01:38:53
Domitor 2022: Copy/Rights. Introduction and Panel 1: Early Copyright in an International Context
01:03:42
Domitor 2022: Copy/Rights and Early Cinema. Panel 2: Preservation and Identification
01:18:30
Domitor 2022: Copy/Rights and Early Cinema. Panel 3: Pre-cinematic/Intermedial Copyright
01:37:48
Domitor 2022: Copy/Rights. Panel 4: Rights-Copies-Rights: Post-Colonial Case Studies in Early Cinema
01:39:32
Domitor 2022:Copy/Rights and Early Cinema. Panel 5: Privation and Piracy
01:33:47
Domitor 2022: Copy/Rights and Early Cinema. Panel 6: Censorship and Regulation
33:22
Concluding Remarks and Farewell
52:39
Film Chemistry, Lab Technique, and Archival Traces_2
13:50
Welcome and Introduction / Bienvenue et introduction_2
44:18
Cameras, Projectors, and Trick Photography_2
45:52
Studio Labor and Organization_2
36:54
The Politics of Distribution and Exhibtion_2
49:44
The Professionalization of Filmmaking_2
44:46
Performers and Performance_2
42:49
Case Studies from the Media Ecology Project and Tribute to Paul Spehr_2
33:30
Concluding Remarks and Farewell_2
35:19
Early Latin American Cinema_2
36:02
Useful Animation in Early Cinema_2
33:30
In the Theatre_2
44:39
Performers and Performance
45:45
Studio Labor and Organization
33:22
In the Theatre
36:46
The Politics of Distribution and Exhibtion
35:11
Early Latin American Cinema
42:42
Case Studies from the Media Ecology Project and Tribute to Paul Spehr
35:55
Useful Animation in Early Cinema
44:11
Cameras, Projectors, and Trick Photography
52:32
Film Chemistry, Lab Technique, and Archival Traces
49:37
The Professionalization of Filmmaking
13:43
Welcome and Introduction / Bienvenue et introduction
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