12:10
Slow is FAST: Improve Your Audiobook Narration | Sub Feedback #58 (ft. Jacob)
02:48:31
Winnie-the-Pooh (Full Audiobook) | READING FOR GOOD with Narrator of the Year
10:22
How Pace MAKES Story + Character | Sub Feedback #57 (ft. Chris)
10:06
Your Voice + Texture = ATMOSPHERE | Sub Feedback #56 (ft. Jenny)
15:07
Which Broadcast Mic is BEST for Voiceover? Blind Comparison & Review (RE20, SM7b, ETHOS, Amplitank)
11:44
Too DRAMATIC? Saying Goodbye to Your Comfort Zone | Sub Feedback #55 (ft. Stephen)
16:05
How To Breathe Like A Professional Voice Actor (and human being)
10:51
BREATH & Giraffes: How & Why Breathing Makes Voiceovers Better | Sub Feedback #54 (ft. Jessica)
08:20
Do SFX Help or Hinder? | SubFeedback #53 (ft. Armand)
10:38
Shure KSM 32 vs Neumann TLM 102 | Blind Comparison and Practical Review for Voiceover
15:24
Processing & Performance Tips | SubFeedback #52 (ft. Aaron)
08:49
4 Vocal Health Tips for Voiceover Artists & Audiobook Narrators
01:00
Take Charge of Your Life...with Critical Thought © | Stock Ads
13:29
Narrator v. Dialogue: IMPROVING Your Audiobooks Easily | Subscriber Feedback #51 (ft. Dharma)
11:44
This is Number FIFTY! | Subscriber Feedback #50 (ft. Cas)
00:19
This is Denise
00:59
Commercials Work Like This
08:48
Bring More LIFE to reads with Small Details | Subscriber Feedback #49 (ft. Tarek)
15:24
Give Reads Polish Using Keywords & Pacing | Subscriber Feedback #48 (ft. Mike)
15:43
MORE Compression Techniques for Voiceover: How to use multiple compressors and multiband compression
10:56
Turn Good Reads into GREAT w/ 'Sense Memory' | Subscriber Feedback #47 (ft. Will)
08:25
How to Succeed Working with "Challenging” Clients
14:12
Dialing Up Your Reads No Matter the Genre | Subscriber Feedback #46 (ft. Flute)
10:53
Improving Noise Floor with ONE Easy Trick | Subscriber Feedback #45 (ft. Pouria)
08:36
5 MORE Essentials for Voiceover Professionals
12:15
Ways to Improve Your Reads w/ Processing, Gear, and Voice | Subscriber Feedback #44 (ft. Isaac)
17:12
How Professional Narrators Make Audiobooks CINEMATIC & IMMERSIVE
08:25
Language Barrier? Nah. Not With Mixing This Good! | Subscriber Feedback #43 (ft. Bithy)
11:21
Improving Voiceovers for Trailers/Promos | Subscriber Feedback #42 (ft. Don)
12:08
Making Your Characters POP with One Trick | Subscriber Feedback #41 (ft. Jon)
16:49
Behind the Scenes: "The Twisted Tower of Endless Torment" by Rob Renzetti
12:57
Connecting Thoughts, Breath, & Body in Commercial VOs | Subscriber Feedback #40 (ft. Steven)
08:53
4 Easy Ways to Fix Sibilance Issues in Voiceover
15:10
Earthworks ETHOS vs Shure SM7B | w/ Blind Comparison & Discussion for use in VO and Audiobooks
10:31
Easy Ways to Improve Your Commercial VO Reads INSTANTLY | Subscriber Feedback #38 (ft. Zell)
14:36
Emphasis, Tone, & Timing in Commercial Voiceovers | Subscriber Feedback #37 (ft. Jinsoo)
12:55
Pauses, Character, and Mic Technique in Audiobooks | Subscriber Feedback #36 (ft. Richele)
17:31
How to use iZotope RX for Voiceover (De-Click, Mouth De-Click, Voice De-Noise, De-Plosive, and more)
13:56
Voiceovers w/ More Imagination, Less "Politician" | Subscriber Feedback #35 (ft. Kevin)
13:59
Book More Jobs w/ Imagination & Opportunities for Change | Subscriber Feedback #34 (ft. Luca)
09:58
Helping Music & Voiceovers to “Get Along” | Subscriber Feedback #33 (ft. Hugh)
09:16
Tips to add POLISH to your Voiceovers | How to make a VO Demo: Part 5
04:27
The Best Music for Voiceovers | How to make a VO Demo: Part 3
08:51
How to Use Side-chain Compression, EQ, and more with Music | How to make a VO Demo: Part 4
08:12
Where to Find Voiceover Scripts and Which are BEST for You | How to make a VO Demo: Part 1
16:03
How to Process Voiceovers in Reaper | How to make a VO Demo: Part 2
03:05
Ideal Demo Structure & Composition | How to make a VO Demo: Part 6
11:57
Making a Great Demo BETTER | Subscriber Feedback #32 (ft. David)
57:15
Make Your Own Voice Over Demo with REAPER: Full Walkthrough/Tutorial
12:14
Does Actor or Performance Training REALLY Matter? | Tips from a PRO VO
12:15
Tips for Deeper, "Movie Trailer" Voices | Subscriber Feedback #31 (ft. Matt Cochran)
14:04
Which Neumann Microphone is Best for Voiceover? REVISITED | U87ai, TLM 193, TLM 103, TLM 102
18:16
Stakes, Character Demos, and ACTING | Subscriber Feedback #30 (ft. Henry Korba-Babcock)
10:13
Nailing Niche, DeEssers, Gates/Expanders | Subscriber Feedback #29 (ft. Jim)
01:13
The "Booth Buddy" a.k.a. the Rick Rubin of Voiceover.
12:19
Imagination + Specificity = Connection | Subscriber Feedback #28 (ft. Austin)
14:50
Polishing Demos, Tips for VO over Music | Subscriber Feedback #27 (ft. Matt)
19:02
How Soundproof is a StudioBricks, actually? | 1yr Followup Review StudioBricks One VO Edition PT. 2
15:38
Find Resonance with EQ, and Story/Story/Story | Subscriber Feedback #26 (ft. Nathan Lipscomb)
14:06
Kind Words, and Great Reads | Subscriber Feedback #25 (ft. Quy)
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About
Tips, tricks, and tutorials for voiceover artists and audiobook narrators at any stage in their career.
When I was starting out, and at many points in my career, I spent far too much time, money, and/or stress just trying to figure things out on my own and then wondering if I was on the right track. So here are all of the things I wish I had known sooner, some of my brilliant ideas, my spectacular failures, and everything in between. With any luck, they'll help you out in some small way.
In case you're curious, here's a bit about who I am:
I'm a professional voice-over artist, audiobook narrator, and actor with over 15 years under my belt, six Best Performance of the Year nominations, and quite a bit of training (NYU, MFA Acting). I've also worked with some pretty cool companies, clients, and collaborators like BMW, Netflix, Microsoft, IBM, Samsung, McDonald's, Ragù, Spotify, The Economist, The Wall Street Journal, Audible, Penguin Random House, and Bayer, among many more.
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