Sculpture Club made a name for themselves as party-punks, pure and simple, throwing the kinds of glitter-coated shows that their hometown of Salt Lake City had never seen before, and would not soon forget. While cannon-blasting confetti onto crowds at the climax of a set, Sculpture Club was also crafting an “all-in” kind of rock ‘n’ roll that both distinguished them stylistically from other bands in the scene and paved the way for the project to confidently grow and evolve. Core members Chaz Costello (of Choir Boy, Fossil Arms) and Madison Donnelly (of Big Baby, Foster Body) generously applied sparkly, driving guitar parts and irresistibly thundering drum beats to the foundation of their sound, building on it with the addition of bassist Chris Copelin for their 2016 album A Place to Stand. There, riptide bass lines round out a sound rippling with the sweeping, crashing urgency of post-punk, while also recalling the glamor of classic goth.