09:42

I stole this trick from VFX artists

22:59

How to create studio-grade looks and LUTs in Resolve

58:42

An Interview with Jill Bogdanowicz

01:26:03

An Interview with Maxine Gervais

01:25:47

An Interview with Andrea Chlebak

01:01:49

Interview w/ Avatar the Last Airbender colorist Siggy Ferstl (NAB 2024)

07:51

Pro Colorist Explains: CSTs vs Resolve Color Management

01:08:26

An interview w/ Corinne Bogdanowicz

01:13:19

Cinematography Masterclass: Mastering Exposure

16:26

When you should color grade in log vs. linear | DaVinci Resolve

19:28

Pro Colorist Reviews Resolve's New Film Look Creator | Resolve 19 Beta

10:16

How to make your own Alexa LUT pt. 2

11:06

How to color manage RAW footage using nodes in DaVinci Resolve

01:03:06

An interview w/ Siggy Ferstl

14:32

How a pro colorist handles crushed blacks

18:19

Why grading Phantom footage sucks in Resolve

14:23

How to adapt any LUT for the Alexa 35

01:10:38

An interview w/ Joseph Slomka

20:14

My New Year Approach to Color Grading

12:08

How to Shoot Your Film For The Grade (Or commercial)

08:41

Using Voyager LUT pack in ACES for DaVinci Resolve

13:06

Stop Making This Davinci Resolve Mistake

13:45

Easy Resolve Color Grading with Blended Adjustments

07:56

Pro Colorist Desk Setup 2023

22:42

How to Color Manage using Nodes in DaVinci Resolve

09:28

The definition of three types Linear

02:57

003 - Jill Bogdanowicz - How do you push the boundary of color grading

02:08

003 - Jill Bogdanowicz How I build LUTs

11:48

Defining and using color space aware tools

12:25

Cheat Code for Setting up Color Management in Resolve

17:46

Turn your Apple monitor into a color accurate display in DaVinci Resolve

16:35

How To Use Saturation in DaVinci

02:49

How Maxine Gervais Works with a Color Scientist

05:13

Maxine Gervais shares her process on The Book of Eli

10:35

4 Sure Fire Methods for Applying a "Look"

12:19

Fix these Top 5 Color Management Mistakes

13:53

Advanced saturation tools in DaVinci Resolve

12:41

5 pro colorist tips for navigating every grade like you know what you're doing

16:43

Secret tip for getting the best film emulation in DaVinci Resolve

15:27

Understanding the DaVinci Resolve Pipeline

13:07

Increase Your Impact in Resolve: Color Separation

14:38

Do colorists need to know color science?

10:45

Build Your Resolve Toolkit for Perfect Contrast

09:46

Build Your Resolve Toolkit for Proper Exposure

08:01

The Truth About LUTs

12:49

Properly Grade w/ Color Charts

08:55

The #1 color grading tool that's not a knob in DaVinci Resolve

11:15

What is a macro look?

07:57

What Is A Color Space?

12:32

What everyone gets wrong about Exposing To The Right

10:45

Pro Colorist Explains Gamma

15:06

No LUT Film Emulation

17:16

Pro Colorist Explains Clipping

22:50

Pro colorist gets you started in DaVinci Resolve

07:00

Spatial VS. Non-spatial tools in DaVinci Resolve

14:24

What is a qualifier?

08:44

The DaVinci Resolve 18.5 update to put into your workflow right away

06:17

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11:25

Make Your Grades Pop pt. 2

12:29

How to Grade Blackmagic Camera Footage