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Harman Phoenix 200: First Impressions

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Two Weeks with the Leica M6

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How to Light Fashion Shoots with Alex Massek & Nanlite

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Film Photography: Making Prints in the Darkroom

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How I Turned Photography into my Career

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What Happens Inside a Film Lab? | Film Processing & Lab Tour

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10 Portrait & Fashion Photographers You Should Know

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Photographing a Festival: What to Pack

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Creating a Career from Personal Passion Projects | Wesley Verhoeve in the Window Seat

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How to Shoot Press Photos for Musicians

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My First Time Printing Film in the Darkroom

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How to Shoot Film for Beginners | Medium Format & 35mm

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How to Light Fashion Editorials with Holly McCandless-Desmond | Continuous Lighting Set-Ups

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30 Hours in Milan | Fuji GA645, Kodak Gold 200 & Portra 400

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Studio Portraits with the Nanlite Forza 60C | Mamiya RZ67 & Sony A7IV

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1-2 Light Set-Up: Studio Beauty Photography on Film & Sony A7IV

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Night Portraits on Cinestill 800T, Cinestill 400D & Sony A7IV | Plus Sirui Bendable Lights Review

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Wide Angle Environmental Portraits | Sekor 50mm lens with Mamiya RZ67

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Shooting Cinestill 400D in the Studio | Mamiya RZ67 Pro II

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Snowy Landscape Photography on Film (Mamiya RZ67 Pro II)

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Portraits on Kodak Gold 200 & Fujifilm Pro 400H | Mamiya RZ67 Pro II

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I Tested the NEW Ilford Film Stocks in Medium Format | Kentmere 100 & 400 in 120

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Cinestill 400D on Medium Format: First Impressions

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I Photographed a Campaign for Snoop Dogg’s Brand

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Film Photography in the Studio | Mamiya RZ67 Pro II Portraits

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Mamiya RB67 vs Mamiya RZ67: Battle of the Mamiya 6x7 Cameras

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Medium Format Film Photography on the Streets of Paris | A Photographer's Guide to Paris

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Brussels on the Fuji GA645 | A Photographer’s Guide to Brussels, Belgium

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A Guide to Photographing Fashion Lookbooks | REAL LIFE CASE STUDY

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Can You Digitally Emulate Film Photography? | HONEST Review of the Dehancer Plugin

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Which Colour Film is the Best? | Kodak Portra 400, Fuji Pro 400H, Lomography Colour Negative 400