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Prohor @UCwyYYJ8yBsuRdTLSwaIFPVA@youtube.com

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Prohor.in is a blooming new portal, in every sense of the te


05:56
'āĻāĻ˛ā§‡āĻŽ āĻ¨āĻ¤ā§āĻ¨ āĻĻā§‡āĻļā§‡' || 'āĻĒā§āĻ°āĻ¤ā§āĻ¯āĻ¯āĻŧ āĻœā§€āĻŦāĻ¨ āĻ¸āĻšāĻžāĻ¯āĻŧāĻ¤āĻž āĻ•ā§‡āĻ¨ā§āĻĻā§āĻ°'-āĻ° āĻ†āĻŦāĻžāĻ¸āĻŋāĻ•āĻĻā§‡āĻ° āĻ¨āĻŋāĻœāĻ¸ā§āĻŦ āĻ­āĻžāĻŦāĻ¨āĻžāĻŦāĻŋāĻļā§āĻŦ
05:31
āĻĻā§‡āĻŦā§€āĻ° āĻĒā§‚āĻœāĻž, āĻ¨āĻžāĻ•āĻŋ āĻŦā§āĻ°āĻžāĻšā§āĻŽāĻŖ-āĻšāĻŖā§āĻĄāĻžāĻ˛ā§‡āĻ° āĻ˛āĻĄāĻŧāĻžāĻ‡?
44:55
“Impromptu: A Session with U.Chicago Faculty Poets"
01:13:37
“Lost, Hurt, Or in Transit Beautiful"
51:26
“These Errors are Correct"
34:18
“The Memory of Water"
55:54
“100 Refutations: Poetry Speaks to Power"
47:40
“Perennial Verses"
43:37
“Tradition, Tension & Experimentation"
49:29
“The Clear Expression of Mixed Feelings"
57:33
“Poetic Time & Timeless Poetry"
01:07:52
“In Defence of Stress: Prosodic and Cultural Stress Points in English-language Poetry"
35:55
“Poetry: The Best Words in the Best Order"
01:02:56
“Deeper in Transit"
50:49
“The Inner Light"
49:27
Keeper of the Word
45:05
George Szirtes: A Celebration
01:26:50
“After Death Comes Water” || Joy Goswami in conversation with Sampurna Chattarji
01:02:42
“Internal and External Crisis in Poetry”
50:42
“Writing Against Silence”
48:31
“The World that Belongs to Us"
43:18
“Perspectives in Poetry Translation”
53:41
“Sing to Me”
49:18
“Bearings”
45:37
“The Inheritance of Loss: Deprovincialising Bengal's Partition"
01:03:48
“Thresholds” || Amit Chaudhuri in conversation with Srikanth Reddy
