05:02

Philosophy, Art, and Vampires in Jim Jarmusch's 'Only Lovers Left Alive’ | Part 4

13:01

Philosophy, Art, and Vampires in Jim Jarmusch's 'Only Lovers Left Alive’ | Part 3

10:26

Philosophy, Art, and Vampires in Jim Jarmusch's 'Only Lovers Left Alive’ | Part 2

14:41

Philosophy, Art, and Vampires in Jim Jarmusch's 'Only Lovers Left Alive’

05:24

Cinematographer Breaks Down the 'Peep Show' Scene in Paris, Texas

06:44

How Robby Müller and Lars Von Trier Used Digital Video to Create the Perfect ‘Imperfect’ Look

04:00

Directing Actors 101: Rehearsals | Director Thomas Barnes

06:40

Act 2 Part 1 | NYU Screenwriting Professor on Why You Should Split Act 2 in Half

04:49

Cinematography 101: Cinematographer Explains why Robby Müller was the Master of Color

06:46

Cinematography 101: Cinematographer Explains the Minimalism of Robby Müller

05:16

Act 2 Part 2 | NYU Screenwriting Professor on Why You Should Split Act 2 in Half

04:42

Act 3 | NYU Professor Uses The Godfather (and others) to Explain Story Structure

06:40

Act 1 | NYU Professor Uses Se7en (and others) to Explain Story Structure

04:11

Sound Design: The Key to Atmospheric Sound | Writer/Director Michael Tyburski

03:35

Building Character Through Props | Director Michael Tyburski on 'The Sound of Silence'

05:26

Sound Design: Using Sound to Get Inside a Character's Head | Writer/Director Michael Tyburski

10:52

Ep3: Blurring Narrative and Documentary in Varda's 'Faces Places' | Media Theorist Alexandra Juhasz

05:08

Sound Design: Dolby Atmos' Immersive Sound | Writer/Director Michael Tyburski

09:17

Ep4: Blurring Narrative and Documentary in Varda's 'Faces Places' | Media Theorist Alexandra Juhasz

06:26

Editing 101: The 3 Types of Structural Editing | Editor Richard Pepperman

04:52

Cinematography 101: Camera Movement | Cinematographer Carolina Costa

10:02

Ep2: Blurring Narrative and Documentary in Varda's 'Faces Places' | Media Theorist Alexandra Juhasz

07:02

Ep1: Blurring Narrative and Documentary in Varda's 'Faces Places' | Media Theorist Alexandra Juhasz

04:04

Directing Actors 101: Surprise Moments | Director Thomas Barnes

03:42

Directing Actors 101: Tactile Qualities | Director Thomas Barnes

02:38

The Origins of Film Noir | Film Historian Foster Hirsch

04:32

Film History: Drag Artistry in Some Like It Hot | Author/Professor Noah Isenberg

03:33

Super 16mm: Creating That Gritty 70s Look Today | Writer/Director David Lowery

12:02

Relativism in Altman's 'The Long Goodbye' | Philosopher Katja Vogt and Artist Jens Haas

06:33

What is Film Noir? | Film Historian Foster Hirsch

04:11

Using Iconography to Breathe Life Into a Bedsheet | Writer/Director David Lowery on A Ghost Story

04:25

Film Noir's Visual Style | Film Historian Foster Hirsch

03:42

Editing 101: The Benefits of Mechanical Cutting | Editor/Professor Richard Pepperman

05:04

How Aspect Ratio Affects Storytelling | Writer/Director David Lowery on A Ghost Story

05:37

Directing Actors 101: How Tasks & Blocking Bring Out Emotions | Director Thomas Barnes

04:50

Cinematography 101: Utilizing Light to Accentuate Character | Cinematographer Eric Lin

07:55

Cinematography 101: What is Visual Veiling? | Cinematographer Carolina Costa

08:47

Film Noir's Characters and Tropes | Film Historian Foster Hirsch

06:32

Storytelling Through Eyelines | Cinematographer Carolina Costa on Apocalypse Now

06:50

How 'Heat' Influenced This Scene in 'The Old Man & The Gun' | Director/Writer David Lowery

10:02

Where Billy Wilder's Wit Comes From | Film Professor Noah Isenberg on 'Some Like It Hot'

04:28

The Unique Look of Vintage Lenses on a Digital Sensor | Cinematographer Eric Lin on Lenses

06:22

Directing Actors 101: How to Give Clear and Concise Notes | Director Thomas Barnes