https://www.youtube.com/watch?v=iEisul9bYE0
When Miriam Bäckström was a child, her parents used her as a therapist for their relationship. Today, the renowned Swedish conceptual photographer and artist

https://www.maff.tv/watch/miriam-backstrom-life-is-the-real-theatre
Miriam Bäckström: Life is the Real Theatre. Youtube. When Miriam Bäckström was a child, her parents used her as a therapist for their relationship. Today, the renowned Swedish conceptual photographer and artist finds that "homes are frightening," she says in this video in which we visited her workplace and "imitation of a home" in

https://vimeo.com/456085788
Miriam Bäckström Interview: Life is the Real Theatre. from Louisiana Channel. 3 years ago. When Miriam Bäckström was a child, her parents used her as a therapist for their relationship. Today, the renowned Swedish conceptual photographer and artist finds that "homes are frightening," she says in this video in which we visited her

https://channel.louisiana.dk/video/miriam-backstrom-life-is-the-real-theatre
Miriam Bäckström Life is the Real Theatre "I never got the chance to play the part of a child." When Miriam Bäckström was a child, her parents used her as a therapist for their relationship. Today, the renowned Swedish conceptual photographer and artist finds that "homes are frightening," she says in this video in which we visited her

http://www.maff.tv/watch/miriam-backstrom-life-is-the-real-theatre?feed=credit:rasmus-quistgaard
Miriam Bäckström (b. 1967) is a Swedish conceptual photographer and artist. Since the mid-1990s, she has worked with indirect modes of portraiture. Bäckström has photographed different rooms and interiors - including film sets, museum displays, and furnished flats - that tell their story in the absence of their inhabitants and often

https://www.maff.tv/watch/miriam-backstrom-life-is-the-real-theatre?feed=tag:photographer
When Miriam Bäckström was a child, her parents used her as a therapist for their relationship. Today, the renowned Swedish conceptual photographer and artist finds that "homes are frightening," she says in this video in which we visited her workplace and "imitation of a home" in an old mansion, to talk about her work inspired by theatre. Bäckström explains how she started out

https://dezignark.com/blog/miriam-ba%CC%88ckstro%CC%88m-interview-life-is-the-real-theatre/
When Miriam Bäckström was a child, her parents used her as a therapist for their relationship. Today, the renowned Swedish conceptual photographer and artist finds that "homes are frightening," she says in this video in which we visited her workplace and "imitation of a home" in an old mansion, to talk about her work inspired […]

https://archive.org/details/miriambackstroma0000back
Miriam Bäckström : anonymous interviews ... Bäckström, Miriam -- Interview, Rebecka (Motion picture) -- Exhibitions, Rebecka (Motion picture), Video art -- Exhibitions, Video art Publisher Basel [Switzerland] : C. Merian Collection inlibrary; printdisabled; internetarchivebooks Contributor

https://www.artforum.com/features/1000-words-miriam-backstrom-and-kira-carpelan-175300/
The result was a veritable labyrinth of recursive interconnections: The exhibition "Miriam Bäckström: Kira Carpelan," which opened last February, identifies Bäckström as the artist and Carpelan as her creation; but the work on view—an untitled video starring Bäckström and well-known Swedish actress Rebecka Hemse, who also appeared in The Viewer—was made and is owned by Carpelan.

https://channel.louisiana.dk/artists/miriam-b%C3%A4ckstr%C3%B6m
Miriam Bäckström. Added to playlist. 23:43 "I never got the chance to play the part of a child." Miriam Bäckström Life is the Real Theatre. Louisiana Channel is supported by . All Videos; About; Contact;

http://elbabenitez.com/artist/miriam-backstrom/
The work of Miriam Bäckström is driven by an intense study of the symbiotic and oscillatory relationship between image and reality in the human psyche. Bäckström works across various media, including photography, theater, installation, performance, film and written text. Her early work as a conceptual photographer involved technically

https://kohta.fi/exhibition/miriam-backstrom-consumer/
'Miriam Bäckström: Consumer' in the larger gallery presents new sculptural tapestry work by the Swedish artist, who started showing internationally as a conceptual photographer in the late 1990s and is also known for her films, texts and collaborations with actors. For more than ten years Bäckström has been working with machine-woven images, realising a number of large-scale

https://lundskonsthall.se/en/public-art/public-artworks/2022-2024/miriam-backstrom
Miriam Bäckström was born in Stockholm in 1967. Her artistic practice may be described as an ongoing study of how the human mind grasps the relationship between image and reality. Her early works were photographs of homes without their inhabitants and deserted museum halls, in some sense stage productions in search of their characters.

https://marabouparken.se/wp-content/uploads/2023/02/Miriam-Backstrom-New-Enter-Image-interview-english.pdf
In Miriam Bäckström's previous work, photographs of rooms and interiors reveal themselves to be staged or referred to reality to somehow be artificial. In Set Construc-tions (1996-2002) the works offer two perspectives of a film set within one image. One perspective documents the world that Bäckström is in when documenting the film

https://onthisdateinphotography.com/2016/12/17/december-17-appearance/
Each of these draws on her experiments with interpersonal relationships with the actress Rebecka Hemse (above, right, best known for her role as Martin Beck's daughter Inger). Bäckström's Rebecka, 2004 centres on an uncomfortable video interview performed by Hemse which compellingly presents socially conditioned subjectivity and superficiality, and The Viewer (2005) a feature-length film

https://www.mutualart.com/Exhibition/Miriam-Backstrom--The-Opposite-of-Me-is-/65C167DA3D4D7355
Miriam Bäckström (born 1967 in Stockholm) emerged as an artist in the late 1990s. The conceptual and visual precision of her photographic work soon gained wide international recognition, not least after Harald Szeemann included it in the Venice Biennale in 1999. She used the established approaches of documentary photography to expose and undo conventions of depiction and storytelling. Film

https://nordenhake.com/exhibitions/2003/no-title-34
Miriam Bäckström. »Miriam Bäckström«. Stockholm, May 10, 2003 - June 19, 2003. Apartments II is a series of new photographs by Miriam Bäckström. The show consists of 20 framed photographs of identical size (48 x 55 cm), each depicting a singular view into a home. The Apartment series is an on going project, which she started in 2000.

https://dezignark.com/blog/stories-by-martin-de-thurah/
A young woman walks the streets of Berlin clad in multiple white T-shirts in filmmaker Martin de Thurah's new short film, "Stories," produced by Google Arts and Culture on the occasion of the exhibition, "Items: Is Fashion Modern?" at the Museum of Modern Art, and and as part of We Wear Culture (g.co/wewearculture). Michelle Millar […]

https://www.mutualart.com/Exhibition/Miriam-Backstrom--New-Enter-Image/38EAE468B859E3B7
The work of Miriam Bäckström is driven by an intense study of the symbiotic and oscillatory relationship between image and reality in the human psyche.Bäckström works across various media, including photography, theater, installation, performance, film and written text. Her early work as a conceptual photographer involved technically precise depictions of interior spaces -- such as

https://www.artforum.com/events/miriam-backstrom-4-204107/
Miriam Bäckström's fine new film Rebecka, 2004, elicits the double entendre: where truth lies.In the film, Bäckström depends on a routine interview style to put forty-two minutes worth of questions and decrees to Rebecka Hemse, a renowned Swedish actress.

https://artworks.io/artists/miriam-backstrom
Miriam Bäckström's significant practice works across photography, video, script writing, performance and installation. Her work employs the term 'character' - meaning the roles that we play and that play us, as well as the qualities we perceive in people and things - as a tool for disassembling and reassembling image, language and behavior. Miriam Bäckström seeks to create new