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01:07:39
Composer Kris Bowers on How to Write Music for Animation | Bring the Noise: The Wild Robot
01:22:55
Best First Screenplay Nominee Roundtable | Directors Closeup
01:26:11
Best New Unscripted Series Nominee Roundtable | Directors Closeup
01:09:19
Best Screenplay Nominee Roundtable | Directors Closeup
01:21:19
John Cassavetes Award Nominee Roundtable | Directors Closeup
01:27:37
Best First Feature Nominee Roundtable | Directors Closeup
01:16:56
Best Documentary Nominee Roundtable | Directors Closeup
01:12:41
Best International Film Nominee Roundtable | Directors Closeup
01:18:34
Best New Scripted Series Nominee Roundtable | Directors Closeup
01:15:13
Spirit of Independence Nominee Roundtable | Directors Closeup
25:43
The Life of An Olympic Athlete After the Gold Medal | The Fire Inside Q&A
27:42
The Dark Side of Superman’s Christopher Reeve | Super/Man Q&A
01:11:15
The Lowdown on Fiscal Sponsorship | Filmmaker Tuesdays
05:16
Best of the 2025 SPiRiT AWARDS NOMiNEE BRUNCH | Film Independent
02:45
Sarah Friedland (FAMILIAR TOUCH) Wins the Someone To Watch Award | 2025 Spirit Awards
02:20
Rachel Elizabeth Seed (A PHOTOGRAPHIC MEMORY) Wins the Truer Than Fiction Award | 2025 Spirit Awards
03:41
Sarah Winshall (I SAW THE TV GLOW) Wins the Producers Award | 2025 Spirit Awards
06:11
Film Independent Board Chair Brenda Robinson on the Passing of President Josh Welsh
29:27
When Art and War Collide | Porcelain War Q&A
25:39
A Dark Fairy Tale | The Girl with the Needle Q&A
31:28
Turning Tropes On Their Head | Strange Darling Q&A
24:41
What Really Happens When You Ban Abortions | Zurawski v Texas Q&A
29:28
Jude Law Gets Inside the Mind of a Domestic Terrorist | The Order Q&A
24:11
Angelina Jolie Finds Her Voice | Maria Q&A
20:36
Jesse Eisenberg’s Journey Across Generations | A Real Pain Q&A
35:11
Always Remember: Documentary Shorts Q&A
01:12:27
Always Remember: Narrative Shorts Q&A
01:00:29
An Evening with Demi Moore
24:25
Punk Rock in Castro’s Cuba | Los Frikis Q&A
01:14:28
The Filmmaker-Participant Relationship Unpacked
16:21
Using a Community to Help Make a Film | Arzé Q&A
21:40
The Ultimate Fight Card with Michael Pitt & Ron Perlman | Day of the Fight Q&A
31:34
Turning a Crime Story into a Musical | Emilia PĂ©rez Q&A
29:54
How Brothers Malcolm & John David Washington Hit the Right Notes in ‘The Piano Lesson’ | Q&A
11:43
Here Are Your 2025 Film Independent Spirit Award Nominees!
26:37
A Frank Look at Love and Sex in India | Girls Will Be Girls Q&A
22:35
When the Brazilian Government Kidnaped Its Own People | I’m Still Here Q&A
33:18
Pamela Anderson: “This Might Be the Only Movie I’m Ever Able to Do” | The Last Showgirl Q&A
27:42
Recovery and Reslience in ‘Continue’ | Q&A
32:49
Monkeying Around w Robbie Williams | ‘Better Man’ Q&A w Director Michael Gracey & Sam Levinson
24:19
How ‘Nocturnes’ Turned Biology into a Cinematic Experience | Q&A
24:16
‘Dahomey’ Gives Art a Voice | Q&A w Mati Diop
26:10
Cillian Murphy’s Oscar Followup? Producing ‘Small Things Like These’
28:38
Always Remember October: The Commandant’s Shadow Q&A
22:45
Always Remember October: June Zero Q&A
22:30
Always Remember October: Love it Was Not Q&A
28:10
Always Remember September: Remember This Q&A
25:35
Always Remember September: Sabotage Q&A
36:57
Embedded with the Taliban | Hollywoodgate Q&A
35:48
Shooting an Entire Film in First Person POV | Nickel Boys Q&A w RaMell Ross
21:45
Finding Donald Trump by Making his Origin Story
24:57
Peter Sarsgaard on How to Build Understanding in Violent Times | September 5 Q&A
20:05
His Fingerprints are All Over ‘Memoir of a Snail’ – Literally | Adam Elliot Q&A
19:38
A Life in Horror: Babadook 10 Years Later | Q&A w Jennifer Kent
01:00:01
How to Navigate Film Festivals & Distribution | Global Panorama
48:45
Changing the Narrative on Climate | Film Independent Forum
36:11
Where’s the Money for Your Film | Finance Clinic
01:00:59
The New New Hollywood | The New Wave Actors Roundtable
01:08:36
The Future of TV is Global | Forum Panel: Global TV: How Does It Translate?
01:03:43
The Art of Producing an Independent Film | 40 Years of Film Independent