It turns out that Relative Multipolar Tonality, an idea outlined by Kayano Chino in the book Japanese Music Harmony, is not that unusual a harmonic technique. We look at a handful of American and British pop songs that all use a mixture of chords from the major key and its relative minor.
Songs included: Such Great Heights by The Postal Service Cryin' by Aerosmith Don't Look Back in Anger by Oasis I Want To Hold Your Hand by The Beatles Creep by Radiohead Steven Universe Opening by Rebecca Sugar Space Oddity by David Bowie
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