00:23

Here's where you can actually learn old school singing

06:44

Sunday Night Live 2: Live Viewer Questions

02:28

rebel without a tongue

01:55:47

Parsifal - European Archive

01:50

If you want to study old school, let's STUDY old school

02:18:50

Mister Opera Takeover

22:14

You can have as many opinions as you want, but that doesn't make them right

20:09

YOUNG CONDUCTORS DON'T KNOW THEIR PROFESSION Renata Tebaldi

13:38

You must make your voice because it will not happen by itself!

09:46

You can't be musical without a developed voice

16:27

Without chest voice, low larynx and open pharyngeal space you are not an opera singer

17:13

Why modern female singers sound unpleasant

10:53

Why Fedora Barbieri didn't have great high notes

05:50

Who you are afraid

01:15

Who are these mezzosopranos LOL

16:41

Where have big sopranos gone

01:03

When opera singing used to be very emotional

02:37

When ladies could SING! 2

01:45

When ladies could SING 1

07:17

VIBRATO proper action, high notes 3

10:38

VIBRATO correct action vs defects 1

07:17

Use your mind a bit! M Callas

05:16

Universities don't teach real operatic singing! difference between modern and old

05:01

Why doesn't modern vocal pedagogy have results

02:24

UNDEVELOPED vs DEVELOPED lower register chest voice

04:20

Undeveloped VS developed chest voice 1

01:25

UNCLEAR vs CLEAR middle voice female head voice

11:35

Una furtiva lagrima COMPARISON Florez, Alagna, Schipa

04:27

U Giordano Vedi, io piango Fedora

07:30

TWO REGISTERS with obvious break female voices

01:51

TWO REGISTERS Rosa Ponselle 3

02:23

TWO REGISTERS Renata Tebaldi

02:06

TWO REGISTERS Leontyne Price soprano

05:22

TWO REGISTERS female voice = THE ONLY WAY TO SING M Callas

05:03

Universities don't teach real operatic singing! 2 chest, from bottom to top

01:04

TWO OCTAVES two registers

00:33

TWO REGISTERS Air des bijoux Nellie Melba

01:23

TWO REGISTERS Alice Cucini contralto

00:23

TWO REGISTERS Birgit Nilsson

00:50

TWO REGISTERS Breaks are not necessarily bad

00:58

TWO REGISTERS Caro nome Luisa Tetrazzini

02:09

TWO REGISTERS Celestina Boninsegna

01:23

TWO REGISTERS Eula Beal contralto

04:20

Undeveloped VS developed chest voice 1

02:24

UNDEVELOPED vs DEVELOPED lower register chest voice

05:03

Universities don't teach real operatic singing! 2 chest, from bottom to top

05:22

TWO REGISTERS female voice = THE ONLY WAY TO SING M Callas

07:30

TWO REGISTERS with obvious break female voices

11:47

Tu qui, Santuzza MODERN vs OLD SCHOOL score

19:36

TRUE HEAD VOICE = lighter or feminine chest voice 2

00:21

TWO REGISTERS Eula Beal

09:52

PROPER LIED SINGING 1

06:03

PROPER LIED SINGING 2

08:32

PROPER LIED SINGING 3

12:20

PUCCINI'S DIVAS

06:05

PURE REGISTRATION real BELCANTO method of developing the voice

04:55

Rant video Purpose of universities is a mistery

05:29

SIGRID ONEGIN great contralto

08:01

Renée Fleming teaching incorrect things

06:45

Rich low and middle range TENORS