27:31

Hollywood's grading "secret" was painfully obvious

35:43

Why every colorist should have the "2499" DCTL

17:48

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26:54

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25:14

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17:56

How to make ProRes RAW work in DaVinci Resolve (for pro work)

19:43

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25:19

The best (and worst) saturation tools & techniques in Resolve

32:57

Is your node tree making your grading worse?

39:53

36 Project Settings for Pro Color Grading in Resolve

44:57

The "master painter" technique for better color grades

26:55

The 4 things even pro colorists get wrong

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An Interview w/ Billy Hobson

12:01

The saturation tool you should never use again (and what to use instead)

58:42

Joker Colorist — In-depth interview

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Pro Colorist Explains: Hue vs Hue Curves in Resolve

25:47

Pro Colorist Explains: All 7 Curve Tools in Resolve

17:54

Why using temp & tint is terrible (even in HDR & Camera RAW)

10:10

The easy mistake that will ruin your high saturations

21:03

How to use ColorSlice like a pro (& when to NEVER use it)

12:55

Why your LUTs aren't making your images look better

12:30

3 LUT myths + Why do Hollywood LUTs work better?

09:42

I stole this trick from VFX artists

22:59

How to create studio-grade looks and LUTs in Resolve

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An Interview with Maxine Gervais

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An Interview with Andrea Chlebak

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Interview w/ Avatar the Last Airbender colorist Siggy Ferstl (NAB 2024)

07:51

Pro Colorist Explains: CSTs vs Resolve Color Management

01:08:26

An interview w/ Corinne Bogdanowicz

01:13:19

Cinematography Masterclass: Mastering Exposure

16:26

When you should color grade in log vs. linear | DaVinci Resolve

19:28

Pro Colorist Reviews Resolve's New Film Look Creator | Resolve 19 Beta

10:16

How to make your own Alexa LUT pt. 2

11:06

How to color manage RAW footage using nodes in DaVinci Resolve

01:03:06

An interview w/ Siggy Ferstl

14:32

How a pro colorist handles crushed blacks

18:19

Why grading Phantom footage sucks in Resolve

14:23

How to adapt any LUT for the Alexa 35

01:10:38

An interview w/ Joseph Slomka

20:14

My New Year Approach to Color Grading

12:08

How to Shoot Your Film For The Grade (Or commercial)

08:41

Using Voyager LUT pack in ACES for DaVinci Resolve

13:06

Stop Making This Davinci Resolve Mistake

13:45

Easy Resolve Color Grading with Blended Adjustments

07:56

Pro Colorist Desk Setup 2023

22:42

How to Color Manage using Nodes in DaVinci Resolve

09:28

The definition of three types Linear

02:57

003 - Jill Bogdanowicz - How do you push the boundary of color grading

02:08

003 - Jill Bogdanowicz How I build LUTs

11:48

Defining and using color space aware tools

12:25

Cheat Code for Setting up Color Management in Resolve

17:46

Turn your Apple monitor into a color accurate display in DaVinci Resolve

16:35

How To Use Saturation in DaVinci

02:49

How Maxine Gervais Works with a Color Scientist

05:13

Maxine Gervais shares her process on The Book of Eli

10:35

4 Sure Fire Methods for Applying a "Look"

12:19

Fix these Top 5 Color Management Mistakes

13:53

Advanced saturation tools in DaVinci Resolve

12:41

5 pro colorist tips for navigating every grade like you know what you're doing

16:43

Secret tip for getting the best film emulation in DaVinci Resolve