01:20

Hard Mix Halftones

01:16

A (Failed) Experiment in Time Traveling Halftones

01:22

Splines Used to be Real

01:53

A Way of Thinking About Bezier Curves

01:45

A Vectornator Halloween Pumkin using 3D CG as Reference Photography

01:26

Tensegrity is more than that Floating Table you see everywhere

02:01

The Gray Strawberry Illusion in Photoshop

01:07

Megalopolis director Francis Ford Coppola’s long-standing Interest in LED Volume stages

01:41

Photography Seamless Backgrounds with C2 Surface Continuity, like a roller coaster loop

01:19

Last Action Hero particle systems

02:06

Frames are periods OF time. Not points IN time.

01:51

Little Monsters (1988) Particle Systems with floating point birth frames

01:31

Camera Settings for your Next Shoot on Pluto

01:08

Green Lantern and the Star Trek Genesis Effect

01:06

The Many Benefits of Distributed Ray Tracing 1984

01:26

How Should Hue Change as Luminosity Falls Off?

02:39

ST Maps and Image Displacement

03:42

Getting the Distance and Focal Length of a Lens from a Picture of a Cube

02:12

Loomis vs Hale: Are You Drawing the Wrong Head Ball?

02:08

The Glass Cube we used for Disney World EPCOT Living Seas 1985 motion tracking

02:25

Disney, TRON, MAGI and the Dissolve Blend Mode

01:21

A Dip Pen Nib in a Clutch Pencil?

01:47

Fury (1995) Renaissance-era Superspy

01:20

Photoshop uses both the Red AND Green Channels for Displacement

01:56

Parabolic Reflectors

01:56

Truchet Tiles based on my original 2009 method

01:45

How to Paint, Draw or Sculpt the Eye

02:49

Demolition Man ice wipe or burn effect transition in more detail

01:38

FocalPaint Multispectral Paint App lets you define your pigment’s waveform

02:38

Rubik’s Cube Art with Indexed Color and Gradient Maps

01:08

The 17 Hidden Wallpaper Symmetry Groups of Photoshop

02:53

Adjustment Laters with their own Blend Modes

02:32

Simulating Early Color Photography from the Prokudin-Gorsky Collection with Photoshop

01:58

Anamorphic Art

01:21

Camera Mapping makes Photos look 3D

02:36

A Softbox is like a Microphone

01:27

The Inverse Square Law of Paint (and Light)

02:25

The 5-Eye Line and Portraiture

02:10

Color Mask and the Overlay Blend Mode

02:58

Color vs Value

01:28

What exactly is a lens?

02:20

You Don’t Actually Need a Sphere!

02:50

Encrypt and Decrypt Secret Images using Blend Modes and 32-bit Photoshop

01:01

Divide Blend Mode #shorts

01:01

Leaf Skeleton Portrait using Hard Mix Blend Mode #shorts

07:57

Custom Halftone MAGIC with the Hard Mix Blend Mode - Photoshop or After Effects - no plugins!

27:55

Adobe Substance Designer 6 Pixel Processor Hard Mix Blend Mode Custom Halftone Effect

01:00:45

Secrets of the FX-Map Node in Adobe Substance Designer 6

06:01

Maxwell Render Booleans: Energy Pass-Through - This is NOT what this feature was invented to do!

12:01

Make a Demo for Additive and Subtractive Color Mixing

06:42

Blending Acrylic with Rebelle 1.5

37:14

Experimenting with Arroway Textures and the Maxwell Renderer

03:45

Deleting Edges and Bad Vertices in Maya

20:37

Maxwell Render Glass - a quick look

08:41

32 bits, Maxwell Multilight and the Photoshop Plugin

57:30

A Casual Look at the Maxwell Renderer via the Maya plugin

19:27

Maya 3D Procedural Textures - Tricky Workflow - Maya was not meant to be used like this

13:53

Maya Hypnodisk Shader - Custom Procedural 3D Shader Autodesk Maya

02:51

Capturing the Photoshop Blend-If Mask

06:47

You are NOT SUPPOSED to Use those Plugins Like That!