01:38

Caspar David Friedrich and The Deep Blue Sea (Terence Davies, 2011) - Film Secession Extract

02:57

Romantic Ruins in Nostalghia (Andrei Tarkovsky, 1983) - Film Secession Exhibition Extract

01:06

Caroline Champetier - Film Secession Preview Video

02:34

Dance, Space, and Darkness in Toute une nuit (Chantal Akerman, 1982) - Film Secession Extract

01:24

Paris, Tango, and Cinematography in Le Pont du nord (Jacques Rivette, 1981) - Film Secession Extract

04:55

Montage, Faces, and Landscapes in Yeelen (Brightness, Souleymane Cissé, 1987) - Film Secession

02:27

Inky Blacks, Film Noir, and the Cinematography of Lost Highway (David Lynch, 1997) - Film Secession

02:58

Gravity and Grace in Mean Streets (Martin Scorsese, 1973) - Film Secession

02:22

Cinematographer Caroline Champetier on Jean-Luc Godard - Film Secession Exhibition Extract

01:00

Demmin Cantos (Hans-Jürgen Syberberg, 2024) - Film Secession Teaser

01:01

The Paradoxes of Albrecht Dürer and German Art - Film Secession Exhibition Extract

01:24

The Night (Hans-Jürgen Syberberg, 1985) - Film Secession Preview

05:14

Hitler, a Film from Germany (Hans-Jürgen Syberberg, 1977) - Film Secession Preview

01:24

Kriemhild's Revenge (Fritz Lang, 1924) - Film Secession Teaser

01:00

Music, Movement and the German Dream in Karl May (Hans-Jürgen Syberberg, 1974) - Film Secession

02:18

Time, Movement, Light, and Framing in Scarecrow (Jerry Schatzberg, 1973) - Film Secession

04:27

Wagner, Das Rheingold, and The New World (Terrence Malick, 2005) - Film Secession Exhibition Extract

00:58

Romy, Portrait of a Face (Hans-Jürgen Syberberg, 1965) - Film Secession Teaser

03:46

David Lynch (1946-2025) and the Mysteries of Cinema - Film Secession

02:00

Music, Montage, and the Face in Jean-Luc Godard's Passion (1982) - Film Secession Exhibition Extract

01:35

Syberberg's Projections in Ludwig: Requiem for a Virgin King (Syberberg, 1972) - Film Secession

01:44

The Confessions of Winifred Wagner (Hans-Jürgen Syberberg, 1975) - Film Secession Extract

03:59

Parsifal, Orff, and Film Music in Excalibur (John Boorman, 1981) - Film Secession Exhibition Extract

02:59

Cinema, Theater, and Dream in Fanny and Alexander (Ingmar Bergman, 1982) - Film Secession Extract

01:17

1/2 Transformation and Movement in Parsifal (Hans-Jürgen Syberberg, 1982) - Film Secession Extract

01:00

2/2 In the Parsifal Studio (Alexander Kluge, 1982-2024) - Film Secession Exhibition Extract

02:03

Space, Set Design, Rhythm, and Dream in Siegfried (Fritz Lang, 1924) - Film Secession

01:29

The Syncretic Ending of Sansho the Bailiff (Kenji Mizoguchi, 1954) - Film Secession Extract

00:56

Hans-Jürgen Syberberg - Film Secession Portrait Film Extract

03:00

2/2 Music, Movement, and The Last Supper in Viridiana (Luis Buñuel, 1961) - Film Secession

01:50

1/2 Music and Movement in Viridiana (Luis Buñuel, 1961) - Film Secession

02:26

Open Museum Days Have Begun (November 29th-December 1st) (Visit https://www.filmsecession.com)

00:42

Hans-Jürgen Syberberg - Film Secession Exhibition Preview

02:20

Music, Image, and Sound in Listen to Britain (Humphrey Jennings, 1942) - Film Secession

04:00

Costumes, Compositions, and Movement in Man of Marble (Andrzej Wajda, 1977) - Film Secession

02:28

Music and Sound in Woman in the Dunes (Hiroshi Teshigahara, 1964) - Film Secession

01:28

Announcing Open Museum Days - Film Secession (November 29th-December 1st, 2024)

03:09

Music, Space, and Memory in The Silence Before Bach (Pere Portabella, 2007) - Film Secession

04:18

Long Takes, Movement, and the Warsaw Uprising in Kanal (Andrzej Wajda, 1957) - Film Secession

01:10

Andrzej Wajda - Film Secession Exhibition Preview

06:07

Color and Music in Blue (Krzysztof Kieslowski, 1993) - Film Secession

02:04

Dream Motifs in Ratcatcher (Lynne Ramsay, 1999) - Film Secession

00:39

The Isle of the Dead in Nosferatu (F. W. Murnau, 1922) - Film Secession

04:00

Color and Light in Eyes Wide Shut (Stanley Kubrick, 1999) - Film Secession

04:28

Film, Video, Color, and Memory in In Praise of Love (Jean-Luc Godard, 2001) - Film Secession

00:45

2/2 Reflections on Time and Space in Chartres Series (Stan Brakhage, 1994) - Film Secession

02:34

1/2 Reflections on Time and Space at Chartres in F for Fake (Orson Welles, 1973) - Film Secession

02:21

Color and Light in Taipei Story (Edward Yang, 1985) - Film Secession Exhibition Extract

03:10

Color, Montage, and Music in Ivan the Terrible, Part II (Sergei Eisenstein, 1958) - Film Secession

01:19

2-Strip Technicolor and Anna May Wong's Acting in The Toll of the Sea (1922) - Film Secession

04:33

John Boorman's Storyboarding in Hell in the Pacific (1968) - Film Secession Exhibition Extract

01:43

Isabelle Huppert's Acting in The Possessed (Andrzej Wajda, 1988) - Film Secession Exhibition Extract

03:42

Romanticism, Color, and Myth in Apocalypse Now (Francis Ford Coppola, 1979) - Film Secession

03:17

Gena Rowlands, John Cassavetes, and Performance in Faces (1968) - Film Secession

01:31

Color - Film Secession Exhibition Preview

04:59

Tigers and Monks in Tropical Malady (Apichatpong Weerasethakul, 2004) - Film Secession Extract

02:13

Expressionism and Color in The Red Shoes (Michael Powell, 1948) - Film Secession Exhibition Extract

00:39

Color in the Films of Nagisa Ōshima - Film Secession Exhibition Extract

03:44

Color in Casino (Martin Scorsese, 1995) - Film Secession Exhibition Extract

02:55

Performance Style in Heaven's Gate (Michael Cimino, 1980) - Film Secession Exhibition Extract