Welcoem to posts!!
in the future - u will be able to do some more stuff here,,,!! like pat catgirl- i mean um yeah... for now u can only see others's posts :c
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Test Your Knowledge on "How to Draw the Head: Three-Quarter View" - 3. How do you depict the transition from the side plane to the front plane of the head?
Watch the video and do your best to answer: https://youtu.be/8BjLc4BdbbQ
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Test Your Knowledge on "How to Draw the Head: Three-Quarter View" - youtube.com/watch?v=8BjLc... - Watch the video and do your best to answer:
2.Which of the following is a crucial factor in maintaining accurate proportions when drawing a head in three-quarter view?
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Florentine Structural System #4 completing the Superficial Muscles Layer: the Legs
π
Saturday 11th, at 6 PM
π Patreon Master Class Live 4
π www.patreon.com/posts/florentine-4-119566917
π Require authentication to join: Sign in to Zoom
Florentine Structural System #4 completing the superficial muscles layer: the legs.
In this 4th session dedicated to the Florentine Structural System, we will complete the mapping of the superficial muscles layer by adding the muscles of the legs to the flayed Michelangeloβs David drawing we started last month. Time permitting, we will also start drawing the last step of this series, creating a line drawing of the sculpture
This series is for the artists enrolled in the Duo or Trio or Quartet tiers to participate
See you on january 11 at 6PM EST!
Roberto
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Test Your Knowledge on "How to Draw the Head: Three-Quarter View" - https://www.youtube.com/watch?v=8BjLc... - Watch the video and do your best to answer:
1. What is the first step in drawing the head from a three-quarter view?
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Drawing the Head: Three-Quarter View FAQ
What is a good starting point when drawing a head in three-quarter view?
π§ Begin by lightly sketching the overall cranial volume (the skull) and the facial volume (the features).
βοΈ Use a pencil held loosely to explore proportions and positions before committing to details.
π Then, draw a centerline that divides the face vertically and acts as a guide for placing features like the forehead, nose, and mouth.
How do I ensure accurate proportions in a three-quarter view?
π Remember the relationship between the back of the head and the nose: they align roughly on the same vertical plane.
π Establishing this connection helps ensure accurate depth and overall proportions of the head.
How do I depict the transition from the side plane to the front plane of the head?
βοΈ A diagonal line running from the brow ridge down towards the chin marks the transition between these planes.
ποΈ This line represents the edge where the two planes meet and is crucial for capturing the head's rotation in three-quarter view.
What is the importance of planes in head drawing?
π Planes help break down the complex curves of the head into simplified flat surfaces.
π‘ By understanding how these planes connect and transition, you can create a more accurate and structured drawing, laying the foundation for rendering light and shadow.
How do I incorporate light and shadow to create a three-dimensional look?
βοΈ Observe how light falls on the head, identifying areas of highlight and shadow.
π¨ As the planes of the head change direction, so do the values (lightness or darkness).
π For example, the upper lip, often receding, appears darker while the protruding lower lip catches more light.
π‘ Connect value shifts with changes in planes to create form.
What is the glabella and how is it relevant in drawing?
γ°οΈ The glabella is the smooth area between the eyebrows, just above the bridge of the nose.
ποΈ In drawing, it's indicated as a subtle change of plane, contributing to the overall structure of the forehead and the transition from the forehead to the nose.
What anatomical feature defines the plane change below the zygomatic arch?
πͺ The masseter muscle, responsible for chewing, creates the change of plane below the zygomatic arch (cheekbone).
𦴠This influences the form and shadow pattern in this region, contributing to the realistic depiction of the lower face.
How should I approach drawing the eyelids in a three-quarter view?
π Keep in mind that eyelids wrap around the spherical form of the eyeball.
π‘ Therefore, light and shadow will interact with this curved surface, creating highlights and shadows that define their depth and volume.
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Introducing our first all-level instructional Anatomy Master Class! βοΈ Renowned artist and educator Roberto Osti will lead this 6-week in-person Master Class designed for artists eager to deepen their understanding of the human form. This class offers an immersive exploration of anatomy, structure, and drawing techniques essential for advancing your skills.
Classes will run on every Tuesday from 9 AM - 12 PM, starting January 14, 2025 β February 25, 2025. Members pay $300; Non-members pay $350.
Spaces are limited!! Sign up today here sketchclub.org/figure-anatomy-master-class/ πβοΈ Materials list, teacher background, and class info can be found on our website.
Philadelphia Sketch Club
Americaβs oldest art club, founded in 1860 π
π§: info@sketchclub.org
#Gallery Hours π
Wed, Fri, 1-5 pm by appt: Sat, Sun 1-5pm
235 South Camac Street, Philadelphia, Pennsylvania 19107
#AnatomyMasterClass #FigureDrawing #ArtEducation #DrawingTechniques #ArtistWorkshop #CreativeLearning #Lifedrawing #RobertoOsti #OstiMasterClass
#HumanAnatomy #ArtSchool #ArtCommunity #FineArt #SkillDevelopment #InPersonClass #TuesdayMornings #JanuaryArtClass #EnrollNow #LimitedSpots
@philadelphiasketch
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This video explores the anatomical differences between male and female pelvises, focusing on key features such as the subpubic angle and ischial notch. The speaker details the components of the pelvis, including the pubic bone, ischium, and iliac bone, and discusses the implications of these differences for childbirth and anatomy. The video also covers the anatomy of the clitoris and its relationship to the penis, while providing practical drawing techniques for anatomical representation.
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Happy Holidays!
Roberto Osti, New Renaissance Atelier | www.robertoosti.com | www.patreon.com/robertoostidrawing
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Roberto Osti | Anatomy and Drawing teacher at NYAA, PAFA and Saint Joseph's University.
Originally from Italy and now living in New Jersey, Roberto Osti studied figurative art at the New York Art Students League, and has an MFA from the New York Academy of Art. Osti has a degree in Anatomical and Surgical Drawing with honors from University of Bologna in Italy, and has also studied with acclaimed British painter, Jenny Saville.
Ostiβs illustrations have appeared in such publications as Scientific American, Natural History, New York Times, and the Italian magazine Salve. He is the author and illustrator of the book, Basic Human Anatomy: An Essential Visual Guide for Artists, published and presented in 2016 at the Pennsylvania Academy of the Fine Arts in conjunction with his talk about anatomy, βThe Site of the Soul.β
His paintings have been exhibited in galleries in Europe and the United States. He is the author of Basic Human Anatomy (2016), and Dynamic Human Anatomy (2021)