Mind Over Mirrors is the ever-evolving project of composer, harmoniumist, and synthesist Jaime Fennelly, who buttresses his modest instrumental foundation of Indian pedal harmonium with an array of tape delays, effect processors, and Oberheim synthesizers that belong to the world of classic analog electronic composition. The choice of the harmoniumāa 19th-century pump and pedal-operated reed keyboard instrument that once featured prominently in North Indian and European classical and religious canons as well as the vernacular music of Scandinavia, the American South, and seagoing vesselsāis significant for its historical, cultural, and folkloric associations as much the self-imposed compositional or technological limitations. Mind Over Mirrors is body music. The current quartet incarnation of Mind Over Mirrors furthers this essential physicality through a new emphasis on interlocking full-band polyrhythmic grooves, offering a radiant palette of rhythmic, textural, and tonal complexity.