02:33

Externally focalized POV as attitude in Polanski's REPULSION (1965)

00:32

A subtle vertigo (double dolly) shot foreshadows the bank robber's trick in Spike Lee's INSIDE MAN

02:36

Hide and seek style: start of bank robbery in Lee's INSIDE MAN

05:33

REAR WINDOW opening scene: inference-affirmation

02:08

Examples of focalization in Adrian Lyne's JACOB'S LADDER (1990)

02:29

Elliptical editing in Gaspar Noé’s CARNE (1991)

00:14

Extreme time compression (ellipsis) in Guy Ritchie's SNATCH: "I'M COMING TO LONDON!"

01:45

Inner montage in Robert Lepage's THE CONFESSIONAL (1995)

03:06

Ali's swift feet in Michael Mann's translation

05:11

Denarration in Michael Haneke’s funny FUNNY games GAMES [an audiovisual essay]

00:08

True Detective S02E04 Velcoro's eyes: the male gaze'

01:07

Key moment in Michel Gondry's 2011 THE GREEN HORNET

00:49

Tricky mirror shot in Christopher Smith's 2009 TRIANGLE

01:24

Scorsese and Lubezki: SHINE A LIGHT foreshadows BIRDMAN

06:35

Our Most Missed Man - An Audiovisual Tribute to Philip Seymour Hoffman (1967-2014)

11:20

Godard VS Benny Hill: a (not-so) poetic AV essay

00:37

True Detective S01E01 Rust Cohle about human consciousness

03:17

Fade out / Fade in in Bertolucci's The Spider's Stratagem (1970)

00:33

Hitchcock's North by Northwest (1959): Cary Grant's little push

01:48

Character-multiplication / Loop in Roman Polanski's 1976 THE TENANT

02:29

Loop in David Lynch's 1997 LOST HIGHWAY

00:08

DRIVE (2011) | breathing scorpion

01:35

Identification through sound design_The Big Sleep (Hawks 1946)

01:37

Internally focalized POV (depth) in E. Dmytryk's CROSSFIRE

00:21

Christopher Nolan's Memento: Leonard = Sammy?

00:39

The moment when b&w and colour scenes connect in Christopher Nolan's Memento

01:56

Narrative mapping in Premonition

02:36

Optical Point Of View in Lady in the Lake (R. Montgomery 1947)

09:17

Jason Mittell: Complex Television and the Serial Functions of Authorship_Part 6/6

15:07

Jason Mittell: Complex Television and the Serial Functions of Authorship_Part 5/6

15:07

Jason Mittell: Complex Television and the Serial Functions of Authorship_Part 4/6

15:07

Jason Mittell: Complex Television and the Serial Functions of Authorship_Part 3/6

15:07

Jason Mittell: Complex Television and the Serial Functions of Authorship_Part 2/6

15:09

Jason Mittell: Complex Television and the Serial Functions of Authorship_Part 1/6

05:04

Jason Mittell: Forensic Fandom and Participatory Technologies_Part 6/6

15:07

Jason Mittell: Forensic Fandom and Participatory Technologies_Part 5/6

15:07

Jason Mittell: Forensic Fandom and Participatory Technologies_Part 4/6

15:07

Jason Mittell: Forensic Fandom and Participatory Technologies_Part 3/6

15:07

Jason Mittell: Forensic Fandom and Participatory Technologies_Part 2/6

14:21

Jason Mittell: Forensic Fandom and Participatory Technologies_Part 1/6

04:00

Narrative Camera in Rear Window (1954)

01:36

Narrative discontinuity as cognitive reality in Godard's 'Pierrot Le Fou' (1965).mov

02:37

Space-related cheat cut in Minnelli's Meet Me in St. Louis

01:36

Deep focus in Welles' Citizen Kane (1941)

01:12

Point of View shot dissolves into a zero focalized POV in Scorsese's Goodfellas

01:17

Inner montage in Hitchcock's VERTIGO (kiss scene).mov

02:34

Cross-cutting in Fringe

01:01

early sound bridge_Chaplin_City Lights_1931.mov

00:58

Mnemonic Device in Nolan's Memento

05:05

Csillag Márton: Bisztrókirálynő (2003)

03:17

Grand Hotel (1932) opening scene

00:28

Jacques Tati's Play Time (the glass)

04:54

Otto Preminger's Whirlpool (1949)

02:55

Powell's and Pressburger's The Red Shoes: theatre vs film

00:31

Erich von Stroheim's Greed

00:34

North by Northwest funny goof

05:34

Alfred Hitchcock's Rear Window in 5 minutes

00:29

SUSPIRIA mini