15:02

7 Turning Straight Anchor Points into Curves in VECTR com

15:02

6 Setting Up Your Refined Sketch in VECTR COM

15:02

5 Using Photopea to Make Final Tweeks to Your Refined Sketch

15:02

4 Using Photopea to Fill In and Create Your Refined Sketch on a New Layer

15:02

3 More about How to Approach and Post Your Proving Ground #2 Thumbnail Sketches

11:14

7 Refining Shapes and Making Duplicate Paths in Adobe Illustrator

15:02

6 Setting Up Your Refined Sketch in Adobe Illustrator

15:03

5 Posting Your Refined Sketch Before Making Your Vector

15:01

4 How to Start Your Refined Logo Sketch

15:02

3 How to Think About your Thumbnail Sketches in Three Approaches

11:39

2 Sketching for Logo Design

15:02

1 Vectors verses Pixel Based Graphics

10:00

14 Final Refinements before Submitting to Canvas

15:02

13 Creating Your Refined Storyboard in Photopea

15:02

12 Using EZGifMaker to set individual timing on animation frames

02:46

2 Intro to Proving Ground #2 and Sketching in Three Ways for Your Vector Design

15:02

1 Vector Graphics Verses Pixel Based Graphics

09:00

13 Finishing Your Refined Storuboard and Posting to Canvas

15:02

12 Outputting as a An Animated GIF from Photoshop and Setting Up your Refined Storyboard

15:02

11 Animating on the STAGE for more transformation effects using Layer Styles

15:02

11 Exporting Your Final Frames as Numbered JPEGS

15:02

10 Getting to the End of Your Keyframes

15:02

9 More Tranformations Animation Tricks in Photopea

15:02

8 More Frame By Frame Animating for Transformation in Photopea

15:02

7 Animating Towards your Center Keyframe

15:02

6 PHOTOPEA ANIMATION WORKFLOW Moving Asset Frames to STAGE

15:02

10 How to Export as A Gif Animation Out of Photoshop

15:02

9 Animating a Set to Reset for Smooth Looping of Your Gif in Photoshop

15:02

8 Finishing the Animation of Keyframes in Photoshop

15:02

7 ANIMATION WORKFLOW in Photoshop Moving Asset Frames to Stage

15:02

6 Return to Animating From Assets to Stage

15:02

5 Creating More Assets as Efficiently As Possible

15:02

4 Adding and Creating More Assets to Animate With

15:02

3 Cleaning and Merging Your Existing Assets to Create Frames

15:02

2 Setting Up Your Assets File in Photopea from a Duplicate of a Previous Project

15:02

5 Building Frames Up to the Second Animation Test

15:02

4 MOVING finished Frames from the Assets to the STAGE and running an animation test with Timeline i

15:02

3 Cleaning Up Your Assets and Adding New Ones to Tell Your Story

15:02

2 Setting Up Your Animation Folders and Assets at the Correct Resolution

15:02

1 Intro to Animating in 9 Keyframes

07:53

7 Writing a Short Narrative to Connect your Creature with its Environment

15:02

6 How to Note and Post your Proving Ground's Physical Dimensions Resolutions AND Resoltuion Typ

12:55

1 Intro and Sketching for Transformative Animation Assignment

15:02

8 Finishing Up All Rubric Requirements in Canvas

15:02

7 Labeling Your Proving Ground;s Physical Size Its Resolution PPI AND its Resolution Type eithe

03:13

5 How to Submit your Creaturescape and Your Proof of Using at least one Non Destructive Overlay Lay

15:02

4 Using a Non Destructive Overlay Layer to Dodge and Burn the Setting Behind Your Creature and Text

15:02

3 Using Non Destructive Editing Layer on The Creature to Match Lighting Direction

15:02

2 Using Puppet Warp to Match your Creature's Anatomy and Angle Match the Setting

15:02

1 Introduction to Proving Ground #1 Creaturescape Composite with Benefits

13:16

6 Posting Your Creaturescape AND the Required Proof of your Non Destructive Dodge Burn Overlay Laye

15:02

5 Using Texture Fills to Create Atmosphere

15:02

4 Using Non Destructive Overlay Layers for Dodging and Burning

15:02

3 Using Puppet Warp to Match the Creature's Angle of Anatomy to the Setting

15:02

2 Full Unit Module Introduction to Proving Ground #1

11:48

10 Finshing Up with Dodge Burn and Sponge

15:02

9 Trimming The Outside Edges on a Merged Layer Copy

15:02

8 Using the Clone Stamp Tool to Fill In Compositing Gaps in Photopea Freeware

15:02

6 Using Direct Layer Adjustments to Helps Layers Match Before Blending them Together in Photopea Fr

15:01

7 Blending the Head Onto the Body