49:40
“Fording the Epics" || Bibek Debroy in conversation with Avik Chanda
01:04:03
“After the War: The Last Books of the Mahabharata” || Wendy Doniger in conversation with Avik Chanda
01:54
Canto Poetry Festival 2023
01:28
Canto Poetry Festival 2023
42:05
āĻŦāĻ‡āĻŽā§‡āĻ˛āĻžāĻ¯āĻŧ āĻ—āĻžāĻ¯āĻŧāĻ¤ā§āĻ°ā§€ āĻ‰āĻšā§āĻšāĻžāĻ°āĻŖ
53:53
āĻŽā§āĻ–ā§‹āĻŽā§āĻ–āĻŋ āĻ¸ā§āĻ—āĻ¤ āĻŦāĻ¸ā§, āĻŦā§āĻ°āĻžāĻ¤ā§āĻ¯ āĻŦāĻ¸ā§ āĻ“ āĻŽāĻŋāĻ˛āĻŋāĻ¨ā§āĻĻ āĻŦāĻ¨ā§āĻĻā§āĻ¯ā§‹āĻĒāĻžāĻ§ā§āĻ¯āĻžāĻ¯āĻŧ - āĻ†āĻ˛ā§‹āĻšāĻ¨āĻžāĻ¯āĻŧ āĻ‡āĻĄāĻŋāĻĒāĻžāĻ¸ā§‡āĻ° āĻŸā§āĻ°ā§āĻ¯āĻžāĻœā§‡āĻĄāĻŋ āĻ“ āĻĻā§‡āĻļāĻ­āĻžāĻ—
38:44
āĻ•āĻĨā§‹āĻĒāĻ•āĻĨāĻ¨ā§‡ āĻ†āĻ˛āĻžāĻĒāĻ¨ āĻŦāĻ¨ā§āĻĻā§āĻ¯ā§‹āĻĒāĻžāĻ§ā§āĻ¯āĻžāĻ¯āĻŧ āĻ“ āĻ¸āĻžā§āĻœāĻ¯āĻŧ āĻšā§āĻ¯āĻžāĻŸāĻžāĻ°ā§āĻœāĻŋ ― āĻŦāĻžāĻ‚āĻ˛āĻžāĻ° āĻ¨āĻŦ āĻŦāĻžāĻŖāĻŋāĻœā§āĻ¯-āĻ‰āĻĻā§āĻ¯ā§‹āĻ—ā§‡āĻ° āĻ‡āĻ¤āĻŋāĻšāĻžāĻ¸ āĻ“ āĻ¸āĻŽā§āĻ­āĻžāĻŦāĻ¨āĻž
01:32:59
Arindam Chakrabarti on Abanindranath Tagore
02:11:42
āĻ¨āĻ—ā§āĻ¨ āĻ…āĻ•ā§āĻˇāĻ°ā§‡āĻ° āĻ—āĻžāĻ¯āĻŧā§‡ || āĻ¸ā§āĻŽā§ƒāĻ¤āĻŋāĻ¤ā§‡ āĻļāĻ™ā§āĻ– āĻ˜ā§‹āĻˇ
01:26:11
Satyajit Ray - The Man Who Knew Too Much
02:15
Cannes-āĻāĻ° āĻĻāĻ°āĻœāĻž āĻ ā§‡āĻ˛ā§‡: āĻ¸āĻŋāĻ¨ā§‡-āĻŦāĻžāĻœāĻžāĻ°ā§‡āĻ° āĻ…āĻ¨ā§āĻĻāĻ°āĻŽāĻšāĻ˛
01:19
Cannes-āĻāĻ° āĻĻāĻ°āĻœāĻž āĻ ā§‡āĻ˛ā§‡ : āĻ¸āĻžāĻ‚āĻŦāĻžāĻĻāĻŋāĻ• āĻ¸āĻŽā§āĻŽā§‡āĻ˛āĻ¨ā§‡ āĻĻā§€āĻĒāĻŋāĻ•āĻž
01:10
Cannes-āĻāĻ° āĻĻāĻ°āĻœāĻž āĻ ā§‡āĻ˛ā§‡
05:13
āĻ¸ā§āĻ¨ā§āĻĻāĻ°āĻŦāĻ¨ā§‡āĻ° āĻŦāĻĄāĻŧāĻļāĻŋāĻ–ā§‡āĻ˛āĻž
35:05
'āĻŦāĻŋāĻļā§āĻŦāĻ¸āĻžāĻĨā§‡ āĻ¯ā§‹āĻ—ā§‡ āĻ¯ā§‡āĻĨāĻžāĻ¯āĻŧ āĻŦāĻŋāĻšāĻžāĻ°ā§‹...' || Translating Bengali Classics for the World : A Journey Begins
07:47
