04:25

Applied Harmony - Conclusion

03:34

Applied Harmony - Chapter 17: Linear Chromatic Chords (Part II)

05:18

Applied Harmony - Chapter 17: Linear Chromatic Chords (Part I)

03:54

Applied Harmony - Chapter 16: Chromatic Modulation (Part II)

04:49

Applied Harmony - Chapter 16: Chromatic Modulation (Part III)

02:33

Applied Harmony - Chapter 16: Chromatic Modulation (Part I)

04:28

Applied Harmony - Chapter 15: Augmented Sixth Chords

05:28

Applied Harmony - Chapter 14: Neapolitan (Part II)

03:04

Applied Harmony - Chapter 14: Neapolitan (Part I)

04:07

Applied Harmony - Chapter 13: Diatonic Modulation (Part IV)

01:49

Applied Harmony - Chapter 13: Diatonic Modulation (Part V)

02:54

Applied Harmony - Chapter 13: Diatonic Modulation (Part III)

02:51

Applied Harmony - Chapter 13: Diatonic Modulation (Part II)

03:45

Applied Harmony - Chapter 13: Diatonic Modulation (Part I)

04:52

Applied Harmony - Chapter 12: Modal Mixture

02:45

Applied Harmony - Chapter 11: Secondary Dominants (Part II)

04:19

Applied Harmony - Chapter 11: Secondary Dominants (Part I)

03:49

Applied Harmony - Chapter 10: Diatonic Sequences (Part II)

03:17

Applied Harmony - Chapter 10: Diatonic Sequences (Part I)

05:01

Applied Harmony - Chapter 9: Seventh Chords (Part III)

05:38

Applied Harmony - Chapter 9: Seventh Chords (Part II)

03:45

Applied Harmony - Chapter 9: Seventh Chords (Part I)

05:28

16. Sentence Form

03:19

15. Period Form

03:57

13. Embellishing Tones

03:05

14. Formal Functions

02:32

12. Passing 6/4 Chords

04:43

11. Tonic Prolongations

01:55

10. Inverted Dominant Sevenths

02:47

8. Root-Position Dominant Sevenths

03:28

7. Cadence

03:22

9. Cadential 6/4

03:42

5. Voice Leading & Two Part Counterpoint

03:22

6. Voice Leading and Tendency Tones

03:46

4. Voice Leading and Human Perception

04:17

3. Melodic Organization

03:50

2. Melodic Character

03:38

1. Pattern Recognition

02:59

Applied Harmony - Chapter 8: Embellishing Tones (Part II)

03:55

Applied Harmony - Chapter 8: Embellishing Tones (Part I)

02:16

26) Twelve Tone Techniques

00:42

25) Prime Form

01:23

24) Normal Form

01:42

23) Interval Class Vectors

01:46

22) Integer Notation

02:36

21) Small Ternary Form

02:21

20) Augmented Sixth Chords

02:05

19) Neapolitan

03:04

18) Pivot Chord Modulation

02:36

17) Sequences

02:48

16) Voice Leading in Secondary Dominants

03:20

15) Secondary Dominants

05:29

14) Sentence Form

03:11

1) Harmonic Function

03:20

13) Period Form

07:03

12) Composing Out and Analysis

08:44

11) Composing Out with Simple Textures

03:58

9) Embellishing Tones

03:23

8) Cadential 6/4

03:29

7) Cadence