@joezava8257

4 weeks ago

Giorgio Moroder began experimenting with electronics from the beginning of the 70's, starting and taking directly the 4 classic lines of Electronic Music (E. Post Concreta, E. Moog, E. Experimental and E. Soundtrack / Ambient, Sci-Fi) in synthesis with Pop songs (under a preferential beginning by Electronic Moog and Electronic Soundtrack / Ambient, Sci-Fi) in own productions such as Song Of My Father (1971) and songs for European artists such as the Scottish singer Lulu who were looking for this new synthesis of Electronica with Pop songs in E. Moog, meanwhile Kraftwerk only made noise with their characteristic Krautrock Düsseldorf & German Progressive Rock (which were not classic, direct or main lines of electronic music). By 1975 Moroder released his first Electronic album Einzelganger where he masterfully applied the 4 pillar lines of Classical Electronic Music (E. Moog, E. Experimental, E. Post Concreta and E. Soundtrack / Ambiente, Sci-Fi), meanwhile Kraftwek already began to replicate and copy these classic lines of Electronic Music mixed with Krautrock Düsseldorf (Autobhan), Moroder greatly surpasses the productions of Kraftwerk (1974) with the direct use and management of the classic lines of Electronic Music (without Krautrock substance & German Progressive Rock in between), Einzelganger was released months before the Radioctivity album that same year where the Conny Plank boys were already beginning to pay attention to the productions (E. Munich/ Music L. Studio) of Giorgio Moroder. Kraftwerk's definite defeat came in 1977 with Moroder's new Electronica productions (continuing the evolution of the Einzelganger album) that ultimately evolved and revolutionized the 4 classic lines of Electronic Music with the specific EDM model of Giorgio Moroder 1977 (E. Munich / Working To The Midnight Shift, Queen For A Day, Now I Need You, I Feel Love and her second electronic album From Here To The Eternity), all of this under the solid and concrete beginning of this nascent electronic scene that in its first development and evolution phase (1977-1980) the 3 main and primary electronic genres of EDM Concreto 70's are formed and consolidated: HI-NRG, Synthpop and Electro. Kraftwerk and their stagnant, rustic and underdeveloped album T. Europa E. (1977) bow and bow to Giorgio Moroder's EDM model, paying tribute to it in 1978 with the album The Man Machine which practically replicates and copies the concrete electronic bases of the EDM parent of Moroder (HI-NRG & Synthpop) on songs like Spacelab, Metropolis, The Model among others. Kraftwerk, defeated by Moroder, began to put an end to their descendants and lineage Progressive German Rock & Krautrock Düsseldorf in their future productions, even more so when in 1980 Ryuichi Sakamoto and his independent productions associated with YMO (E. Japan in synthesis with EDM Concreto post 1977 ) begins the primary electronic model and matrix of Electro (third and last electronic genre of Concrete EDM to form), it is from here that again Kraftwerk replicates and takes the productions of other developers for the formation of the album Computer Word (1981), this time It's Ryuichi Sakamoto's turn and his works from that year 1980 / Lexington Queen, Wareheat, B-2 Unit and the Grail of electro sound, the song Riot In Lagos, also added to the most minimal HI-NRG & Synthpop achieved until 1980 and the electronic lines of the group of the top producers and developers of the 70's in synthesis with EDM: Moroder (E. Munich), Jarre (E. France), Lacksman (E. Belgium), YMO (E. Japan), Tangerine Dreams & Schulze (E. Berlin)...among others. They are the matrix and primary bases of EDM Concreto + The group of the top producers and developers of Electronica of the 70's: Moroder, Jarre, Lacksman, YMO, Tangerine Dreams, Schulze, Vangelis, Faltermeyer, Tonet, Gizzi, Pinhas, Martín W. & Ian C. + the synthesis of EDM with the Disco / Funk scene that gives the roots and fundamental electronic lines for the beginning and branching of genres of EDM 80's (Second phase of evolution and development / 1981-1989): House, Techno, Synthpop, HI-NRG, Freestyle, Italo, Electro Funk, New Beat, Trance, Acid, Electro, Eurobeat...including the primary electronic base of the "ebm", the most comfortable part of Electro Industrial, the primary electronic molds that the converted Punk / Rockers take for the development of their New Wave scene (in terms of Electronics) and the primary electronic base of the Hip Hop / Rap scene of the 80's (detached from Classic Funk in synthesis with EDM). Ideological Kraftwerk fan who likes to distort the development, evolution and history of Electronic Music, this message is for you... My name is Giovanni Giorgio, but everyone calls me...the father, founder and pioneer of EDM and Modern Electronics / The Sound Of The Future.

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