https://www.jvc.com/usa/pro/professional-video/handheld-cameras/gy-hc500u/
Handheld Cameras ; GY-HC500U ... This product becomes a significant part of JVC's live IP production workflow solution. P-22MX The P-22MX Professional Tripod System includes a 75mm H20 fluid head, T752 aluminum tripod, MS-5 mid spreader, extra handle (2 total) and an S-52 carry case. The tripod features a two stage design and aluminum

https://artlist.io/blog/how-to-master-the-handheld-camera/
They will create an instantly smoother handheld moving image. A helpful yet underestimated tool for shooting handheld is the strap that comes with a camera. With the strap, the neck becomes an additional point of balance between the camera operator's hands. Another helpful tip is to practice regulating one's breathing whilst operating the

https://pro.sony/ue_US/products/studio-and-broadcast-cameras
Live System Cameras. Multi-format HD and SD system cameras. Range covers almost all creative applications. Ideal for studio and OB applications. Software Licenses and Upgrades. Advanced features for enhanced performance. Control System and I/F. Control systems and interfaces for studio cameras. CCUs and control panels.

https://www.epiphan.com/blog/best-cameras-for-live-streaming/
Four essential criteria for live streaming cameras 1. Clean HDMI out. To live stream from a camera, you have to capture the signal coming directly from its HDMI or SDI out port. Along with the video feed, some cameras will also send all the user interface (UI) elements visible on the display (e.g., battery life, exposure, aperture).

https://www.jvc.com/usa/pro/professional-video/
DT-U31U is a multi-interface 4K HDR monitor designed for broadcast centers, production trucks, and studios. It offers a native 4K panel (3840 x 2160) with a contrast ratio of 3000 to 1, and boasts multiple 4K interfaces, such as 12G-SDI, 3G-SDI, and HDMI 2.0, as well as Video-over-IP, HLG-HDR and PQ-HDR capability.

https://www.videomaker.com/article/c15/15956-6-reasons-to-go-hand-held/
Hand-held camera boasts a long and stormy history in The Biz, but remains one of the most popular filming techniques used today. Let's look at six reasons to go au naturel. 1. Cost. Budget is the single biggest factor that affects a project's production value, so it makes sense to go with a visual style that will create the proper mood

https://www.newscaststudio.com/2019/02/04/panasonic-ag-cx350/
By NewscastStudio. Panasonic has announced the AG-CX350, a 4K 1.0-type handheld camcorder that offers both creativity and connectivity for live events, IP Production, sports and news gathering

https://pro.sony/en_ZA/products/professional-cameras
Digital Cinema Cameras. 8K or 6K full-frame sensors. Precise control over depth of field. Wide choice of cinematic lenses. Camcorders. Professional camcorders for broadcast, videography, corporate and more. Shoulder mount, semi-shoulder and handheld models. Industry-leading 4K UHD and HD with HDR. PTZ and Remote Cameras.

https://pro.sony/en_GB/live-production
Create and Produce Live. Explore new production techniques, revenue streams and the latest in VR and AR. Give camera operators and vision mixers the workflows that make the most of their skills and your resources. Capture stunning HDR images, 4K detail and depth—whether you work remotely or on-site. Find out more.

https://www.panasonicvisualsystems.com/industries/broadcast/a-guide-to-planning-your-live-event-production-setup
This simpler IP-based management was critical for full-service event production company GlobeStream Media, which uses KAIROS for remote production of live-streamed college sports broadcasting events. KAIROS supports the company's multi-camera production needs via a single dashboard. World-class connectivity for easy integration

https://www.vidovation.com/blog/best-cinematic-cameras-for-live-broadcast/
However, you can take its renowned color reproduction, look and progressive workflows and use them for your live production instead. The VariCam HS, unlike other members of the VariCam line, is specifically great at capturing motion.It offers continuous 240 fps recording, and a deal-codec recording that revolutionizes workflow. Expect in-camera color grading, modular design, and other great

https://www.mediamerge.com/blog/choosing-a-live-production-camera
Live Production Cameras are not as simple as a One Size Fits All approach. There are multiple types of modular cameras with separate lenses, accessories and settings galore. DSLR, Broadcast and Cinema Cameras. EF, ENG and PL lenses. Auto-focus, have internal components that vary based on their intended uses, but the overall construction of the

