20:39
Izotope RX 10: Should you buy or not?
28:43
How to get an Audio Job in Film and Video Games
25:43
Dialogue Denoising Showdown - Waves Clarity Vx Pro vs. Izotope Rx 9 Voice De-noise
15:19
Downmix 5.1 Surround to Stereo Fold-down (Lo/Ro)
21:48
Mixing Film Audio in 5.1 Surround Sound vs. Stereo
21:27
Tutorial 18: Export Mix and Printing Stem Tracks - Post-Production Audio Workflow Series
13:38
Tutorial 17: Final Mix and LUFS Metering - Post-Production Audio Workflow Series
28:25
Tutorial 16: Mixing with Reverb Aux Tracks - Post-Production Audio Workflow Series
17:10
Tutorial 15: Compression, De-Essing, Sidechain, and Limiting - Post-Production Audio Workflow Series
30:24
Tutorial 14: EQ-ing using Inserts and AudioSuite Plugins - Post-Production Audio Workflow Series
22:28
Tutorial 13: Pre-Mixing Volume Levels (Pre-Dubbing) - Post-Production Audio Workflow Series
08:30
Tutorial 12: VCA Tracks and Submaster AUX Track Busses - Post-Production Audio Workflow Series
14:03
Tutorial 11: Track Groups and Stereo Panning Automation - Post-Production Audio Workflow Series
08:29
Tutorial 10: Arranging Music for Changed Picturelock - Post-Production Audio Workflow Series
10:28
Tutorial 9: Music Stems Editing - Post-Production Audio Workflow Series
10:41
Tutorial 8: Editing ADR and Group Dialogue - Post-Production Audio Workflow Series
11:15
Tutorial 7: Foley Cueing and Editing - Post-Production Audio Workflow Series
19:59
Tutorial 6: Sound Effects Editing - Post-Production Audio Workflow Series
17:14
Tutorial 4: Dialogue Editing - Post-Production Audio Workflow Series
19:28
Tutorial 5: Editing Backgrounds - Post-Production Audio Workflow Series
06:53
Tutorial 3: Importing Picturelock and AAF/OMF - Post-Production Audio Workflow Series
13:32
Tutorial 2: Track Creation and Organization - Post-Production Audio Workflow Series
08:24
Tutorial 1: Beginning a Session - Post-Production Audio Workflow Series
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About
Film Sound Tutorials is the guide we wish we had when we started working in post-production sound for film. In the tutorials, we give a simplified version of the workflow sound editors and mixers are using on Hollywood feature films. With a lot of time and hard work, you too can sound design and mix a film like the pros.
SOUNDTUTS STORE: soundtuts.com
Prerequisites:
- A DAW (Digital Audio Workstation) program
- Headphones or speakers
- A project to work on
- A lot of time and hard work!
Helpful links:
soundtuts.com/pages/helpful-links
Our contributors:
Michael Cullen - mcullen.me - thesoundtuts@gmail.com - www.imdb.com/name/nm5122460/
If you have additional questions, 1-on-1 video chat consultations are available. Contact thesoundtuts@gmail.com
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