35:42

Bryn Harrison: Being Time, a conversation

05:37

Totem Électrique, Huddersfield: Jean-François Laporte's Babel Table visits CeReNeM

16:46

Ulf Holbrook & Jøran Rudi — The Expanding Fields, Practices and Histories of Technology-Based Music

29:09

Manoli Moriaty — Considering Controllerist Practice in Computer Music Performance

25:01

Hans Kretz — Networked Performance as a Space for Collective Creation and Student Engagement

24:28

Irine Røsnes — Tracing Ecosystemic Virtuosity in Performance of Simon Emmerson’s Stringscape

01:00:47

Simon Waters — Early Stages of the Analogue-Digital Shift in Music’s Infrastructure & Organisation

25:13

Tomoya Matsuura, Kazuhiro Jo, & Akihiro Kubota — Towards a Civil Engineering of Music

20:35

Manuella Blackburn & Paul Harkins — A Feminist Historiography of the Fairlight CMI

25:52

Arild Boman — Antinomies of Net/Satellite Communication: Strategies of Musical Interaction

26:54

Simon Crab — Exploring the Mystical Origins of Electronic Music

20:24

Angela McArthur, Brona Martin, Emma Margetson, Nikki Sheth — Women in Spatial Sound

43:20

Linda O’Keeffe — Sound Art and New Media: An Alternate History

16:50

Jaehoon Choi — Max: Expansion From a Programming Paradigm to a Distributed Lab

19:19

Amit Dinesh Patel — Exploring Cultural Diversity in Experimental Sound

21:20

Nemanja Radivojevic, Damian Keller, & Victor Lazzarini — Creative Processes in Risset’s Little Boy

22:58

Treya Nash — An Analytical Approach to the Soundworld in Alice Shields’ Apocalypse

16:30

Giovanni Onorato & Riccardo Ancona — A Critical Perspective on the Idea of Post-Acousmatic

20:26

Leila Adu-Gilmore — Intersectional approaches to music tech, improvisation, theory & composition

26:37

PerMagnus Lindborg — Re-scaling Beethoven: Very Long, Very Short

21:47

Annie Jamieson — What Are We Conserving? Functional Conservation for Music Technology in Museums

32:25

Joseph Hyde — Tracing Music Technology to its Interdisciplinary Roots

20:01

Andrew Knight-Hill — Convergence in Parallel Praxis: Electroacoustic Music and Sound Design

20:29

Marcel Zaes Sagesser — Rethinking Time Keeping Histories

22:34

Fulya Ucanok — Electroacoustic Composition Process as a Process of Com-position

20:58

Dylan Burchett — Towards a new Organology in Technology-Based Music

16:00

Notto Thelle & Bernt Isak Werstad — Co-Creative Spaces

08:46

Kelvin King Fung Ng: 50NGW/0 (2022)

03:48

Jakob Bragg: Tor, cadenza (2022)

03:57

Gerhard Revealed

13:30

Mary Bellamy, dual impulse (2021)

10:04

Colin Frank, EXPERIENCE NOW EXCITEMENT THRILLS (2021)

17:35

Fiona Pacey, Wharfedale (2021)

11:48

Arash Yazdani, may contain choking hazard (2020)

12:00

Lucio Tasca, Thin Ice (2021)

10:34

Maria Sappho, Theris (2021)

11:25

Manuel Contreras Vázquez, Taiken (2021)

06:18

Jakob Bragg, Passacaglia (2021)

17:19

Bryn Harrison, M.C.E. (2010)

11:24

Bryn Harrison, Surface Forms (repeating) (2009)

12:44

Mary Bellamy, Transference (2010)

17:33

Eric Wubbels: modules/relationships (2019)

05:27

James Bradbury: Refracted Touch [excerpt] (2019)

16:04

Sam Pluta: Lines on Black (2019)

15:33

Pierre Alexandre Tremblay: (un)weave (2019)

07:17

ELISION Ensemble CeReNeM Residency, April 2019

21:59

Bryn Harrison: Dead Time (2019)

11:53

Charmaine Lee: Smoke, Airs (2019)

16:41

Kristina Wolfe: A Mere Echo of Aristoxenus (2019)

12:19

Wet Ink at hcmf// 2019

10:28

Ailís Ní Ríain: Sour Morning Crimson

10:21

Huddersfield Professional Development Programme for Female Composers of Electronic Music 2019

12:41

Sophie Stone: Far infrared

37:26

Leafcutter John: improvisations & selected works

12:33

Weston Olencki: chime array

27:15

Noisebringers: The abusers of power united will never be defeated

49:36

Thomas Buckner: Performing Robert Ashley

07:13

Pam Hulme: S_a_ _ / _y / _ _ (part II)

46:08

Weston Olencki: ADC/DAC: On meeting points between instrumental performance and compositional coding

06:41

Laurens Van Der Wee: Nedersigen II