what has happened, and he has to go in there and shatter that illusion. He has to go in there and say what no-one wants to hear, at the time they least want to hear it.
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"A story is told that in 1806 a man goes to visit a doctor who is acclaimed for his ability to treat melancholia. “I can’t eat, I can’t sleep,” says the man. “I feel constantly miserable. Please help me, doctor.”
“Laughter is the best medicine, my friend,” says the doctor. “Take yourself off to Covent Garden Theatre* where you will find The Great Grimaldi performing in Harlequin and Mother Goose; or the Golden Egg. It is exquisitely funny and will cure you of all your ills without any pills or potions from my cabinet.”
The man looks at the doctor for a moment. “Ah,” he says. “That won’t help.”
“Why not, sir?”
The man shrugs. “I am Grimaldi.”
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For me, Stanczyk is one of the darkest paintings ever produced as it brings home the dark reality of life. Many pieces of art such as Goya's, while easily considered dark, are surreal and things we cannot comprehend, but something we all face over life is the feeling of crippling loneliness which is captured to perfection by Matejko in said piece. Man's own mind is the most terrifying thing there is, at least as far as I'm concerned.
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In my understanding this painting has two main themes: one historical, which shows how low has Poland fell (if the jester is the only one remaining who cares about the realm) and the second one, purely emotional, which shows a man who just realized that there's nothing more he can do to protect something he loves, there's only downfall ahead despite the fact that what he loves could be easily saved but not by himself alone.
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The historical context made it more relatable to me. The country is going into total catastrophe and the ruling class is decadent. The one person who cares is not in any position to fix it. I think such a "we're all doomed thanks to the rulers" perspective is very relatable to everyone, not just Poland.
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it's the look on his face that gets me. i know that look, complete emptiness, hollow, disheveled, feeling like everything is crumbling around him, like he just isnt there , and his posture shows he's metaphorically and physically slumping and sinking deeper and deeper into this emptiness. and the fact that it's somebody who makes other laugh makes it so its something a lot of people can relate to.
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A fun(?) fact: the Wawel castle in the background is a really important piece of Polish culture, there are coffins of kings and poets such as Mickiewicz in its basement. I love that detail, because, knowing the historical context, Matejko showed us: not only the letter is about a 'fall of the empire', not only the commet, also the basement of Wawel awaiting for anoher fallen king
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3:50 Functionally, the specific cause of Stanczyk's sadness is unknown to the modern viewer. Most people today will not know the historical references on sight. But, the relationship between the central figure and the other figures (the comet, the revelers) remains relevant beyond the original context.
The numbers are larger, technology has advanced, and the faces and settings have changed, but I promise you there are Stanczyks and mindless revelers here today.
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This is the first and only painting that I have ever connected with. Not only that, but I connect with it on both a historical and personal level and I keep coming back to it over the years. I can feel his dispair, his emptiness, his dissapointment, his worry, his hopelessness. I can understand all of it and I can feel it with him. This painting will always hold a special place in my heart.
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I think that understanding of Matejko's envoy isn't possible without deeper knowledge of Polish history. Jan Matejko worked in the times in which there was no Polish state. In my opinion loss of Smolensk wasn't for Matejko just loss of one of fortresses at the eastern border but a beginning of a series of events which led to fall of state which used to be one of the greatest in the continent (A Polish Nobleman, Rembrandt; Stephen Bathory at Pskov, Matejko), which led to partitions of Poland, replacement of Nobles' Democracy with absolute monarchies, whole generations sentenced to work in Siberia (Christmas Eve in Siberia, Jacek Malczewski; Farewell to Europe, Aleksander Sochaczewski). I'm sure that people who saw 'Stanczyk' in XIX century were aware of it and could fully understand how huge is Stanczyk's sorrow. In this context 'Stanczyk' seems to be not only expression of grief but also a warning for future generations to care for the state more than Queen Bona.
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I love the sad clown paradox because it emphasizes the significance of showing kindness and empathy towards others, regardless of their outward appearance. It serves as a reminder that we cannot truly understand what someone else might be experiencing, and that it's crucial to treat others with compassion and empathy. By doing so, we can create a more nurturing and supportive environment where people are comfortable expressing their real emotions, which Stanczyk was unfortunately not able to.
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@TheCanvasArtHistory
8 months ago
Hey! If you enjoy these comments, you'll probably enjoy the Discord server! discord.gg/Qx2gaq9T
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