Views : 123,265
Genre: Education
Date of upload: Mar 14, 2023 ^^
Rating : 4.98 (29/5,689 LTDR)
RYD date created : 2024-05-17T16:53:16.80691Z
See in json
Top Comments of this video!! :3
I used to volunteer for the Getty Museum, which has Munchās version of Starry Night. Me and the other volunteers were being led by a staff member in a mindfulness meditation exercise and were told to quietly contemplate the painting and analyze the shapes, colors, movement, et cet, but we were also told to divorce the painting from its artist and to only to only rely on our own interpretation of what we were seeing.
I was one of the few volunteers who had studied art history and had written a paper on munch and was well informed of his depression, mental Illness, personal life, and life in Europe in the early 20th century effected his art. I was struggling with my own mental health at the time and all I could interpret from the painting was that it barely seemed finished; compared to his other works the brush work was haphazard and thin, the painting felt unrendered. All I could think of was that he was so depressed and struggled with so much with anxiety that he didnāt feel like he could finish it, because what wouldāve been the point? I was going through similar feelings myself and had to leave the gallery because I started sobbing, and when I returned the lecture he ended but as soon as I saw the instructors I started sobbing again.
They pulled me aside and talked with me and I told them the above: that I couldnāt divorce the context of Munchās painting from my own interpretation because I could recognize an artists work that was bound by the limitations of despair. After listening to me the instructor said that I did the exercise precisely as it was meant to be done, and asked if she could use my experience in her PHD. So ya not to brag but my art history induced anxiety attack is in an academic document somewhere.
247 |
The scream is said to be a result of two coinciding events. The red sky appeared one day because of the volcanic eruption of Krakatoa. The scream face was inspired by a Peruvian mummy that went around exhibitions at the time, eternalized in a pose where she held her head in her hands, her mouth locked open as if in a tormenting scream.
162 |
The painting at 15:48 makes me think of his mom and sister in heaven and he is grief stricken, deathly lonely and completely unhinged with how loss he feels without having them.
7 |
Oh man, my country finally represented!
My favorite is his "self-portrait in hell".
Edit; "The scream" can also be interpreted as nature itself screaming, while the figure is covering it's ears in sheer terror. It was painted around the same time as a volcanic eruption which affected a lot of earths ecology, making the evening blood red in Norway, making it terrifying to behold.
Also, Munch wrote on the scream (it's a bit hidden) "this must have been painted by a madman!"
92 |
I really appreciate His willingness to lean into the "Unpopular feelings" that Modern Society Invokes inside us. Feeling overwhelmed, inadequate, uncomfortable. Modern Society is overwhelming and filled with anxiety. Not everyone can succeed, and our world sure seems like it demands that "you succeed" or you fail. You won't get a place to live, you won't get happiness, relaxation, love. If you don't succeed in this current Society you'll be homeless, alone, & uncomfortable.
42 |
His art was personal, because it came from a complex slurry of feelings: Angst, Loneliness, Rejection, Depression, Wanting to be Loved, etc.
It was also influenced by powerfully sad moments from his life, such as watching his mother die from Tuberculosis (TB), the constant dread he felt towards inheriting a mental condition that ran in his family, his own chronic illnesses, his father not supporting his son's interest in the arts by refusing to advance him money for his art supply fees (and destroying one of his paintings, probably a nude, in a fit of religious disgust at something so... sexual, being painted by his son), and other dark days that molded him into the melancholic fellow that he was, which translated to his work taking on a more morbid atmosphere and darker symbolism.
52 |
As a Norwegian myself, I can say that your pronunciation of the artists name is spot on! I love that you explored Munch in such depth. Had a slight fear that you would not. Maybe because he is very dear to me. Not only because he was Norwegian, but also the way his pictures and his life speaks to me. Love your videos. Have almost watched them all by now. Keep it up!
|
Going by interpretations of the "Vampyr" painting, it seems to me that whatever people thought of it at the time or over the years reflect their own sadistic and dark subconscious fantasies, and NOT Munch's....for me the painting looks like a woman comforting him after a life-changing event, such as the death of someone close to them, or even his sister as you mentioned. As for the "I & I" painting, personally, I think it is a rather sweet representation of Munch's childhood memories...of the only ever girl who showed him affection despite his "weirdness". Even his face (though not cheerful) shows a sliver of the hope of being loved...which would fade away forever. The tree could represent their growing "love" and the house in the distance looks like somewhere he grew up in during less-harrowing times.....but alas, like everything and everyone else in his life, even this girl went away from him...leaving him utterly miserable and crestfallen.
3 |
@skellybean8659
9 months ago
Edvard Munch said my favorite quote of all time āFrom my rotting body, flowers shall grow and I am in them and that is eternity.ā
11 |