Views : 151,868
Genre: Education
Date of upload: Jan 19, 2022 ^^
Rating : 4.974 (73/11,036 LTDR)
RYD date created : 2024-05-26T21:35:30.398488Z
See in json
Top Comments of this video!! :3
This reminds me of jazz, where you often do II V I changes in different keys (often relative/dominant/subdominant but often not). It also reminds me of modal change like that in jazz, but it is often one chord at a time (like in Herbie Hancock's Cantaloupe Island) (Modern jazz also changes around even more).
Also, great video, it's really interesting and opens up a lot of ideas.
18 |
Man, this is super interesting. I'm certainly going to check that book and I look forward to more videos on the subject.
On a side note, I've recently had your channel recommended to me and it's honestly one of my favourites. I've been binging your content for a while now and I still have a lot more videos to watch.
Thank you for all the knowledge you share.
113 |
This video is extremely interesting, thank you so much for making it.
I've adored One Summer's Day and always been entranced by the way it flows outside of its key so effortlessly when I was learning it, I remember searching all over for Hisaishi's secrets, I never thought there'd be a video that so heavily delved into the concept not only, but the same song even.
1 |
📘 Check out the book: amzn.to/3Kh6l5z
5 |
@catsimus2317
2 years ago
For the DMT example starting around 8:00, wouldn't the key be Gmin(IImin, Vmin) instead of IVmin? Loved the video btw!
188 |