https://www.arri.com/en/camera-systems/live-cameras/alexa-35-live
The system combines the 4K ALEXA 35 Live camera, the Live Production System LPS-1 (comprising a Fiber Camera Adapter and Fiber Base Station), the Skaarhoj RCP, and a slew of bespoke Multicam accessories. ... For handheld operation there is the ARRI Touchdown base plate system, with its innovative quick-release mechanism, as well as a long Visco

https://fablestudios.tv/blog/static-v-handheld-when-to-use-each/
Handheld. The simplest form of handheld is as described, hold the camera without any gadgets or add on to stabilize the image. You can use shoulder mounts and other rigs to make the camera easier to operate but the end goal is to create a shot that is constantly moving. Now that is cleared up, when should you use either technique.

https://www.jvc.com/usa/pro/professional-video/handheld-cameras/gy-hm180u/
4K Ultra HD recording (150 Mbps, 24/30p) to SDXC (UHS-I Speed class3) card. 4:2:2 full HD recording at 50Mbps (24-60p) 120fps HD slow motion recording. Live 4K UHD output via HDMI connector. 3G-SDI output for HD signals. 2 position ND filter (1/4, 1/16) Built-in stereo microphone. Audio handle with 2 XLR connectors.

https://www.joelwsmith.com/best-wireless-video-systems-live-production/
Teradek Bolt 6 LT. The best overall wireless video system for most users. Get Price at Amazon Get Price at Adorama. Teradek/Amimon is THE name when it comes to reliable, near-zero latency, uncompressed video transmission. The Teradek Bolt 6 LT 750 offers 3G-SDI and HDMI support, 10-bit 4:2:2 color, HDR support, and a maximum transmission

https://www.jvc.com/usa/pro/professional-video/handheld-cameras/gy-hc550un/
Handheld Cameras ; GY-HC550UN ... This product becomes a significant part of JVC's live IP production workflow solution. P-22MX The P-22MX Professional Tripod System includes a 75mm H20 fluid head, T752 aluminum tripod, MS-5 mid spreader, extra handle (2 total) and an S-52 carry case. The tripod features a two stage design and aluminum

https://www.epiphan.com/blog/types-of-4k-cameras/
Next up is DSLR cameras. Small, handheld devices, these digital cameras were originally intended for still-image capture, but most models now offer video recording as well. Unlike professional production cameras, DSLR cameras are significantly more affordable for live production enthusiasts, costing around $2,000 on average for the camera body.

https://www.bhphotovideo.com/c/buy/Studio-EFP-Cameras/ci/16764/N/3769429769
Hitachi Z-HD6500 1080p Studio Production Camera Package. B&H # HIZHD6500ST MFR # Z-HD6500-ST. Key Features. 2/3" CMOS Sensor, Unibody Camera ... Broadcast cameras are optimized for the live studio broadcast. ... these cameras are compact and lightweight, designed to be used on a tripod or as a handheld camera. Many have built-in memory in

https://www.jvc.com/usa/pro/professional-video/handheld-cameras/gy-hm250u/
Single 1/2.3-inch CMOS image sensor with 12.4 million pixels. High quality integrated 12x F1.2-3.5 zoom lens (35mm equivalent: 29.6-355mm) Lower-third and full-screen titling solutions for recorded or streamed video. Zero Config configuration capability. Tele-macro mode provides better focus on close objects. Dynamic Zoom in HD mode maps

https://www.youtube.com/watch?v=Du_AuqAeAc4
What to do, what not to do—learn what a camera operator needs to know at a fundamental level.What is MxU?The all-in-one training platform for church worship

https://churchtechtoday.com/5-elements-cinematic-live-video/
For our cinematic live production, we use a lot of handheld cameras. We also used camera movement that matched the energy of the song. So, a fast song had faster, more organic movement and a slow song had slower steady movement. Our camera people employed truck (side to side) and dolly (forward and backward) movement while holding the camera

https://www.jvc.com/ca/pro/professional-video/studio-cameras.html
This console remote unit provides key operation of the camera when connected in a fiber or multicore set-up using the Studio Adapter and CCU CAD 4,699.99 KM-IP4000S JVC's ProHD Studio 4000S is a self contained 4 channel, live sports production and streaming studio that offers professional results.