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29,113 Views ā¢ May 13, 2016 ā¢ Click to toggle off description
Practice Exercises: 12tonevideos.blogspot.com/2016/05/augmented-triadsā¦
Diminished 7ths Video: Ā Ā Ā ā¢Ā DiminishedĀ 7ths:Ā TritonesĀ TapedĀ ToĀ Tr...Ā Ā
Secondary Dominants Video: Ā Ā Ā ā¢Ā SecondaryĀ Dominants:Ā AĀ ThingĀ YouĀ Shou...Ā Ā
Harmonic/Melodic Minor Video: Ā Ā Ā ā¢Ā AllĀ AboutĀ MinorĀ Ā
Dominant Function Video: Ā Ā Ā ā¢Ā DominantĀ FunctionĀ Ā
Chord Scales Video: Ā Ā Ā ā¢Ā AĀ ScaleĀ ForĀ EveryĀ ChordĀ Ā
Dominant Scales Video: Ā Ā Ā ā¢Ā ScalingĀ TheĀ SummitĀ WithĀ DominantĀ ScalesĀ Ā
Modulation Video: Ā Ā Ā ā¢Ā ModulationĀ Ā
Diminished 7th Modulations Video: Ā Ā Ā ā¢Ā DiminishedĀ 7thĀ ModulationsĀ andĀ theĀ Sw...Ā Ā
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Views : 29,113
Genre: Education
Date of upload: May 13, 2016 ^^
Rating : 4.958 (9/855 LTDR)
RYD date created : 2022-01-24T04:38:23.494826Z
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YouTube Comments - 53 Comments
Top Comments of this video!! :3
Whoops! I messed up the audio clip again, this time for the minor line cliche. The line is correct, but I accidentally put it over a major triad and didn't catch it in time. Sorry! Here's a link to a recording of real minor line cliche: soundcloud.com/12tonevideos/correct-minor-line-cliā¦
Everything the video says about it is correct, I just misclicked when I was programming the audio and didn't double check enough.
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Great Lesson.
On a related mathy note, I think that I found an interval more dissonant than the Tritone and it is a modified minor 6th. The ditone: A, F is 110Hz and ~174.6141157Hz. The golden interval from A is 110Hz to ~177.9837388Hz (~33 cents higher than F). Of course I do not know how to use this knowledge except to make a subtly more dissonant Augmented chord or a subtly darker minor scale that cannot be played without manually tuning to it. The reason that golden ratio is more dissonant than the tritone (which is a square root 2 increase in frequency) is that the golden ratio is the worst number possible for representing as a fraction.
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i like to use augmented triads as a harsher replacement for the dominant 7 chord, or to just use for its sheer dissonance
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Getting close to seeing every video...gotta catch em all
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So line cliches (specifically the ascending one demonstrated) are what give me this strange nostalgic feeling. Don't a lot of old school RPG video games use this motif?
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1:40 I heard a major triad, not a minor...
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Excellent video as always!
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1:25 - 1:30
I Iāŗ Iā¶ Iā· ... That chord progression occurs precisely that way in the Four Seasons' song, "Bye Bye Baby," where it resolves into the III major. Cast in your example key of F:
F Fāŗ Fā¶ Fā· A
[I'm sure it can be found in tons of other songs, with different resolutions; just can't think of any right away ...]
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1:40 Stairway to Heaven
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After 16 months, this video has still no dislikes.
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If youāre singing and using just intonation, then an augmented chord is not three major thirds, but two major thirds and a diminished fourth. My music is close to renaissance music, so itās all triads, but for a bit of color I can do something like:
Bbm Db+/F (D flat is suspended) F
This sort of thing was fairly common in the late renassainceā¦ and hereās an example:
https://youtu.be/eq2Gz6Ogxj4?t=201
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Great channel, but this time I watched over and over and still can't understand what he said from 2:000 on, how can it have a dominant function and all these dominant scales, could someone help me
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For a common song people probably know that has the chord, you can think Jingle Bell Rock. The last note of "Now the jingle-hop has begun" is a V+ or V+7 chord.
Though, to me, it just sounds bluesy. No destabilizing the tonality.
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that B+ sounded like it wanted to resolve to C
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at 2:18, the Daug7 ( D F# A# C )in G minor is same as in G major, the ( #2 ) A# need to resolve to ( 3 ) B too, i don't know why you say #2 - 3 only in major?
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It's great in a blues turnaround, like G7 C9 G7 D+. Obviously D+ isn't in G blues but it's a nice tension because that A# (aka Bb) has half step motion to the B natural.
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To modulate using Aug. triads couldnāt you move an aug. triad (acting as the V of I), up a major third and treat that as the new V of the new I, and so on for the last inversion?
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on 2:40,how we get the conclusion of "augmented triad is the 5th degree of harmonic minor"?...
is it shoud be the 3rd degree of both harmonic and melodic minor?..
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a dominant chord is (1 3 5 b7)
is 7Aug (1 3 #5 b7) a dominat chord?
is 7(b5) (1 3 b5 b7) a dominat chord?
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@baronvonbeandip
5 years ago
This is exactly the solution I needed. You are a hero amongst our people, told about in legends for ages to come.
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