01:34:33

9. Mat Watson: EMS Synthi, Perception of Time, and Challenging the Defaults

01:34:33

9. Mat Watson: EMS Synthi, Perception of Time, and Challenging the Defaults

20:08

Frap Tools BAGÀI in-depth tutorial: analog sample and hold, downsampler, bitcrusher, clock burst

06:41

PATCH A FILTER INTO AN OSCILLATOR FOR SOME CURSED SOUNDS!

02:51

Compressing Folk Vocals // In the studio with the Frap Audio Dynamics 2806

01:34:02

8. Sam Sakr: Textures, Music Production, and Sold Motorcycles

01:34:02

8. Sam Sakr: Textures, Music Production, and Sold Motorcycles

10:54

Super expo shapes and double quadrature with FALISTRI!

06:29

Distorting and sidechaining a 808 bass line // In the studio with the Frap Audio Dynamics 2806

01:26:34

Trevor Tunnacliffe: Early Music, Oceanography, and Modal Counterpoint

01:26:34

7. Trevor Tunnacliffe: Early Music, Oceanography, and Modal Counterpoint

07:09

Filters and beyond: a few less-conventional uses for the CUNSA modular filter

09:35

Let's record and compress a bass line with the Frap Audio Dynamics 2806

09:43

How to get a "liquid filter" sound on the Frap Tools Cunsa

06:45

The power of stepped random voltages: create infinite textures with just thee modules

06:12

Compressing Acoustic Guitars // In the studio with the Frap Audio Dynamics 2806

01:33:44

Tim Davies – Jazz, House, and Arpeggios

01:33:44

6. Tim Davies – Jazz, House, and Arpeggios

01:29

Compressing Rock Vocals // In the studio with the Frap Audio Dynamics 2806

14:11

The many faces of a quadruple VCA: some daily patch examples with the Frap Tools 411

06:10

Compressing a Kick Drum // In the studio with the Frap Audio Dynamics 2806

22:43

From Plato to Eurodance – The Western idea of rhythm and its impact on the Usta sequencer

04:57

Bagài and 411: Two new Frap Tools modules!

01:53:00

Isabella Forciniti – Interaction, Free Will, and Awareness

01:53:00

5. Isabella Forciniti – Interaction, Free Will, and Awareness

10:55

New Frap Tools CGM Insert – Stereo insert for the CGM Eurorack mixer series | Overview and tutorial

03:30

Frap Audio Dynamics 2806 / 500-series VCA Mono Expander and Compressor

26:18

Frap Tools CUNSA in-depth tutorial | Eurorack quadruple multimode analog filter module

01:24:44

Lukas Hermann – Community Building, Literature, and Glitch Sounds

01:24:47

4. Lukas Hermann – Community Building, Literature, and Glitch Sounds

10:23

CUNSA v/s FUMANA: The same patch on two different filters!

08:49

Subharmonic formant arpeggios patch breakdown: a classic Falistri patch!

12:55

Memes aside, let’s make Sandstorm by Darude on our Frap Tools system

01:19:38

Baséput – Sequencers, Kalimantan Death Rituals, and The Beatles

01:19:38

3. Baséput – Sequencers, Kalimantan Death Rituals, and The Beatles

11:17

Four tips to use CUNSA as a sound source (including ringing and additive synthesis)

16:09

‘Glass sounds‘ analog through-zero FM patch breakdown with Brenso and Cunsa!

21:18

Let's recreate the drums of Oxygene pt. 4 by Jean Michel Jarre on a Frap Tools modular synth!

01:07:07

Trevor Treglia – Drones, Poetry, and Just Intonation

01:07:07

2. Trevor Treglia – Drones, Poetry, and Just Intonation

07:48

Cutoff FM for talking filters (a cool technique for modular synthesizers)

04:01

A random day at Frap Tools (with a censored prototype and a heavy lunch)

17:13

Let's make a modular synth patch in the style of Ryoji Ikeda

11:51

Antonio's hidden random clock trick for SAPÈL!

17:05

Six interesting timbres with one FALISTRI (a patch-saving hack)

17:48

At last: the Krell Patch on a Frap Tools modular system!

11:37

How to make vowel-like formant filtering with the CUNSA

13:18

Audio, modulation, or both? Let's make a sample-and-hold feedback patch à la Rob Hordijk.

50:01

Francesco Gennari – Counterpoint, Modular Synthesizers, and Broken Knees | Let's Talk Music

08:04

Let's use CUNSA as a formant filter (but not the one you expect)

50:00

1. Francesco Gennari – Counterpoint, Modular Synthesizers, and Broken Knees

16:26

Let's make a synth brass sound with our CUNSA filter in the style of Steve Porcaro

16:26

The bass sound of Pet Shop Boy's West End Girls on a Frap setup is a tough challenge (but we did it)

11:10

A patch inspired by sympathetic strings with FUMANA

14:34

The legend of BRENSO’s pulse-width modulation

08:56

Bird-like sequences with bizarre clocks thanks to USTA and FALISTRI

10:13

Programming sequences with Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns

13:33

Understanding CUNSA's gain staging: VCA, character, Q, mixer

11:30

What are modes and why they're all over the USTA sequencer

13:03

Recreating Prodigy's "Smack My Bitch Up" lead sounds with a Frap Tools system.