https://www.youtube.com/watch?v=rnuVu2iz2kg
You've been told to shoot slog 2, but dont know how to. Do it the rebel wayCheck out and download the LUTs here:https://huyrebel.sellfy.store/other accounts:

https://www.youtube.com/watch?v=JFz8gbNxTNE
This should clear up how to expose sony slog2 footage everytime! This applies to any sony camera that has the slog 2 picture profile.Free Slog 2 conversion L

https://www.youtube.com/watch?v=xpu_ApK_LZE
How to perfectly expose S Log 2 footage | Sony A7CI have started shooting in S Log 2 on my Sony A7C a lot more recently. It has taken me a lot of messing aro

https://wolfcrow.com/how-to-expose-and-grade-s-log2-for-the-sony-a7s/
October 29, 2014. The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony A7s. This guide covers the S-Log2 workflow as it pertains to the Sony A7s, shot in S-Gamut color mode. We will learn: How to expose for S-Log2. How to monitor exposure in S-Log2 using nothing but the camera.

https://wolfcrow.com/how-to-expose-and-grade-s-log2-on-the-sony-a7r-ii-and-sony-a7s-ii/
December 4, 2015. The definitive guide to exposing, monitoring and grading S-Log2 footage from the Sony a7R II and Sony a7S II. For many it's frustrating to own or use the Sony a7R II ( B&H , Amazon ), a7S II ( B&H , Amazon) and a7S because S-Log2 is so hard to work with. All that dynamic range and you don't know how to use it!

https://www.4kshooters.net/2020/04/03/tips-on-how-to-properly-expose-s-log2/
Sony is one of the most popular brands among independent filmmakers. The company has always been in the high-end camera market but has slowly entered the field where smaller brands prevailed. Now we have a lot of small mirrorless cameras available out there with great specs and affordable prices, at least for beginners who want to dip their

https://wolfcrow.com/s-log2-exposure-and-monitoring-workflow-the-wolfcrow-system/
In other words, Sony claims that the A7s can record about 13 times more data than Rec. 709. The key word is 'can'. Theoretically. However, practically, the dynamic range is limited by the gamut and noise characteristics of the sensor. Here's a graph showing S-Log2 compared to S-Log3 (newer gamma found in the Sony a7S II/FS7/F5/F55/F65):

https://pro.sony/en_be/technology/s-log
Sony Look Profiles are designed to simplify the colour grading process. Supplied as 3D LUT (Lookup Table) files, our Look Profiles convert footage shot in S-Log to the REC.709 standard, making it easy to achieve dazzling images with S-Log, even for beginners. For more advanced users, Look Profiles provide a useful starting point to begin the

https://www.4kshooters.net/2018/07/09/best-slog-2-custom-settings-for-your-sony-mirrorless-camera/
Now, to mimic the picture profile in question, head over to your Sony camera menu and choose PP9. Then switch the Gamma to S-Log 2 and Color Mode to S-Gamut3.Cine. Next, set the Black Level to 0 and in the Black Gamma settings, adjust the range to Narrow and the Level to -7. The latter step should add more contrast to the darker areas of your

https://www.alisterchapman.com/2014/08/19/exposing-and-using-slog2-on-the-sony-a7s-part-one-gamma-and-exposure/
Sony's Cinegammas are 460% curves (11.5 stop) so they cannot record more DR than than 11.5 stops, that's impossible. S-log2 is a 14 stop curve. Middle grey is also placed at the wrong point in the S-Log2 curve (it should be +6 stops/ -8 stops) so I am very suspect of how the base exposure settings are bing established, including some of the

https://pro.sony/ue_US/technology/s-log
S-Log is a gamma curve designed to record and transmit as much of the information recorded by your camera's sensor as possible. S-Log breathes life into your images by preserving the wide color gamut and dynamic range recorded by the sensor. Then, in post-production, you create the image you want as part of the grading process, with greater

https://www.youtube.com/watch?v=alPEnFv3CYU
Learn how to expose slog2 perfectly on cameras such as the Sony A7iiiVaraible ND: https://amzn.to/45st6guYungnuo light: https://amzn.to/3qmUMEW_____

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Email us at PSPodcast@sony.com! Subscribe via Apple Podcasts, Spotify, or download here Hey y'all! We've got a full show for you all this week, starting with a recap of the teams' hands-on experiences at Summer Game Fest. Plus, we got to sit down with Riot Games Production Director Arnar Gylfason to discuss Valorant coming to […]

https://www.sony.com/electronics/support/articles/00145908
Check Applicable Products and Categories for details. S-Log is a gamma curve with a wide dynamic range optimized under the assumption that grading will be performed in the post-production process. S-Log3 allows for better reproducing gradation characteristics in shadows and the mid-tone range than S-Log2. It has features closer to those of

https://us.community.sony.com/s/question/0D50B00004YTZ1TSAX/how-to-properly-expose-slog?language=en_US
Shooting in S-Log means that I always need to adapt my exposure. For example, using "S-Gammut3.Cine/SLog3" with the 709 (800) LUT applied to the viewfinder, I need to set the zebra level to 90% (since white will be 90% when exposing the 709 (800) LUT and zebra/waveforms always refer to the LUT). Once I exposed the LUT correctly, the S-Log will

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https://www.youtube.com/watch?v=ZsqxU2blBRc
This method of exposing for S-log footage is really simple, quick and will produce footage with minimum noise. This way you should be able to squeeze as much

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https://www.youtube.com/watch?v=R8o7T5f3UuA
Why is everyone always talking about shooting in S-LOG? What is S-LOG? When should you use S-LOG? How do you properly expose LOG footage? How do you color gr

https://us.community.sony.com/s/question/0D50B00004ILDC3SAP/what-is-the-ire-value-for-18-grey-for-rec709-slog2-and-slog3-on-the-a7sii-?language=en_US
Would need the IRE values for REC709, SLOG2 and SLOG 3 gamma. As of now, I'm getting around 50-52% IRE for REC709 which seems high as I was expecting around 40-41%. Thx Claude. Interchangeable Lens Cameras (Alpha)

https://www.youtube.com/watch?v=MX7rOCfSKHs
In this video, I shoot in both SLOG-2 and S-LOG3 on the Sony A7III to see which will look better! I ... Should you shoot S-LOG 2 or S-LOG 3 on your Sony Camera? In this video, I shoot in both SLOG