01:39

ORWO NC400 Initial Test

03:11

Faded/Damaged 16mm print restoration

03:27

Post Stabilizing Samples DaVinci Resolve

14:40

Denver and Rio Grande 476 to Silverton 4k Kodak 16mm

04:09

Making of Durango and Silverton 476 Films

04:22

ORWO NC500 E6 Reversal Processing Test

03:57

ORWO ISO RANGE

09:50

ORWO NC500 VS Kodak 7219 500T

02:36

ORWO NC500 Initial Test

02:55

Analog Year in Review 2022 (super 8 and 16mm)

02:14

Aaton Magazine Cover Boots

02:11

Super 8 Summer Sunset (Beaulieu 6008 Kodak 50D)

08:45

DeVry 35mm Film Projector -The Workbench- E23

08:38

Aaton/Arri 16mm Lightweight Build -The Workbench- E22

16:07

Buying your first camera -The Workbench- E21

16:50

Arriflex 535B History and Loading -The Workbench- E20

14:48

Tye's Super 8 History -The Workbench- E19

05:38

Sync Sound test Super 8 vs 16mm -The Workbench- E18

16:11

Ektachrome 100D S8 vs 16mm test -The Workbench- E17

13:33

The GIANTS in the Hills - Durango Silverton Cumbres Toltec Narrow gauge railroading 16mm film

01:54

Darker Skin Camera Test (Aaton S16mm 7203 50D)

17:02

Breaking Down your Script - The Workbench - Episode 16

00:36

Low Cost Film Scanning Services 8mm, Super 8mm, 16mm, Super 16mm, negative, print, damaged, warped.

15:58

AATON XTR Prod 16mm vs 35III 35mm camera - The Workbench - Episode 14

19:23

16mm vs 35mm - The Workbench - Episode 15

01:13

Wolverine vs Film Fabriek 8mm

14:42

Super 8 sound is alive! - The Workbench- Episode 13

15:06

Super 8 vs 16mm - The Workbench- Episode 12

13:47

Film Camera Video Taps - The Workbench- Episode 11

30:59

8mm vs Super 8mm - The Workbench- Episode 10

04:33

FilmFabriek HDS+ Scanner Test

07:19

Efficient Slating on film -The Workbench- Episode 9

25:33

Bolex EBM Walkthrough -The Workbench- Episode 8

22:26

Motion Picture Film Formats -The Workbench- Episode 7

12:23

Moviecam Super America -The Workbench- Episode 6

07:39

Buying NEW film from Kodak -The Workbench- Episode 5B

16:21

Buying OLD Film -The Workbench- Episode 5

27:48

Aaton XTR Prod -The Workbench- Episode 4

32:04

Film Handling -The Workbench - Episode 3

15:36

Aaton 35III Cleaning -The Workbench - Episode 2B

18:29

Aaton 35III -The Workbench- Episode 2

10:31

Channel Introduction -The Workbench- Episode 1

01:03

Cinema Repository Channel Intro

04:57

Behind the Scenes shooting "Love, Frog" short film on 35mm

06:16

Voices of Anthro Northwest (Aaton - Super 16mm - 7219)

09:38

Skinner Myers : On Film (Aaton - 35mm - Super 16 - 7207)

06:54

A Tub with a View (Aaton - Super 16mm - 7207)

26:57

The Perfect Moment (Arriflex SR - 16mm - 7279 - Black and White Reversal)

00:16

Arri 535A running

03:32

LACHSA Students Shoot on 16mm (Aaton Bolex 16mm Kodak)

03:16

Fuji 8522 64D Super 16mm Film test

02:43

Cintel II Scanner HDR 35mm test footage

06:35

16mm vs 35mm 7219 & 5219 500T Expired Stock

02:04

Why Film? (Aaton 35mm 3 perf Kodak 5219)

01:20

Harrison Changing Tent Explanation

00:21

Panavision Gold II 3 perf slow mo

00:18

Panavision 70mm Test Footage

00:12

Krasnogorsk 16mm Film Camera running

00:06

Kodak Model B 16mm Home Movie Camera Running

01:17

It's a Mad Mad Mad World 70mm Screening