āĻŦāĻ‡āĻŽā§‡āĻ˛āĻžāĻ¯āĻŧ āĻ—āĻžāĻ¯āĻŧāĻ¤ā§āĻ°ā§€ āĨ¤āĨ¤ āĻ•āĻŋāĻ›ā§ āĻŽā§āĻšā§‚āĻ°ā§āĻ¤ā§‡āĻ° āĻœāĻ¨ā§āĻŽ āĻšāĻ¯āĻŧ
01:24:58
Virtual Round Table: 'Making HR Initiatives Count'
03:35
āĻ¯ā§āĻ—āĻ˛āĻŦāĻ¨ā§āĻĻāĻŋ
05:41
āĻ‰ā§ŽāĻ¸āĻŦ || āĻāĻ• 'āĻ…āĻ¨āĻ¨ā§āĻ¯' āĻ­ā§āĻŦāĻ¨ā§‡āĻ° āĻ—āĻ˛ā§āĻĒ
50:10
āĻŦāĻŋāĻ°āĻšā§€ āĻŽāĻ§ā§āĻ° āĻšāĻ˛ āĻ†āĻœāĻŋ
23:29
āĻŽāĻžāĻ¨ā§āĻˇ āĻ›āĻŋāĻ˛ āĻ¸āĻ¸ā§āĻ¤āĻž: āĻŽāĻžāĻ¨āĻŦ-āĻĒāĻžāĻšāĻžāĻ°ā§‡āĻ° āĻ…āĻ¨ā§āĻĻāĻ°āĻŽāĻšāĻ˛
08:51
āĻ—ā§ŒāĻ¤āĻŽ āĻ˜ā§‹āĻˇ - āĻ¸āĻ¤ā§āĻ¤āĻ° āĻĒā§‡āĻ°āĻŋāĻ¯āĻŧā§‡ || Bengali Film Director Goutam Ghosh || A Tribute || Prohor
04:56
āĻĒā§‡āĻ—āĻžāĻ¸āĻžāĻ¸: āĻ¨āĻœāĻ°āĻŦāĻ¨ā§āĻĻāĻŋ āĻ¸āĻŦāĻ•āĻŋāĻ›ā§āĻ‡
03:14
āĻ…āĻšā§‡āĻ¨āĻž āĻŦāĻŋāĻ§āĻžāĻ¨āĻšāĻ¨ā§āĻĻā§āĻ°
01:30:01
āĻļā§āĻ°ā§€āĻŽāĻ¤āĻŋ āĻ…āĻŽāĻ˛āĻž āĻļāĻ™ā§āĻ•āĻ° āĻ¸ā§āĻŽāĻ°āĻŖā§‡ āĻļā§āĻ°āĻĻā§āĻ§āĻžāĻžā§āĻœāĻ˛āĻŋ
01:15:03
āĻĒā§āĻ°āĻžāĻ‡āĻĄ
01:36:18
āĻļā§āĻ°ā§€āĻŽāĻ¤āĻŋ āĻ…āĻŽāĻ˛āĻžāĻļāĻ™ā§āĻ•āĻ° āĻ¸ā§āĻŽāĻ°āĻŖā§‡ āĻļā§āĻ°āĻĻā§āĻ§āĻžāĻžā§āĻœāĻ˛āĻŋ
01:04:46
āĻļā§āĻ°ā§€āĻŽāĻ¤āĻŋ āĻ…āĻŽāĻ˛āĻžāĻļāĻ™ā§āĻ•āĻ° āĻ¸ā§āĻŽāĻ°āĻŖā§‡ āĻļā§āĻ°āĻĻā§āĻ§āĻžāĻžā§āĻœāĻ˛āĻŋ
01:40:34
āĻļā§āĻ°ā§€āĻŽāĻ¤āĻŋ āĻ…āĻŽāĻ˛āĻžāĻļāĻ™ā§āĻ•āĻ° āĻ¸ā§āĻŽāĻ°āĻŖā§‡ āĻļā§āĻ°āĻĻā§āĻ§āĻžāĻžā§āĻœāĻ˛āĻŋ
01:05:55
āĻ•ā§‹āĻ­āĻŋāĻĄ āĻāĻŦāĻ‚ āĻ‰āĻĻā§āĻŦā§‡āĻ—
05:35
āĻāĻ• āĻĄāĻžāĻ•ā§āĻ¤āĻžāĻ°ā§‡āĻ° āĻŽā§ƒāĻ¤ā§āĻ¯ā§ || āĻĄāĻžāĻƒ āĻ¸ā§āĻ­āĻžāĻˇ āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āĻ¯āĻžāĻ¯āĻŧ
01:28:27
āĻ…āĻ¨ā§-āĻ¸āĻ™ā§āĻ—ā§‡ āĻ°āĻ¤ā§āĻ¨āĻžāĻŦāĻ˛ā§€ || āĻ•ā§‹āĻ­āĻŋāĻĄ āĻāĻŦāĻ‚ āĻŽāĻžāĻ¨āĻ¸āĻŋāĻ• āĻ¸ā§āĻŦāĻžāĻ¸ā§āĻĨā§āĻ¯
01:01:14
āĻāĻ•āĻŸāĻŋ āĻ¸ā§ŽāĻ¨āĻžāĻŸā§āĻ¯ā§‡āĻ° āĻ…āĻ­āĻŋāĻ˛āĻžāĻˇā§‡
05:43
āĻ•ā§‡āĻŽāĻ¨ āĻ†āĻ›ā§‡ āĻšā§‡āĻ°ā§āĻ¨ā§‹āĻŦāĻŋāĻ˛?