11:34

Silva Bumpa on his go-to studio techniques and tools: "I spend all my money on instrument VSTs"

12:59

"It's outrageous the stuff that we used to do just to get sounds": Disciples interview

26:12

Everybody needs a 101... and Donner's L1 is a decent, affordable version

17:53

Flava D makes a liquid DnB beat from scratch – In The Studio

37:57

Silva Bumpa breaks down Feel Da Same: "I wanted a piano hook with a very euphoric energy"

09:55

Sound design in Ableton Live: 6 ways to bring your tracks to life with Auto Filter

08:13

Why Audiomodern Filterstep is a fantastic free plugin... and how to use it

35:41

Disciples break down the making of Starlight: "The whole point of studio sessions is to experiment"

34:37

Pigments 6 vs Serum 2 – software synths head-to-head: What's new? Which is best for your workflow?

14:52

"I had my 15 minutes, which I hated": Riva Starr on his career, studio and mixing with analogue gear

24:00

Break out of the loop: 8 pro producers explain how to turn basic ideas into finished tracks

22:11

"The value of music has dropped considerably": Joe Armon-Jones on All The Quiet's musical apocalypse

09:30

Why Odin 2 is a fantastic free synth... and how to use it

14:19

Breaka talks production tips and making his album Aeoui: "You can't write dance tracks in C# minor"

14:04

“I've many different ways of working; every piece of gear has a character" Nadia Struiwigh interview

27:38

It’s great… but is it worth two Bass Stations?: Moog Messenger review

08:49

Lawrence Hart studio tour: Go-to synths, modular FX and putting together a live rig

35:05

Erica Synths Steampipe review: Is physical modelling sexy now?

15:00

Nadia Struiwigh builds a beat on the Korg Electribe EMX-1 – In the studio

08:56

Why TDR Nova is a fantastic free plugin... and how to use it

21:07

Fraser T Smith studio tour: the gear behind Adele, Kano, Kae Tempest, Dave, Snow Patrol and more

37:15

"It doesn't immediately scream party banger": Breaka flipping a choir sample and making Are We There

06:04

"We wanted to design an instrument that was approachable for everyone": Moog Messenger synth demo

36:58

The 12 best new synths, drum machines, FX and innovations of Superbooth 25: round table + demos

06:20

Ever wondered if you need a subwoofer and which one to buy? Kali Audio has the perfect options

19:53

"I want modernity and history; to feel timeless but futuristic": Djrum on Under Tangled Silence

26:25

“You have to be a Swiss Army Knife": Fraser T Smith on working w/ Kae Tempest, Adele & Future Utopia

16:18

PreSonus’s Quantum HD interfaces can be the heart of a powerful, convenient recording setup

14:29

10 more things producers can learn from our In The Studio With... series

12:06

Why the Full Bucket FB-3300 is a fantastic free synth – and how to use it

32:46

Lawrence Hart [Domino Records] builds a track from scratch – In The Studio

16:19

"If everything's patched and organised, you end up repeating yourself": Riva Starr studio essentials

07:22

"I'm not as brave as Lee 'Scratch' Perry": Joe Armon-Jones on the go-to gear behind All The Quiet

17:58

"Gatekeeper mentality made me bitter towards dance music": Dr Dubplate on club culture and ec2a

16:34

“I know how to make a banger through trial & error”: Eats Everything on DJing & producing his new LP

14:00

It's time to finally ditch those cables, SonicLink from AlphaTheta is here

25:41

Ranked: Moog semi-modular showdown – The 'Mother' range from worst-to-best + our favourite pairings

15:27

Nitin Sawhney and Polygon Live in the studio: Creating a 360 degree immersive live show

09:54

Djrum on creativity “I'm starting sessions and not finishing them, I don't see that as unproductive”

38:59

Eats Everything breaks down his track We Lost Ourselves and Found a Family – In The Studio

25:12

Elektron Digitone II review: Is it worth the upgrade from version 1?

21:45

In the studio w/ Joe Armon-Jones (Ezra Collective): Dub mixing in Aquarii Studios

48:54

Djrum in the studio: Making Frekm Pt.2

11:12

Why Pendulate is a fantastic free synth – and how to use it

04:16

Giles Martin demystifies the 'AI' behind The Beatles' Now and Then: “AI isn't creating John's voice"

05:37

Adam F on making Kaos and moving from DnB to hip-hop

22:49

Adam F on how he made ‘90s classic Colours… and why he’s re-recording it for 2025 - In the studio

14:48

There’s a lot we love about Korg’s DIY synth… but it has one big problem: Nu:Tekt NTS-1 mkII review

10:04

Dr Dubplate's top 5 DJing tips and tricks

01:25:12

Making a DnB track from scratch with Wilkinson (2018) – FROM THE ARCHIVE

09:05

Is this acoustic-MIDI hybrid the future of classical instruments? Digitaize at NAMM 2025

10:35

“I just had to respect the sound”: Idania Valencia on mastering Charli XCX, go-to plugins and AI

27:47

The best of NAMM 2025: The biggest music tech stories – New synths, controllers, studio gear & more

09:37

Donner's L1 is a budget analogue synth that builds on the legacy of the SH-101

07:28

Stylophone’s CPM DF-8 is a ‘beauty and the beast’ filter that can purr or squeal

03:57

Behringer's Wave is a PPG Wave clone that's been four years in the making

09:22

Could Melbourne Instruments' ROTO Control revolutionise software and hardware control?

04:27

Korg reaches back to 1973 with its reissued MiniKorg 700Sm at NAMM 2025

05:10

"An all-in-one gig rig": Roland introduces the V-Stage at NAMM 2025

06:03

"More than just an audio interface": Bitwig launches its first hardware product at NAMM 2025