Raye Zaragoza’s Hold That Spirit is an album rooted in this realization. The LA-based singer-songwriter has always made political folk music that is informed by her identity as a woman of mixed Indigenous, Asian and Latina heritage. She gained recognition in 2016 with “In The River,” which was written to protest the Dakota Access Pipeline. When she performed a Tiny Desk Concert at NPR, she spoke and sang about making live music more economically accessible. As she approached 30 last year, Zaragoza started thinking specifically about the expectations placed on women as they age: what they should have achieved in their careers, the nuclear families they are expected to pursue and nurture, the way that beauty standards and ageism collude to make it more and more difficult to be seen. 29 was also the year Zaragoza got engaged and, soon after, ended her relationship. After the engagement ended, she used what would have been her wedding budget to fund part of the production of her new album