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The Great Mosque of Djenné exemplifies the outstanding universal value of Sudanese-style mosques. Located in Mali, it is the largest mud-brick structure in the world and a masterpiece of Sudano-Sahelian architecture. Built in 1907 on the site of earlier mosques, its towering minarets and intricate façade reflect the region's rich cultural and Islamic heritage. This UNESCO World Heritage Site stands as a symbol of community pride, with locals annually replastering it using traditional techniques. The mosque is not only a place of worship but also a testament to sustainable and vernacular architectural practices.
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Grande MosquĂ©e de Kong exemplifies the outstanding universal value of Sudanese-style mosques. Located in CĂŽte dâIvoire, this historic structure showcases the regionâs rich Islamic heritage and traditional earthen architecture. Built with mud and wooden beams, its design reflects a perfect balance of functionality, artistry, and environmental adaptation. The mosque features thick walls for insulation, wooden scaffolding for stability, and a flat roof adorned with pinnacles, embodying the Sudanese architectural style. As a cultural and religious landmark, the Grande MosquĂ©e de Kong symbolizes Kongâs historical importance as a trading hub and serves as a testament to West Africa's enduring architectural traditions.
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The Juma Mosque Uzbekistan exemplifies the outstanding universal value of Wooden Hypostyle Mosques. Located in the historic city of Khiva, this 10th-century masterpiece is renowned for its 218 intricately carved wooden columns, some dating back to the original structure. The mosqueâs open-plan design allows natural light to filter through, creating a serene atmosphere. Rebuilt in the 18th century, it reflects Khivaâs rich architectural heritage while preserving ancient craftsmanship. As a part of the Itchan Kala UNESCO World Heritage Site, the Juma Mosque stands as a testament to Central Asiaâs enduring Islamic architectural traditions.
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Esrefoglu Mosque exemplifies the outstanding universal value of Wooden Hypostyle Mosques of Medieval Anatolia. The mosque exterior is made of rubble and cut stone masonry, while the interior has multiple rows of structural wooden columns with muqarnas (three-dimensional âhoneycombâ Islamic decorations) or stone spolia (repurposed architectural fragments) as column capitals, all supporting a flat wooden ceiling and the roof ("hypostyle"). The wooden beams and the consoles supporting them, the muqarnas column capitals, and in some cases, the imposts on the muqarnas capitals have been intricately decorated. Woodcarving and painting were used skilfully and extensively on the architectural fittings and furnishings, including doors, columns, capitals, ceiling beams, and consoles. The mosque have outstanding examples of late 13th-century minbars (pulpits) constructed in the tongue-and-groove kundekari technique.
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Mahmut Bey Mosque exemplifies the outstanding universal value of Wooden Hypostyle Mosques of Medieval Anatolia. The mosque exterior is made of rubble and cut stone masonry, while the interior has multiple rows of structural wooden columns with muqarnas (three-dimensional âhoneycombâ Islamic decorations) or stone spolia (repurposed architectural fragments) as column capitals, all supporting a flat wooden ceiling and the roof ("hypostyle"). The wooden beams and the consoles supporting them, the muqarnas column capitals, and in some cases, the imposts on the muqarnas capitals have been intricately decorated. Woodcarving and painting were used skilfully and extensively on the architectural fittings and furnishings, including doors, columns, capitals, ceiling beams, and consoles. The mosque have outstanding examples of late 13th-century minbars (pulpits) constructed in the tongue-and-groove kundekari technique.
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Sivrihisar Ulu Mosque exemplifies the outstanding universal value of Wooden Hypostyle Mosques of Medieval Anatolia. The mosque exterior is made of rubble and cut stone masonry, while the interior has multiple rows of structural wooden columns with muqarnas (three-dimensional âhoneycombâ Islamic decorations) or stone spolia (repurposed architectural fragments) as column capitals, all supporting a flat wooden ceiling and the roof ("hypostyle"). The wooden beams and the consoles supporting them, the muqarnas column capitals, and in some cases, the imposts on the muqarnas capitals have been intricately decorated. Woodcarving and painting were used skilfully and extensively on the architectural fittings and furnishings, including doors, columns, capitals, ceiling beams, and consoles. The mosque have outstanding examples of late 13th-century minbars (pulpits) constructed in the tongue-and-groove kundekari technique.
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Aslanhane Mosque exemplifies the outstanding universal value of Wooden Hypostyle Mosques of Medieval Anatolia. The mosque exterior is made of rubble and cut stone masonry, while the interior has multiple rows of structural wooden columns with muqarnas (three-dimensional âhoneycombâ Islamic decorations) or stone spolia (repurposed architectural fragments) as column capitals, all supporting a flat wooden ceiling and the roof ("hypostyle"). The wooden beams and the consoles supporting them, the muqarnas column capitals, and in some cases, the imposts on the muqarnas capitals have been intricately decorated. Woodcarving and painting were used skilfully and extensively on the architectural fittings and furnishings, including doors, columns, capitals, ceiling beams, and consoles. The mosque have outstanding examples of late 13th-century minbars (pulpits) constructed in the tongue-and-groove kundekari technique.
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The Jamia Masjid Srinagar exemplifies the outstanding universal value of Wooden Hypostyle Mosques. Built in 1402 by Sultan Sikandar, this grand mosque in the heart of Srinagarâs Old City features 378 intricately carved wooden pillars and a stunning quadrangular courtyard. Inspired by Indo-Islamic and Persian architecture, its serene ambiance contrasts with the bustling markets surrounding it. Despite facing multiple reconstructions due to fires, the mosque remains a spiritual and cultural landmark of Kashmir. Its peaceful interiors and exquisite craftsmanship make it a timeless symbol of the regionâs artistic and religious heritage.
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Afyonkarahisar Ulu Mosque exemplifies the outstanding universal value of Wooden Hypostyle Mosques of Medieval Anatolia. The mosque exterior is made of rubble and cut stone masonry, while the interior has multiple rows of structural wooden columns with muqarnas (three-dimensional âhoneycombâ Islamic decorations) or stone spolia (repurposed architectural fragments) as column capitals, all supporting a flat wooden ceiling and the roof ("hypostyle"). The wooden beams and the consoles supporting them, the muqarnas column capitals, and in some cases, the imposts on the muqarnas capitals have been intricately decorated. Woodcarving and painting were used skilfully and extensively on the architectural fittings and furnishings, including doors, columns, capitals, ceiling beams, and consoles. The mosque have outstanding examples of late 13th-century minbars (pulpits) constructed in the tongue-and-groove kundekari technique.
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Friendship Hospital Shyamnagar is located in the Satkhira district of Bangladesh. The 80-bed hospital has been constructed using locally-made bricks. The hospital wins the Royal Institute of British Architects (RIBA) Prize in 2021.
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