45:29
How to become a violin maker in Chicago, USA? | Interviewing Dylan Kole
25:57
Luthier Breaks Down Violin Making Movie Scenes | Fabroviolins
01:43
2022 Violin | Lucas Fabro - Cremona | Bruch Concerto N.1 Op.26 | Guarneri model
09:44
MAKING A CELLO | Shaping the NECK | Ruggeri Model
39:53
How to become a violin maker in Mittenwald? | Interviewing Lisa Hellmich
02:57
2022 Violin | Lucas Fabro - Cremona | Bach Partita N.2 Allemande | Guarneri
08:10
MAKING A CELLO | Saddle & Nut | Ruggeri Model
15:17
HOW TO BECOME A VIOLIN MAKER | My Cremona experience
10:02
MAKING A CELLO | FINGERBOARD - part 2 | Ruggeri Model
12:57
A sustainable alternative to ebony | SONOWOOD BLACK
01:35
2022 CELLO | Lucas Fabro - Cremona | METALLICA Master of Puppets | Rugeri model
16:03
MAKING A CELLO | FINGERBOARD - sides, plane, arch | Ruggeri Model
02:32
2022 CELLO | Lucas Fabro - Cremona | ELGAR cello concerto | Rugeri model
09:39
MAKING A CELLO | SCROLL - PEG BOX | Ruggeri Model
02:11
2022 CELLO | Lucas Fabro - Cremona | BACH Suite n.2 Prelude | Rugeri model
12:44
MAKING A CELLO | SCROLL - the turns | Ruggeri Model
01:39
2022 CELLO | Lucas Fabro - Cremona | BRAHMS sonata n.1 | Rugeri model
10:26
MAKING A CELLO | Preparing and starting the SCROLL | Ruggeri Model
31:55
Making a Violin | ALL THE STEPS | Amati Model
07:37
MAKING A CELLO | Rounding the edges & closing the soundbox (pt2) | Ruggeri Model
11:21
MAKING A CELLO | Closing the soundbox | Ruggeri Model
08:20
MAKING A CELLO | Bass Bar (part 2) | Ruggeri Model
05:44
Where do I get the images (or photos) used in Violin making? | 4 SOURCES
13:04
MAKING A CELLO | Bass Bar (part 1) | Ruggeri Model
16:58
MAKING A CELLO | Back Thickness (part 2) | Ruggeri Model
12:15
MAKING A CELLO | The f-holes | Ruggeri Model
11:14
MAKING A CELLO | Top Carve out & Back Thickness (part 1) | Ruggeri Model
16:43
MAKING A CELLO | The ARCHING (Part 2) | Ruggeri Model
10:43
MAKING A CELLO | The ARCHING (Part 1) | Ruggeri Model
14:48
MAKING A CELLO | The PURFLING | Ruggeri Model
13:10
MAKING A CELLO | The BORDERS | Ruggeri Model
12:40
MAKING A CELLO | Roughing out part 2 | Ruggeri Model
03:21
2020/21 Lucas Fabro Viola | Cremona | Vivaldi Violin Sonata N.8
35:13
MAKING A CELLO | Roughing out part 1 | Ruggeri Model
00:29
ASK YOUR QUESTIONS! | Subs mileston Instagram Q&A
12:23
MAKING A CELLO | Preparing the Plates | Ruggeri Model
16:10
MAKING A CELLO | The JOINTS | Ruggeri Model
24:16
MAKING A VIOLIN | The SET UP | Step 23 | Amati Model
16:22
MAKING A VIOLIN | Neck, Fingerboard and nut finishing | Step 22 | Amati Model
03:11
2021 AMATI "La Stauffer" Viola | Cremona | Vivaldi Violin Sonata N.8
18:29
MAKING A VIOLIN | The VARNISH | Step 21 | Amati Model
13:44
MAKING A VIOLIN | The FINISHING | Step 20 | Amati Model
10:09
MAKING A VIOLIN | The NECK JOINT | Step 19 | Amati Model
13:02
MAKING A VIOLIN | Soundbox 1st FINISHING | Step 18 | Amati Model
05:33
MAKING A VIOLIN | The SADDLE | Step 17 | Amati Model
08:57
MAKING A VIOLIN | The Neck | Step 16 | Amati Model
17:36
MAKING A VIOLIN | The FINGERBOARD | Step 15 | Amati Model
07:03
CELLO | TAILPIECE comparisson | FABROVIOLINS
15:24
MAKING A VIOLIN | Scroll FINISHING | Step 14 | Amati Model
24:49
MAKING A VIOLIN | The SCROLL | Step 13 | Amati Model
12:08
CELLO ENDPINS | Sound comparisson | FABROVIOLINS
10:04
MAKING A VIOLIN | Preparing the WOOD for the scroll | Step 12 | Amati Model
15:17
MAKING A VIOLIN | Closing the SOUNDBOX | Step 11 | Amati Model
21:47
MAKING A VIOLIN | The BLOCKS and LININGS | Step 10 | Amati Model
02:29
2020 BAROQUE Violin AMATI 1662 | Cremona, Chiesa di Sant'Omobono | Ave Maria Bach/Gounod
13:09
MAKING A VIOLIN | The RIBS | Step 09 | Amati Model
19:17
MAKING A VIOLIN | Top THICKNESS & BASS BAR | Step 08 | Amati Model
07:48
7 Reasons why I accept CRYPTOCURRENCIES in my WORKSHOP in Cremona | FABROVIOLINS
02:25
2019 STRADIVARI 1715 Violin | Cremona, Chiesa di Sant'Omobono | Mozart Violin Concerto n.5 Cadenza
10:53
MAKING A VIOLIN | f-holes | Step 07 | Amati Model
X
About
Violin maker (luthier) in Cremona, Italy where I make violins, violas, cellos and viola da gamba.
I take pride in understanding all the technical processes which go into creating a great instrument making a very few a year to ensure the highest quality possible. I know the whereabouts of most of my instruments and get to see them from time to time as the musicians who commission them often become friends.
I'm a member of the Michelangelo Foundation and the BVMA.
I handpick every single piece of wood for his instruments to ensure that each piece is of the highest quality and to make certain that every one of my instruments will have a long lasting life.
I work alone from scratch on each instrument and, as I have a background in Engineering, I also have a keen interest in the physics of the instrument and the importance this has on the acoustics.
My workshop is in the city centre of Cremona, just a stone’s throw from the home of Stradivari.
Tags