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Stan Winston School @UC1rKAv7IwCeynqa9MPNfYaA@youtube.com

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IMAGINE. LEARN. CREATE. Online Courses by Hollywood's Master

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How to Flock Miniature Trees on a Budget Learn Special & Practical Effects with Stan Winston School Peter Benchley’s Creature🦈| Behind the Scenes at Stan Winston Studio Paulie (1998) Behind the Scenes | Animatronic Parrot Test at SWS Pumpkin Carving Trick 🎃 | How to Color-Match Add-On Pumpkin Parts What is a Whip Pan Effect? | Behind The Scenes of Wrong Turn (2003) | How to Puppeteer a Sock Creating Morlocks for The Time Machine (2002) - Behind the Scenes at SWS How to Make Hand Puppets: Eyebrow Mechanism A Gnome Named Gnorm Compilation | Testing Gnorm Puppet at SWS Testing Inspector Gadget's gadgets: Behind the Scenes at Stan Winston Studio - Compilation Testing Spinosaurus animatronics on the set of Jurassic Park III Testing the adult Stegosaurus' animatronic head for The Lost World: Jurassic Park (1997) Assembling, testing, and fine-tuning baby Stegosaurus for The Lost World: Jurassic Park Fine detailing the computer-milled foam Spinosaur for Jurassic Park 3 at Stan Winston Studio. Testing Baby T-Rex Animatronics for The Lost World: Jurassic Park (1997) Painting baby T-rexes at Stan Winston Studio for The Lost World: Jurassic Park Carnotaurus sculpture by Paul Lewis, based on our How to Sculpt a Dinosaur course series Testing Cycler setting, and what happens in the servo when the eyes go further than necessary How to achieve the exploding head effect on a budget? | Trailer | How to avoid an animatronic eye from being bug-eyed? Why does the eyelid go up & down with the eyes? How to Use a Servo Tester and Manual Setting to Check Eye Movement How and where to drill a hole into the eye for the eye-mechanism installation Introduction to Hair Knotting: Simple Method to Moisture Hair Before Knitting into Lace Introduction to Hair Knotting: How to Knit Hair into Lace How to achieve seamless transition between prosthetic and skin Draping a Puppet: Pick a fabric color that matches the feather color Adjusting the position of the chin on the clay head sculpture #shorts Draping a Puppet: Spandex Types and Which One to Choose #shorts Alien Nation (1988) Behind the Scenes: Prosthetic Makeup Application and Testing #shorts Behind the Scenes of Alien Nation (1988) #shorts Alien Nation (1988): Finishing touches of William Harcourt's prosthetic makeup #shorts How to Sculpt a Dinosaur: Wax Tool Types and How to Use Them Painting translucent silicone pods for War of the Worlds (2005) Testing pods containing growing alien embryos for War of the Worlds Sculpting red weed for Rachel's character | War of the Worlds 2005 Behind the Scenes | How to Sculpt a Dinosaur: The Smallest Sculpting Tool for Detailing Skin Working on an Alien Tripod for War of the Worlds 2005 - Behind the Scenes at SWS A short tour at SWS while working on the alien pods and red weed for War of the Worlds 2005 Painting the Tripod's "Mouth" for War of the Worlds (2005) #shorts Painting Prosthetics with Createx Colors How Science Can Help Create More Inclusive Makeup Products #STEAMstar Hyperflesh visited the SWSCA Booth again at Monsterpalooza 2024 Behind the Effects Used for the T-850’s Deterioration in Terminator 3: Rise of the Machines Painting the TX Terminatrix head for Terminator 3: Rise of the Machines Terminator Makeup FX Part 2: Prep, Apply & Paint with Steve LaPorte TRAILER Geoffrey, the animatronic giraffe that Stan Winston Studio made for a Toys R Us commercial. Terminator Makeup FX Part 1: Cast, Rig & Prepaint PREVIEW
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