https://www.youtube.com/watch?v=d4OVuxSYnSY
Join my Ultimate Substance Painter course, and learn how to master Ghibli-Style textures, as well as a ton of other cool stylized textures as well! Start you

https://www.classcentral.com/course/youtube-how-a-3d-artist-creates-3d-environments-full-workflow-breakdown-128129
Learn how to create 3D environments by mastering Ghibli-Style textures and other stylized textures. Understand the full workflow breakdown of a 3D artist through a detailed explanation of scene creation, software utilization, and tips for enhancing workflow.

https://www.youtube.com/watch?v=RaNUmKgbNss
Creating a full environment scene is a daunting task, especially for beginners. Where do we even start? How does the low poly to high poly workflow work? Wha

https://www.youtube.com/watch?v=ZRS_zTeMk70
Learn how to make beautiful trees, fluffy grass, and sweeping landscapes with my brand new Unreal Engine for Beginners course: https://bit.ly/3lZ6TTRSupport

https://www.creativeshrimp.com/photoreal-environments-and-photogrammetry.html
A GENERIC PHOTOSCANNING WORKFLOW. There are a few really interesting things that we can do with photogrammetry as 3d artists and as environment artists… But first, here's a quick refresher of what a typical photogrammetry workflow entails. capture a bunch of photos of an object or an interior space from different angles;

https://pixune.com/blog/3d-modeling-process/
1. Concept and Reference Gathering. In order to define the vision and purpose of the 3D modeling services, we need concept art services. This stage allows us to define the parameters like art style, level of realism, materials, etc. With an early guideline from concept artists, we can set our 3D modeling workflow and set clear goals.

https://blender.fi/2022/06/26/how-a-3d-artist-creates-3d-environments-full-workflow-breakdown/
Start your journey to becoming a texture artist today. Join here: https://bit.ly/2PyWaRY Have you ever wondered how artists make these massive and beautiful environments in 3D? Well, it's not a super simple process - there are a lot of specific software you have to learn to be able to create a complete environment.

https://medium.com/quixel-ab/democratizing-3d-environment-workflows-1fa0c6f462ac
Low resolution 3D scan created with a scanning software The next step is to build a blockout with primitive geometry (cylinders, cubes, etc…), then overlay them on the scanned map to get a 1:1

https://polydin.com/3d-environment-design/
Here, the 3D environment artist works closely with the art director to create sketches and drawings of the environment. This stage is critical as it sets the tone for the entire project and helps everyone visualize the final product. Once the concept art is complete, the 3D environment artist moves on to the modeling phase.

https://stylizedstation.com/article/the-full-3d-character-workflow-explained-beginners-guide/
In this Full 3D Character Workflow Tutorial for Beginners, Savannah breaks down her process and gives you a ton of tips and tricks to show you how to create 3D Characters using ZBrush, Substance Painter Texturing, and finally presentation in Marmoset Toolbag 3. Be sure to check out Savannah's work on Artstation.

https://medium.com/@EightyLevel/game-ready-environment-production-tips-and-tricks-e98c656ff065
Lighting. All lights in this scene are baked. The key light in this scene is the sun (2 intensity, with an indirect of 4), with a very very dim skylight (0.2 intensity). I left the intensity high

https://www.artstation.com/artwork/R30LPX
Today, we are going to learn how to create a stylized environment in Unreal Engine. We will cover concepting, stylized modeling techniques, creating stylized grass foliage in Unreal Engine, and some stylized texturing. If you're a beginner or intermediate artist looking to learn how to create stylized 3D Environments, you've come to the right place.

https://80.lv/articles/life-as-a-aaa-environment-artist-tools-workflows-and-artengine-101/
In one click, the AI works wonders and generates a convincing result. Next, I removed hard shadows caused by irregularities in the wall. In ArtEngine, you have a couple of options for delighting. You can use Ambient Occlusion to lighten the dark areas or use Hard Shadow Removal. Here, I went with the latter method.

https://80.lv/articles/the-yard-3d-environment-breakdown/
Here's a breakdown of my approach to texturing the walls. As shown in the gif, I've used 3 vertex color channels for blending the dirt, damage, and color tint layers. This is the master material used here. Basically, just a few groups of textures mixed with each other by using HeightLerp nodes.

https://www.youtube.com/watch?v=RC50l8KWkKo
Today, we are going to learn how to create a stylized environment in Unreal Engine. We will cover concepting, stylized modeling techniques, creating stylized

https://dreamfarmstudios.com/blog/3d-animation-pipeline/
3D animation production pipeline has three main stages: Pre-production. Production. Post-production. Based on organizational considerations, resources, outcomes, and other factors, each segment of the 3D animation industry uses the three stages a little differently, but the main structure remains intact.

https://pixune.com/blog/layout-in-3d-animation/
Layout determines camera angles, character/object staging, and composition. At its core, when we talk about layout in the 3D animation pipeline, we talk about cinematography. It consists of 2 stages. The first pass stage is just creating the camera for the animation, and then there's the final layout stage, which focuses on refining the

https://stylizedstation.com/article/full-3d-game-asset-workflow-explained-full-tutorial/
Ever wondered the full workflow for 3D assets? Patricia Dobbins stops by Stylized Station to give an in-depth workshop on creating your first asset from start to finish. This will be a 5 step series, totaling 2 &1/2 hours long. Enjoy! Check out Patricia's work here. Concept art by Serg Tsvelykh

https://www.youtube.com/watch?v=Gj8itGQqvTk
Thanks to KitBash3D for sponsoring! Download their NEW Mission to Minerva kit for FREE to start creating your 3D worlds! http://kitbash3d.com/pwnisherGet 50%

https://fxiationdigitals.com/vfx-animation-blog/why-is-vfx-pipeline-important/
The VFX pipeline is critical for any visual effects shot. Whether you're a 3D artist who creates digital characters, 3D animation, 3D elements or complex effects for a tv show, movie, or video game, or the VFX supervisor who oversees the team that creates such effects, you know that the VFX pipeline is the backbone of your project.

https://cgifurniture.com/3d-sculpting-workflow-5-steps/
After establishing all of the details, the CG specialist can move on to the next step of the workflow. #2. Blockout and Initial Modeling. Now let's take a look at the second stage of the 3D sculpting workflow. Here's where the technical process begins. With the help of advanced software, the 3D artist creates a rough shape of the furniture

https://80.lv/articles/creating-a-historically-inspired-young-girl-with-intricate-clothing/
I used Substance 3D Painter for baking and texturing everything except for some fabrics, which were created in Substance 3D Designer. The whole process was very straightforward and quite simple. For the most part, I followed a procedural workflow, starting with smart materials and then adjusting the textures using different masks and effects.

https://www.youtube.com/watch?v=s8JsAChpLcs
From the series on studying the process of my own artwork. Not so much of a "breakdown," but more a of a process/thinking type videoOpenStreetMap: https://ww

https://www.youtube.com/watch?v=BskSWUJgSbc
Join my ultimate Substance Painter course here: https://bit.ly/3cVRXjcToday, we're going to learn how to create stylized props and environments using a full