https://www.youtube.com/watch?v=eoFM4Dnj_8U
DEFA-Film in voller Länge: Apachen - Dieser actionreiche Eurowestern unter der Regie von Gottfried Kolditz basiert auf der Legende des heldenhaften Apachenkr

https://www.youtube.com/playlist?list=PLWhRP5lmYyt9PGBMYxVEnJY4Y6pUleUOb
Indianerfilme, GOJKO MITIC, Stämme Nordamerikas, CHARLES BRONSON, Western

https://www.youtube.com/watch?v=yGKUMDB8mnQ
Die letzte Schlacht der Sioux ist ein seltener klassischer Indianerfilm (WESTERN) in voller Länge: Auch genannt: "Das letzte Gefecht" oder "Die Rache des Sit

https://www.moviepilot.de/filme/beste/genre-western/handlung-indianer
Entdecke die besten Western - Indianer: Spiel mir das Lied vom Tod, The Revenant - Der Rückkehrer, Dead Man, Der mit dem Wolf tanzt, Todeszug nach Yuma

https://framescinemajournal.com/article/the-defa-indianerfilm-as-artifact-of-resistance/
Indianerfilme as Processed Remainder. Madeleine Casad has recently argued that the DEFA Indianerfilme contain use value as objects that resist the present, both as "post-Wende 'camp'" and as serious markers of East German identity 31. Now that the Indianerfilme have proven to have a successful afterlife on VHS and DVD - outstripping all

https://www.umass.edu/defa/film/3521
Apaches is one of the classic Indianerfilme, or Westerns, produced by DEFA between 1966 and 1985. Awards. 1996: Shown at the "Wild East Goes West" East German "Indian Movie" Festival, Seattle, Washington: 1997: Special Recognition, American Indian Film and Video Competition, Read Earth Festival, Oklahoma City:

https://openworks.wooster.edu/independentstudy/8909/
This is a study about the DEFA Indianerfilme, which are East German Westerns. In my first chapter I establish how the Western genre and Native American representation has been a longstanding tradition in German culture. In my second chapter I discuss how film is an integral part of German culture and has been used to shape popular sentiment and portray profound emotions.

https://gsstudies.uga.edu/indianerfilme
The Red Westerns, or the Indianerfilme as they were originally called, were appropriations of the classical Hollywood genre but they staged Native American communities at the center of the narrative. Realized as joint projects among East Germany and other socialist nations, these films sought to stage a Native American community as unified by

https://popkultur.de/die-besten-western-filme-aller-zeiten/
The Homesman (2014) 43. Westworld (1973) 44. The Wild Bunch - Sie kannten kein Gesetz (1969) Diese Liste der besten Western aller Zeiten könnte mit Leichtigkeit um dutzende ausgezeichnete Filme mit Stars wie James Steward, Henry Fonda, Richard Widmark, Burt Lancaster und vielen weiteren fortgesetzt werden.

https://eastgermancinema.com/category/indianerfilme/
Category: Indianerfilme Red Westerns. The American West is about as far from East Germany as one can get, politically, geographically, and philosophically, but Germans have a long—some might say bizarre—love affair with America's past, and, in particular, the lives of the Indians who roamed the plains.1 Some Germans spend their summers

https://www.youtube.com/playlist?list=PLWolRlH04b2YRohflbAbO0npLAyyF3-wD
Share your videos with friends, family, and the world

https://www.filmportal.de/en/topic/the-defas-eastern-westerns-indianerfilme
The DEFA's "Eastern Westerns" (Indianerfilme) In 1962, Harald Reinl's first Karl May film "Der Schatz im Silbersee" ("Treasure of Silver Lake") launched a popular wave of West German westerns. Four years later, the DEFA began producing westerns of its own. On more than one level, the DEFA's "eastern westerns" emerged as foils to the

https://daily.jstor.org/why-east-germany-loved-the-wild-west/
Yes, Westerns. Inspired by West Germany's international success in the early 1960s with films based on the bestselling novels of Karl May, the East Germans produced equally successful Indianerfilme. As their name suggests, these Indianerfilme were orientated towards the perspective of Native Americans, at least as defined by the state film

https://1library.net/article/fitting-the-indianerfilme-to-the-sed-s-narrative.q536173z
The Indianerfilme provided the SED with a popular platform to "articulate an outspoken critique of the colonialism and racism that fueled the westward expansion of the United States" to audiences at home and abroad (Gemünden 26). Although the films strayed from the socialist realism paradigm, inverting the Hollywood Western narrative

http://indianerfilm.ueuo.com/english/intro.html
In contrast to the West German productions, which were often historically inaccurate and full of clichés, East German filmmakers did extensive research in an attempt to be true to the historical events in general, and the Native American culture in particular. Westerns from the East, Indianerfilme - Starring Gojko Mitic. Between 1966 and 1983

https://link.springer.com/chapter/10.1057/9781137364302_4
Based on the popularity of the Indianerfilme in East Germany, as well as the fact that DEFA created Indianerfilme as a response to the popularity of Karl May Westerns, one might conclude that Karl May's heroes, Winnetou and Old Shatterhand, not only saved West German cinema, but also contributed to the growth of cinema in East Germany.

https://srv.veoh.com/groups/western-deutsch/videos
Western (DEUTSCH) Western, Cowboy- und Indianerfilme. manager: cowboy987 category: Groups > Movies permalink:

https://www.jstor.org/stable/3137409
28 The DEFA Indianerfilme East German Indianerfilme participate in forms of "othering" that are imbricated in strategies of domination, appropriation, and stereotyping.3 If in most Hollywood productions the Indian was a red devil, in the DEFA films the "primitive" invariably becomes a placeholder for the noble savage.

https://trace.tennessee.edu/utk_gradthes/5358/
Abstract. This thesis examines the role that the Indianerfilme played in the construction of the East German national identity, explains their usefulness as an illustration of the state's propaganda narrative, and analyzes what the films indicate about racism, masculinity, international relations, and the legacy of National Socialism in East Germany.

https://www.youtube.com/playlist?list=PLWhRP5lmYyt-eU5Gile8wFNreoo3K5Lnm
Share your videos with friends, family, and the world

http://framescinemajournal.com/article/appropriating-the-other-for-the-cold-war-struggle-defas-depiction-of-native-americans-in-its-indianerfilme/
3 DEFA's Indianerfilme were shaped both by ideological intents and by what Hartmut Lutz terms "Indianthusiasm". 4 Die Söhne der großen Bärin (1966, The Sons of the Great Mother Bear ) was so successful - around ten million GDR citizens saw the film - that it led to other popular Indianerfilme throughout the 1970s and into the 1980s.

https://www.youtube.com/playlist?list=PLFB_Etm5SGeTPe8J3Znio_EhHPvXgJc4r
Share your videos with friends, family, and the world

https://www.youtube.com/playlist?list=PLsybc-PP1zNHnifploRsDSWxZ4z3JvA-K
Share your videos with friends, family, and the world