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19:41
Is the ProArt PA32UCR the Best Budget HDR Monitor? - Video Tech Explained
18:20
Slit Scan: Recreating an Analog Effect in Modern Software
23:30
Premiere's HDR Workflow is Broken - Video Tech Explained
24:35
Shutter, Aperture, and ISO - Video Tech Explained
15:06
Why Some Films Can Never Be Remastered - Video Tech Explained
16:24
Color Spaces: Explained from the Ground Up - Video Tech Explained
23:12
How to Work in HDR Everywhere (Blender, After Effects, Resolve) - Video Tech Explained
19:32
True HDR Monitoring on a Budget - Video Tech Explained
17:27
Bit Depth: Where Filmmaking Meets Computer Science - Video Tech Explained
23:26
DCPs: How Movies are Formatted for the Theater - Video Tech Explained
20:00
Frame Rate - Video Tech Explained
14:38
What is Dynamic Range? - Video Tech Explained
22:14
What is Color Management? - Video Tech Explained
09:00
Cameras Can't Actually See Color - Video Tech Explained
07:48
What Resolution Are Movies Produced At? - Video Tech Explained
07:15
Why Sensor Size Affects Depth of Field - Video Tech Explained
09:25
HDR Display Formats & Metadata - Video Tech Explained
09:38
How to Correct Log Footage Correctly - Video Tech Explained
07:31
Exposing to the Right - Video Tech Explained
14:21
How To Make HDR Content Without An HDR Monitor - Video Tech Explained
19:18
What is HDR Video? (HDR version) - Video Tech Explained
08:15
What is RAW? - Video Tech Explained
19:18
What is HDR Video? (SDR Version) - Video Tech Explained
05:51
Why Adding More Megapixels Sometimes Makes Your Image Worse - Video Tech Explained
08:39
What are codecs? - Video Tech Explained
06:29
What are Color Spaces? - Video Tech Explained
08:38
What is Gamma Correction? - Video Tech Explained