https://www.thewrap.com/feminist-horror-movies-to-watch/
From "Jennifer's Body" to "Carrie" and beyond. If you've seen any horror movie, it's no secret some of our favorite classics fall into sexist tropes, most often with the final girl

https://www.vox.com/culture/2018/10/31/18037996/jennifers-body-flop-cult-classic-feminist-horror
Jennifer's Body is good now. More precisely, Jennifer's Body was always good, and everyone is just now starting to get on its level. Jennifer's Body had the misfortune to premiere in 2009

https://en.wikipedia.org/wiki/A_Girl_Walks_Home_Alone_at_Night
A Girl Walks Home Alone at Night (Persian: دختری در شب تنها به خانه می‌رود Dokhtari dar šab tanhâ be xâne miravad) is a 2014 Persian-language American Western horror film written and directed by Ana Lily Amirpour.Promoted as "The first Iranian vampire Western", it stars Sheila Vand, Arash Marandi, Mozhan Marnò, Marshall Manesh, and Dominic Rains.

https://www.imdb.com/title/tt2326554/
A Girl Walks Home Alone at Night: Directed by Ana Lily Amirpour. With Sheila Vand, Arash Marandi, Marshall Manesh, Mozhan Navabi. In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.

https://www.yahoo.com/entertainment/13-feminist-horror-movies-watch-232048294.html
From "Jennifer's Body" to "Carrie" and beyond The post 13 Feminist Horror Movies to Watch This Halloween appeared first on TheWrap. ... "A Girl Walks Home Alone At Night" (2014)

https://www.vulture.com/article/movie-review-a-girl-walks-home-alone-at-night.html
I can't decide if Ana Lily Amirpour's A Girl Walks Home Alone at Night is the most original film of the year, or the most familiar. A glance at the concept — a black-and-white Iranian

https://wexarts.org/film-video/girl-walks-home-alone-night
Shot in Los Angeles in striking black and white and hovering between dreamlike fantasy and gritty noir, this horror drama—copresented with Ohio State student group Cinéseries —appeals to both lovers of genre films and those searching for something unlike anything they've ever seen. Fans of Jennifer's Body, screening at the Wex the night

https://variety.com/2014/film/markets-festivals/sundance-film-review-a-girl-walks-home-alone-at-night-1201069599/
"Middle Eastern feminist vampire romance" is likely to remain an underpopulated cinematic subgenre, but at least it now has a luminous standard-bearer in "A Girl Walks Home Alone at Night

https://www.taylorfrancis.com/chapters/mono/10.4324/9781003036654-6/vampires-feminism-ethnicity-barbara-creed
What are the features of a feminist vampire film? Ana Lily Amirpour's contemporary classic A Girl Walks Home Alone at Night (2014) is an exceptional film—moody, poetic, and strange. Its female vampire wears a chador and rides a skateboard. This chapter argues that Amirpour's film takes the vampire genre in a radical new and feminist

https://www.rogerebert.com/reviews/a-girl-walks-home-alone-at-night-2014
Similar to Jarmusch, music is extremely important to Amirpour (who has also worked as a DJ), and the music choices in "A Girl Walks Home Alone At Night" are intuitive and perfectly placed. There are a lot of catchy Iranian pop songs, and a couple of sequences are built explicitly around the song used as underscoring.

https://foreignpolicy.com/2021/10/30/iran-culture-horror-film-a-girl-walks-home-alone-at-night/
October 30, 2021, 6:00 AM. Ana Lily Amirpour's black-and-white vampire noir film A Girl Walks Home Alone at Night (2014) has garnered somewhat of a cult following. Set in the fictitious Iranian

https://www.metacritic.com/movie/a-girl-walks-home-alone-at-night/
Jun 15, 2017. A Girl Walks Home Alone at Night is beautifully shot, has a great score and is superbly acted making for the kind of film that art-house movie aficionados will likely love. Many viewers however, and I include myself in this, will find it to be too much style over substance at times at even at just 100 minutes running time it felt

https://www.tasteofcinema.com/2019/the-10-best-feminist-horror-movies-of-all-time/
A feminist re-imagining of the "vagina dentata" myth, Teeth is a 2007 horror comedy that was written and directed by Mitchell Lichtenstein. Dawn (Jess Weixler), a teen spokesperson for a Christian abstinence group, goes swimming with a boy she likes named Tobey (Hale Appleman), who attempts to assault her after she repeatedly throws off his

https://www.ign.com/movies/a-girl-walks-home-alone-at-night
Summary. Strange things are afoot in Bad City. The Iranian ghost town, home to prostitutes, junkies, pimps and other sordid souls, is a bastion of depravity and hopelessness where a lonely vampire

https://researchrepository.wvu.edu/ugscholarship/2/
Throughout the black and white spaghetti western, A Girl Walks Home Alone at Night, the narrative of an Iranian girl vampire using her powers to both torment and prey on men attracts the attention of the feminist movement. Director and writer Ana Lily Amirpour creates a hypnotic and isolating atmosphere through her unique style of cinematography. Through this technique, she creates a

https://academic.oup.com/liverpool-scholarship-online/book/44367
Abstract. A Girl Walks Home Alone at Night analyses the eponymous film within three theoretical coordinates: vampire cinema, psychoanalytic (film) theory and German Idealism. The book situates the film in the history of the vampire genre through the spectral vampire in early German expressionist cinema (Murnau's Nosferatu, 1922) and theorizes it as part of a transnational movement in Iranian

https://medium.com/@breavous/a-girl-walks-home-alone-at-night-is-the-feminist-horror-movie-of-our-dreams-literally-b9d589a1475f
The poster for the movie. A Girl Walks Home Alone At Night needs to be a feminist movie to exist as itself because it is, in its definitional and conceptual context, a movie about a female vampire

https://medium.com/incluvie/classic-horror-and-modern-femme-fatale-in-a-girl-walks-home-alone-at-night-8da9a4388bb3
A Girl Walks Home Alone At Night raises questions of justice and morality that it never intends to answer. Leaving a comfortable amount of un-answerables hanging in the air in its final scene

https://playboard.co/en/video/A9tOoXTS0zM
Includes paid promotion. the feminist horrors of Jennifer's Body, Teeth, and A Girl Walks Home Alone at Night. 473,869 views

https://movieweb.com/31-days-of-horror-day-6-a-girl-walks-home-alone-at-night/
One of the town's residents is Arash, who attempts to take care of his heroin-addicted father, but his father's debts to a local drug-dealing pimp named Saeed leaves Arash without a car to get

https://wexarts.org/film-video/jennifers-body
Written by Juno 's Diablo Cody and directed by Karyn Kusama, horror film Jennifer's Body —first considered a flop—is now deemed a queer feminist cult classic. At the time of its release, Jennifer's Body was dismissed as just another vapid horror film appealing to straight men. Since then, "particularly after the rise of the #MeToo movement

https://medium.com/incluvie/a-girl-walks-home-alone-at-night-review-a-powerful-if-unintentional-look-at-the-exploitation-57ecce6bd1aa
A Girl Walks Home Alone At Night, directed by Iranian filmmaker Ana Lily Amirpour, follows a lonesome vampire, known only by the name of The Girl (Sheila Vand), as she stalks and preys upon men

https://movieweb.com/movie/a-girl-walks-home-alone-at-night/
Summary. In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.