07:03
Hollyland Lark Max Wireless Microphone Review
22:44
How to Direct Multicam as a Solo Filmmaker
08:08
Flavors of Time (48 Hour Film Project)
16:58
What Frame Rate is Needed to Simulate Reality?
24:31
What is the Frame Rate of the Human Eye?
17:00
FIQ Critique - Physical Therapy Industrial
09:29
What is a Normal Lens?
17:54
A 24fps Filmmaker Reacts to Avatar 2 in "HFR"
41:11
The History of 20th Century Fox | THE STUDIOS
24:40
Why You Don't Need to Record in 32 Bit Float....
19:08
What is the Optimal Sampling Rate for Audio? (It's All About the Aliasing)
12:06
The Surprising Origins of Digital Audio Sampling Rates
25:25
The Basics of Multi-Cam Live Production
11:46
Why Yellow Is So Common for TV Graphics
06:41
Lighting Tip: Shoot the Fill Side (Just One Thing)
16:54
Why are Anamorphic Bokeh Oval? (it's not the aperture)
09:33
The Fundamentals of Tilt-Shift Lenses
05:36
Fixing Perspective Issues with Corner Pin
06:34
The Marching Band Trick to Steadier Handheld Moving Shots
20:41
Breaking down THE BATMAN Trailer (Editing Analysis)
13:32
Addendum! The One Frame Trick (Now Rectified for YouTube)
07:16
Editing to the Beat - the One Frame Trick
13:10
Pulling a Green Key with Something Green in the Shot (AE Tutorial)
42:50
William Fox - The Forgotten Hollywood Mogul | THE STUDIOS
25:54
The Forgotten War for Color Television
22:00
I... uh... think I loved the Cats Movie
42:36
Debunking "High Frame Rate in Cinema" Myths
09:13
Why Distance Doesn't Affect Exposure
11:44
A 24fps Filmmaker Reacts to Gemini Man in 120fps
26:43
6 Reasons Why We Should Ditch the Exposure Triangle
09:36
John Performs a Jazz Cover of The Godfather
26:27
The Mathematics of Blend Modes
17:46
The Joys and Sorrows of Interlacing
09:49
Avengers: Endgame's Unique Place in Cinema History [NO SPOILERS]
24:56
What does a Post Production Executive do? #FILMJOBS
25:30
Making of: Outta Sync
08:55
Outta Sync | A Filmmaker IQ Short Film
24:17
The History and Science of Timecode
16:18
Dual ISO & Dynamic Range (featuring the BMPCC 4K)
11:41
Are Comic Book Superhero Movies Destroying Cinema?
20:01
When Can You Use a Trademark Logo in Your Film? - IQBiTS
34:35
Diving into Dynamic Range
22:08
A Defense of 24 FPS and Why It's Here to Stay for Cinema
11:58
How Long Should Your Shorts [Film] Be? #IQBiTS
09:13
How To Use *relatively* Inexpensive DJ LED Lights to Light a Set
26:53
A Brief History of Paramount Pictures | THE STUDIOS
32:16
Deconstructing Pixar's Underrated Masterpiece: Coco | Beat by Beat
18:35
Voicing for the Background | Film Jobs with Loop Group West
05:45
What is this thing called Middle Gray? #IQBiTS
33:21
The Science of Exposure and Metering
28:01
Cutting it as an Editor in Hollywood | Film Jobs with Lawrence Jordan ACE
19:29
How to Get Your Short Screened at Film Festivals
05:12
What's the Best Camera? #IQBiTS
18:30
The History of the Hollywood Movie Poster
04:52
Unboxing Our New Camera #IQBiTS
25:47
The History and Philosophy of Copyright
15:23
The Math and Science of Forced Perspective
20:13
The History of Movie Title Sequences
20:11
The Science and Circuitry of DIY LEDs
28:22
The History of The Hollywood Musical
X
About
Filmmaker IQ (which also goes by the aliases Who?, FilmmakerIQ.com and FIQ to evade debt collectors) is worshiped by no less than five monotheistic religions on Earth despite their petulant childish behavior, persistent meddling in the space-time continuum, and clear bipolar disorder. FIQ is the largest black hole of film knowledge in the universe. With over 3.4 billion courses on a subjects such as, Ways to successfully acquire both arm rests at a movie theater, Why do all the evil people in Star Wars have a British accent? and Martin Scorsese’s Eyebrows. FIQ’s video lectures are hailed educators, non-educators as well as people who are against the concept of education on moral grounds.
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